<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3209275853761703341</id><updated>2012-01-29T20:43:46.758-06:00</updated><category term='mahler sinfonia no. 3'/><category term='Celibidache'/><category term='The Rest is Noise- Listening the Twentieth Century (PDF-E_pub-Kindle)'/><category term='Mahler sinfonía 9 Karajan'/><category term='Bryn Terfel'/><category term='Bavarian Radio Symphony Orchestra'/><category term='Mahler: Des Knaben Wunderhorn Riccardo Chailly Royal Concertgebouw Orchestra'/><category term='Gustav Mahler Symphony no.1'/><category term='Agnes Baltsa'/><category term='Mhaler todo el Lieder'/><category term='Grand Symphony Orchestra of Radio and Television'/><category term='Galina Vishnevskaya'/><category term='Sir John Barbirolli'/><category term='conducted by Bruno Walter'/><category term='Zender discuss Mahler 9'/><category term='Mahler en  Viena- Henry-Louis de La Grange.'/><category term='mahler sinfonia no.7'/><category term='Sinfonía no.7'/><category term='Tennstedt'/><category term='Gustav Mahler-Sämtliche Werke'/><category term='by Uri Caine'/><category term='Christine Schafer'/><category term='Mahler 4'/><category term='Concert Archive 914'/><category term='Boston Symphony Orchestra'/><category term='Des Knaben Wunderhorn'/><category term='Mahler symphonies no.2 y 3'/><category term='BBC legends.'/><category term='Bruno Walter-Original Jacket Collection'/><category term='Eugene Jochum'/><category term='Mahler Chamber Orchestra'/><category term='Royal Philharmonic Orchestra'/><category term='Popp Lucia'/><category term='Pierre Boulez'/><category term='Mahler-The complete symphonies conducted by Leonard Bernstein'/><category term='Mahler sinfonía no.5 Roger Norrington'/><category term='Melodiya'/><category term='Markus Baur'/><category term='Mahler  Symphonies 6 y 7'/><category term='integral de Mahler por Eliahu Inbal'/><category term='MahlerSymphony no.7'/><category term='Mahler symphony no. 1'/><category term='Sinfonía no. 9'/><category term='New York Philharmonic Orchestra'/><category term='Mahler Sinfonia no.5 Haitnik Neumann'/><category term='Mahler Sinfonía'/><category term='Staatskapelle Dresden'/><category term='Mahler 9-Svetlanov-RSSO'/><category term='Vienna Philharmonic Orchestra'/><category term='New York Philharmonic'/><category term='Gewandhausorchester Leipzig.'/><category term='Mahler sinfonía no7'/><category term='Gianandrea Noseda'/><category term='NDR sinfonieorchester'/><category term='Galina Pisarenko'/><category term='Seiji Ozawa'/><category term='Mahler Kindertotenlieder 15 versiones'/><category term='Mahler Symphony No.1 &quot;Titan&quot;'/><category term='Fischer-Dieskau.'/><category term='New York Philarmonic'/><category term='Sinfonía no5'/><category term='Mahler Symphony No. 8 (Part I) - Kindertotenlieder'/><category term='Sinfonie-Orchester des Bayersichen Rundfunks'/><category term='Schmidt Andreas'/><category term='Sinfonía no.1 de Gustav Mahler'/><category term='Concertgebouw Orchestra of Amsterdam.'/><category term='Mahler Sinfonia no.1-Giuseppe Sinopoli-LIVE'/><category term='Richard Lewis'/><category term='Mahler 10'/><category term='Edith Mathis'/><category term='Gustav Mahler Kindertotenlieder'/><category term='San Francisco Symphony'/><category term='London Classical Players'/><category term='Mahler Symphonies Nos. 1-3-4-5-6-7 y 9'/><category term='Karel Ancerl'/><category term='The Mahler Family Letters'/><category term='Sinfonía no. 7 Rafael Kubelik'/><category term='Antony Hermus'/><category term='Barenboim'/><category term='Brahms German Requiem'/><category term='James Levine Conducts Mahler'/><category term='the New York Philharmonic and loorin maazel comlete mahler symphonies live vol.3'/><category term='Alan Titus'/><category term='Gold Edition'/><category term='Janet Baker'/><category term='RogerNorrington'/><category term='Wyn Morris'/><category term='Florida Philharmonic Orchestra'/><category term='Mariss Jansons'/><category term='Mahler  9 sinfonias Boulez Torrent'/><category term='Ferrier'/><category term='Czech Philharmonic Orchestra'/><category term='Radio Symphony Orchestra de Stuttgart'/><category term='Filarmónica de Moscú'/><category term='Simphonie-Orchester des Bayerishen Rundfunks'/><category term='José Carreras'/><category term='BBC Philharmonic Orchestra.'/><category term='Requiems para el Cuervo Lopez'/><category term='Valey Gergiev'/><category term='Mahler Das klagende Lied Simon Rattle'/><category term='Wiener Symphoniker'/><category term='Prom 28 2009'/><category term='Otmar Suitner'/><category term='Gustav Mahler: Scores- partitions'/><category term='Das klagende Lied Mahler'/><category term='mahler symphony no.2'/><category term='Gustav Mahler Complete Co-Edition-Decca-Deutsche Grammophon'/><category term='Maurice Abravanel Orquesta Sinfónica de Utah.'/><category term='gustav-mahler.es'/><category term='Sinfonía no. 6'/><category term='Berliner  Philharmoniker Orchestra'/><category term='Mahler symphony no.10( Adagio)'/><category term='mahler sinfonia no 6'/><category term='Flint (Michigan) Symphony Orchestra'/><category term='Mahler todas las Grabaciones Pioneras.'/><category term='Mahler symphonies nos. 1-5'/><category term='Siji Ozawa'/><category term='Benjamin Zander'/><category term='Michael Gielen'/><category term='Doris Soffel'/><category term='Europa Chor Academmie'/><category term='Sinfonía no. 4'/><category term='Gianandrea Noseda.'/><category term='blog Mahler  2010 / 2011'/><category term='Maureen Forrester'/><category term='Libor Pesek'/><category term='Mahler 9 sinfonías'/><category term='Stokovsky'/><category term='Kindertotenlieder'/><category term='Mahler sinfonía no.1Blumine)'/><category term='Valentina Levko'/><category term='SWR Baden-Baden and Freiburg Symphony Orchestra'/><category term='Mahler Sinfonía no. 5'/><category term='Entrevista Con Henry-Louis de La Grange.'/><category term='Alex Ross'/><category term='Mahler Symphony no.10 (adagio)'/><category term='Mahler Sinfonía 3'/><category term='Mahler&apos;s Voices by Julian Johnson'/><category term='Mahler Symphony no'/><category term='Saito Kinen Orchestra'/><category term='Dame Janet Baker'/><category term='Hermann Scherchen'/><category term='Gustav Mahler Symphonies 1-10.  Das Lied von der Erde'/><category term='Tilson Thomas'/><category term='BERLINER PHILHARMONIKER'/><category term='Mahler Sinfonía No.7 Tilson Thomas.'/><category term='Israel Philharmonic Orchestra'/><category term='Mahler Des Knaben Wunderhorn'/><category term='Birgit Finnila (Alto)'/><category term='Mahler sinfonía no.4'/><category term='Leningrad Philharmonic Orchestra'/><category term='Supraphon'/><category term='Gustav Mahler Titan-Eine Tondichtung in Symphonieform Hamburg Version (1893)'/><category term='Mahler Symphony No. 1 - Ruckert Lieder'/><category term='Staatskapelle Berlin'/><category term='Mahler Symphonies Nos. 1-10'/><category term='Benjamin Britten (conductor).'/><category term='Chicago Symphony  Orchestra'/><category term='Edición Integral de Mahler por MTT'/><category term='Das Lieder Von Der Erde'/><category term='I Have Lost Touch With the World  DVD'/><category term='Mahler Symphonies Nos. 1-9'/><category term='Mahler Gustav'/><category term='Symphony No. 7'/><category term='Steinberg'/><category term='Mahler Cronología Biográfica Henry-Louis de La Grange.'/><category term='Sir Colin Davis'/><category term='Mahler: Das Lied von der Erde Haitink'/><category term='David Zinman'/><category term='Mahler all the Lieder'/><category term='Brigitte Fassbaender'/><category term='250 VERSIONES DE LAS SINFONIAS DE MAHLER'/><category term='Mahler- Sinopoli - The Complete Recordings'/><category term='Gustav Mahler'/><category term='Vaclav Neumann'/><category term='Wiener PhilharmonikerMahler Sinfonia no.4  Bruno Walter 1945. 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Lorin Maazel'/><category term='Kathleen Ferrier'/><category term='Mahler Symphony No. 3 (Movement VI) - 3 Rückert Songs - Kindertotenlieder'/><category term='Kerstin Meyer.'/><category term='Mhaler  Piano Quartet'/><category term='Henry-Louis de La Grange Mahler en Viena'/><category term='London Symphony Orchestra'/><category term='Mahler 7'/><category term='Concertgebouw Orchestra de Amsterdam'/><category term='Mahler symphonies 1- 2 - 4- 5 - 9'/><category term='New Philharmonia Orchestra'/><category term='BBC Philharmonic'/><category term='Mahler Sinfonía no.1'/><category term='Alma Mahler: Gustav Mahler Recuerdos y cartas.'/><category term='Mahler  Symphonies Nos. 1'/><category term=')'/><category term='Discos a buscar'/><category term='Daniel Harding'/><category term='Mahler- Das Klagende Lied'/><category term='Christa Ludwig'/><category term='Kirril Kondrashin'/><category term='Gustav Mahler Symphony no. 5'/><category term='Sinfonía no.1 Edo de Waart  Netherlands Radio Philharmonic'/><category term='Mahler 8'/><category term='selección de los Lieder'/><category term='David Oistrakh'/><category term='Willem Mengelberg. Grabaciones Pioneras 1939'/><category term='El comentarista Sombrio'/><category term='Octava Sinfonía Gustav Mahler'/><category term='Mahler: Sinfonía no.9 Kurt Sanderling'/><category term='Mahler Kindertottenlieder'/><category term='Guiseppe Sinopoli'/><category term='Bruno Maderna Orchestra - Internationales Kammerensemble Darmstadt'/><category term='Rafael Kubelik'/><category term='Mahler Symphony No 9'/><category term='SWR Sinfonieorchester Baden-Baden und Friburg'/><category term='Fischer'/><category term='Bavarian Radio Symphony Orchestra.'/><category term='Mahler Symphony no.5'/><category term='Eduard Van Beinum'/><category term='Julia Varady   Lucia Popp.x'/><category term='Gustav Mahler: The Complete Symphonies - Klaus Tennstedt - London Philharmonic Orchestra'/><category term='Kölner Rundfunkorchester'/><category term='Scherchen conducts Mahler vol.2 :  Symphony no.6'/><category term='sinfonía no.4 deMahler y tres canciones de los Knaben Wunderhorn'/><category term='Mozart Symphony No 32-K. 318'/><category term='Kindertotenlieder Gustav Mahler'/><category term='Mehta'/><category term='James Judd.'/><category term='´Veni Creator´'/><category term='Kondrashin'/><category term='Mahler Symphony no.6'/><category term='Kubelik'/><category term='Ortrun Wenke'/><category term='MahlerSymphony No. 2 (Movements IV-V) - Symphony No. 5 (Adagietto) - Symphony No. 8 (Part I)'/><category term='Orquesta Sinfónica de Chicago'/><category term='E.A. 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Arnold Schoenberg'/><category term='Karl Böhm'/><category term='Hampson Thomas'/><category term='Berliner Symphoni-orchester'/><category term='Solti'/><category term='New York Philharmonic Orchestra and Chorus'/><category term='Mahler Symphony No. 5'/><category term='Zander discuss Mahler Gesellen + symphony no. 1'/><category term='Des Liede Von Der Erde'/><category term='Frank Scheffer'/><category term='Kirill Kondrashin'/><category term='Gustav Mahler remembered'/><category term='Ludwig Christa'/><category term='SWR Sinfonie Orchester Baden-Baden und Freiburg'/><category term='Mahler Sinfonía no.7'/><category term='John Shirley-Quirk'/><category term='Leonard Bernstein- Gustav Mahler : The Complete Symphonies and Orchestral Songs - Vol. I'/><category term='Madame Margaret Price.'/><category term='Zander discuss Mahler 5'/><category term='Gustav Mahler-Lieder-Dietrich Fischer-Dieskau'/><category term='Mahler symphony no.9'/><category term='7 y  9 - Kirill Kondrashin'/><category term='Ljubjana Symphony Orchestra.'/><category term='Abbado'/><category term='Deutsches Symphonie-Orchester Berlin'/><category term='Mahler Lieder Fischer-Dieskau'/><category term='HERBERT VON KARAJAN'/><category term='Mahler Symphony No. 6'/><category term='Kurt Sanderling'/><category term='Werner Hollweg'/><category term='Gustav Mahler Symphony No. 2'/><category term='Esa-Pekka Salonen'/><category term='Mahler Sinfonía No.5'/><category term='Mahler La Edición Integral de Leonard Bernstein.'/><category term='Concertgebouw Orchestra'/><category term='The Classical Source Entrevista con Henry-Louis de La Grange'/><category term='Frankfurt Radio Symphony Orchestra. Eliahu Inbal'/><category term='Royal Liverpool Philharmonic Orchestra'/><category term='Jukka-Pekka Saraste'/><category term='Budapest Festival Orchestra'/><category term='GRABACIONES HISTORICA'/><category term='Mahler Sinfonía no.9'/><category term='Gidon Kremer'/><category term='Mahler 7-Svetlanov-RSSO'/><category term='Halle Orchestra'/><category term='Royal Concertgebouw Orchestra'/><category term='4'/><category term='Lieder eines fahrenden Gesellen'/><category term='Mahler conducted by Jascha Horenstein- BBC Legends'/><category term='Leonard Bernstein'/><category term='Valery Gergiev'/><category term='(Versión ejecutable de Cooke II)'/><category term='Mahler Symphony No.4'/><category term='Mahler sinfonia no.9'/><category term='.Leonard Bernstein'/><category term='Kent Nagano'/><category term='Mahler Symphony No. 7'/><category term='Mahler: Symphonies 1 y 2'/><category term='Kindertoten'/><category term='Gustav Mahler- The Complete Works- 150 anniversary EMI'/><category term='Mahler Symphony No. 8'/><category term='Otto Klemperer'/><category term='SWR Sinfonieorchester Baden-Baden und Freiburg'/><category term='Camilla Tilling'/><category term='Lieder aus Des Knaben Wunderhorn'/><category term='Wiener Virtuosen'/><category term='3'/><category term='Edicion Integral de las Sinfonias de Mahler NYP vol. 1'/><category term='Sinfonía No.2'/><category term='London Symphony Orchestra.'/><category term='Mahler Sinfonía no 4'/><category term='Tahra France'/><category term='Mahler sinfonia no.8'/><category term='. Hans Rott Sinfonía E Major'/><category term='mahler sinfinia no.6 Mariss Jansons London Symphony Orchestra'/><category term='Mahler 1-Svetlanov-RSSO'/><category term='Mahler Sinphonies Edicion Integral de Michael Gielen'/><category term='6'/><category term='Chor und Symphonie-Orchester des Bayerischen Rundfunks'/><category term='Philharmonia Orchestra'/><category term='Philharmonic Symphony Orchestra'/><category term='Bernstein Leonard'/><category term='Mahler Symphony No. 9'/><category term='Mahler sinfonía no. 1'/><category term='Mahler sinfonía no. 2 Ozawa'/><category term='Dietrich Fischer-Dieskau.'/><category term='Giuseppe Sinopoli'/><category term='Ligeti requiem'/><category term='Mahler'/><category term='Mahler Sympony No.10 Adagio'/><category term='Sir Thomas Allen'/><category term='Jean Martinon'/><category term='Thomas Hampson'/><category term='Leonard Bernstein- Gustav Mahler : The Complete Symphonies and Orchestral Songs - Vol. III'/><category term='Klaus Tennstedt'/><category term='Harold Farberman'/><category term='The New York Philharmonic and loorin maazel complete mahler symphonies live vol.4'/><category term='Cuervo Lopez'/><category term='Cornelia Kallishen'/><category term='5'/><category term='postcuervo'/><category term='Eva Csapo'/><category term='Ivan Fischer'/><category term='Gustav Mahler Jugendorchester'/><category term='Rene Kollo'/><category term='Leonard Bernstein- Gustav Mahler : The Complete Symphonies and Orchestral Songs - Vol.II'/><category term='1973'/><category term='Michael Gielen Mahler'/><category term='Hendricks Barbara'/><category term='Mahler sinfonies  6- 7- 8 y 9 -Horenstein'/><category term='Mahler: Symphony No. 10- adagio'/><category term='Mahler Symphony No.8'/><category term='Philadelphia Orchestra'/><category term='Barbirolli'/><category term='Bernard Haitink'/><category term='Ozawa'/><category term='Radio Sinfonieorchester Stuttgart Des SWR'/><category term='Edicion Integral de las Sinfonias de Mahler NYP vol. 5'/><category term='Daniel Barenboim'/><category term='Dietrich Fischer-Dieskau'/><category term='Mahler: Sinfonía no.10 Cooke III'/><category term='Bruckner Symphony 3 (arr. Gustav Mahler for 2 pianos)'/><category term='CSO- Resound.'/><category term='Mahler 1O-Svetlanov-RSSO'/><category term='Ruckert'/><category term='Mahler: Sinfonía no.6'/><category term='Roger Norrington'/><category term='Georges Pretre'/><category term='Giuseppe Verdi'/><category term='Declaracion de inicio de año'/><category term='Mahler Lied Von Der Erde Leonard Bernstein Dietrich Fischer-Dieskau Wiener Philharmoniker'/><category term='Bernad Haitink'/><category term='Radio-Sinfonieorchester Stuttgart'/><category term='Riccardo Muti'/><category term='Gilbert Kaplan'/><category term='Mahler  9'/><category term='MESSA DA REQUIEM'/><category term='George Szell'/><category term='Mahler 5 organ transcription by David Briggs'/><category term='Gary Bertini'/><category term='Lorin Maazel'/><category term='Mahler Sinfonia no.1 todas las versiones gratis'/><category term='Gustav Mahler sinfonía no.5'/><category term='Mahler  Das Lied Von Der Erde Karajan'/><category term='Nanut'/><category term='Wunderhorn'/><category term='Colin Davis.'/><category term='Leipzig Radio Symphony Orchestra'/><category term='MISSA SOLEMNIS'/><category term='Stephen McClacthie'/><category term='sinfonía no.9'/><category term='Sinfonía no.3 de Gustav Mahler'/><category term='Sinfonía no.1 de Mahler'/><category term='Siegfried Vogel'/><category term='Sinfonía No.1'/><category term='Edicion Integral privada de las Sinfonias de Mahler NYPhil'/><category term='Sinfonía No. 5  Gustav Mahler  Gustavo Dudamel Orquesta de la Juventud Simón Bolívar de Venezuela.'/><category term='LSO'/><category term='Mahler Symphony No.7'/><category term='Marjana Lipovsek'/><category term='Wittek Helmut'/><category term='Gustav Mahler Sinfonía No.4'/><category term='Gustavo Dudamel'/><category term='Gustav Mahler- The Symphonies by Constantin Floros (HTML-Book)'/><category term='Mahler 6 Mitropoulos'/><category term='Gustav Mahler-Complete Scores'/><category term='Mahler - Symphony No.6'/><title type='text'>Todo Mahler</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default?start-index=101&amp;max-results=100'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>247</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3751560724184622872</id><published>2012-01-08T12:35:00.003-06:00</published><updated>2012-01-08T12:43:50.918-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler SYMPHONY NO. 2'/><category scheme='http://www.blogger.com/atom/ns#' term='Vienna Philharmonic Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='Gilbert Kaplan'/><title type='text'>Mahler: Symphony No. 2, conducted by Gilbert Kaplan</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-kCnhPA3k9pQ/TwnjFRcx7xI/AAAAAAAAFDc/j3o_ikvJ89U/s1600/cover2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="http://2.bp.blogspot.com/-kCnhPA3k9pQ/TwnjFRcx7xI/AAAAAAAAFDc/j3o_ikvJ89U/s320/cover2.jpg" alt="" id="BLOGGER_PHOTO_ID_5695332883509669650" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;El legendario &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Cuervo Lopez&lt;/span&gt;&lt;span style="font-family:arial;"&gt; presento, en marzo de 2008, esta greabacion de la segunda asi:&lt;/span&gt;&lt;br  style="font-family:arial;"&gt;&lt;br  style="font-family:arial;"&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;Hay amores que matan y romances que enloquecen.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br  style="font-family:arial;"&gt;&lt;span style="font-family:arial;"&gt;Gilbert Kaplan escuchó la Segunda de Mahler en 1965 en el Carnegie Hall de Nueva York, con la Orquesta Sinfónica Americana dirigida por Leopold Stokowski. Tenía 23 años y ese día empezó su obsesión por esta pieza. "La mejor explicación que puedo ofrecer -ha dicho- es que yo entré en la sala siendo una persona y salí de ella siendo otra distinta. Fue un amor a primera vista".&lt;/span&gt;&lt;br face="arial"&gt;&lt;span style="font-family:arial;"&gt;Multimillonario sin problemas de bolsillo, se dedicó durante algunos años a estudiar música, dirección orquestal y todo lo necesario para darse el gusto de dirigir esta sinfonía. Analizó críticamente la partitura y finalmente se convirtió en el único caso donde un director de orquesta ejecuta solamente una obra en concierto.&lt;/span&gt;&lt;br face="arial"&gt;&lt;span style="font-family:arial;"&gt;Kaplan dirigió la Segunda con más de 60 orquestas en todo el mundo y la grabó dos veces.&lt;br /&gt;&lt;br face="arial"&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;Ahora, en recuerdo agradecido del Cuervo compartimos la version sin perdida (FLAC), de esta grabacion insuperable.&lt;/span&gt;&lt;br style="font-family: arial;"&gt;&lt;br style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/-J08dJIAMs6Y/TwnjutiOnvI/AAAAAAAAFDo/NvOW8T8b5cs/s1600/cover%2B-%2Bback.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 252px;" src="http://4.bp.blogspot.com/-J08dJIAMs6Y/TwnjutiOnvI/AAAAAAAAFDo/NvOW8T8b5cs/s320/cover%2B-%2Bback.jpg" alt="" id="BLOGGER_PHOTO_ID_5695333595423350514" border="0" /&gt;&lt;/a&gt;&lt;br style="font-family: arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.4shared.com/folder/CNYeVg5P/Mahler2_Kaplan_DG.html"&gt;&lt;span style="font-family:arial;"&gt;Download / Descarga&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br style="font-family: arial;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3751560724184622872?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3751560724184622872/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3751560724184622872' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3751560724184622872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3751560724184622872'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2012/01/mahler-symphony-no-2-conducted-by.html' title='Mahler: Symphony No. 2, conducted by Gilbert Kaplan'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-kCnhPA3k9pQ/TwnjFRcx7xI/AAAAAAAAFDc/j3o_ikvJ89U/s72-c/cover2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-8741304875481973691</id><published>2011-11-18T21:50:00.000-06:00</published><updated>2011-11-18T21:50:52.342-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler symphony no. 1'/><category scheme='http://www.blogger.com/atom/ns#' term='Valery Gergiev'/><category scheme='http://www.blogger.com/atom/ns#' term='Lonhttp://www.blogger.com/img/blank.gifdon Symphony Orchestra'/><title type='text'>Mahler: Symphony No. 1, Valery Gergiev, LSO</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-CSTWyzkupUc/TscSadqGUoI/AAAAAAAAFAg/BrQMvZcN0Dg/s1600/lso0663.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/-CSTWyzkupUc/TscSadqGUoI/AAAAAAAAFAg/BrQMvZcN0Dg/s320/lso0663.jpg" alt="" id="BLOGGER_PHOTO_ID_5676526101170901634" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-size:85%;" &gt;&lt;span style="font-weight: bold; "&gt;Free download. Descarga gratuita.&lt;br /&gt;Con este registro de la sinfonia no. 1, se cierra el ciclo de grabaciones en vivo de ka obra Mahleriana que emprendio Valery Gergiev al frente de la &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-size:85%;" &gt;&lt;span style="font-weight: bold;"&gt; London Symphony Orchestra. La grabacion es de 2008 y se le reconoce como una de las mejores rendiciones de &lt;span style="font-style: italic;"&gt;la primera&lt;/span&gt;, en muchos años.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: arial; color: rgb(204, 0, 0);font-size:85%;" &gt;&lt;span style="font-weight: bold;"&gt;FLAC-190.MB-Scans&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: arial;font-size:85%;" &gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;blockquote style="font-family: arial;"&gt;&lt;span style="font-size:85%;"&gt;Eminent conductor Valery Gergiev has embarked on a potentially great Mahler symphony cycle with the London Symphony Orchestra as its new principal conductor for the orchestra's LSO Live label. A musical journey that shouldn't surprise long-time listeners and admirers of Gergiev's conducting, especially when Shostakovich expressed his own artistic debt to Mahler's genius for melody and orchestration throughout his fourteen symphonies. Gergiev's exceptional interpretation of the Mahler 1st Symphony is one that shall be remembered for its great clarity and emotional depth. All Gergiev asks of his new orchestra is superb intonation and fidelity to Mahler's intentions; needless to say we are treated to a sonic spectacular quite removed from the overwrought emotional richness of a late career Leonard Bernstein; instead, in its crisp, steady unfolding, Gergiev's interpretation most closely resembles Bernard Haitink's in its clarity, sonic richness and fidelity to Mahler. Under the exceptional technical stewardship of LSO Live producer James Mallinson and his team, live Barbican concert performances recorded earlier this year (January 2008) truly resemble most closely a well-miked studio recording.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;span style="font-size:85%;"&gt; &lt;a style="font-family: arial;" href="http://2.bp.blogspot.com/-aujxXJDaAFo/TscS2MU4gvI/AAAAAAAAFAs/I5Ndhv6dYcI/s1600/M1back.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 285px;" src="http://2.bp.blogspot.com/-aujxXJDaAFo/TscS2MU4gvI/AAAAAAAAFAs/I5Ndhv6dYcI/s320/M1back.jpg" alt="" id="BLOGGER_PHOTO_ID_5676526577554850546" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/file/8VJBTEoD/Mahler_1_Gergiev_LSO.html"&gt;DOWNLOAD / DESCARGA&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/file/8VJBTEoD/Mahler_1_Gergiev_LSO.html"&gt;    &lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-8741304875481973691?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/8741304875481973691/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=8741304875481973691' title='7 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8741304875481973691'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8741304875481973691'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/11/mahler-symphony-no-1-valery-gergiev-lso.html' title='Mahler: Symphony No. 1, Valery Gergiev, LSO'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-CSTWyzkupUc/TscSadqGUoI/AAAAAAAAFAg/BrQMvZcN0Dg/s72-c/lso0663.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-2424472956482373176</id><published>2011-10-19T20:27:00.007-05:00</published><updated>2011-10-20T00:14:07.946-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='LSO'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler  9'/><category scheme='http://www.blogger.com/atom/ns#' term='Valery Gergiev'/><title type='text'>Mahler Symphony no. 9, Valery Gergiev, LSO</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-_AsjJ2H_oKQ/Tp99Xd6UHDI/AAAAAAAAE-s/yFh1l3xa5v0/s1600/front.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-_AsjJ2H_oKQ/Tp99Xd6UHDI/AAAAAAAAE-s/yFh1l3xa5v0/s320/front.jpg" alt="" id="BLOGGER_PHOTO_ID_5665384698375052338" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Por fin l&lt;span style="font-weight: bold; font-style: italic;"&gt;a novena de Mahler&lt;/span&gt; dirigida por &lt;span style="font-weight: bold;"&gt;Gergiev&lt;/span&gt;, en vivo, con la&lt;span style="font-weight: bold;"&gt; London Symphony Orchestra&lt;/span&gt;, grabada en el Barbican en Marzo de 2011.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;De este registro, el apreciado critico que se firma &lt;span style="font-weight: bold;"&gt;Santa Fe Listener &lt;/span&gt;en &lt;span style="font-weight: bold;"&gt;Amazon&lt;/span&gt; a dicho:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote style="font-family: arial;"&gt;&lt;span style="font-size:85%;"&gt;By using the latest DSD recording technique and close miking, the engineers of this live Mahler Ninth aim for maximum visceral impact. I mention this at the outset because one is almost overwhelmed from the first notes, sitting at Valery Gergiev's elbow in the very thick of things. It's also notable that this, the last installment of his Mahler cycle, which launched the conductor's tenure in London with a wow, was actually taped last spring, two years later. If Gergiev was guilty of learning Mahler on the job - he had no previous record with this music - all signs of unfamiliarity are gone, as well as any lingering doubts on the part of the orchestra. The London Sym. has decided to give its all, taking risks in a high-wire act that Gergiev manages with utmost confidence.&lt;br /&gt;&lt;br /&gt;In interviews he has said that for him Mahler is a risky composer, because so much is pushed to the extreme that following the score where it wants to go could end in losing control or failing outright. The spirit of courageous going forth permeates this reading in a way that harks back to Bernstein and Tennstedt. I heard this Mahler Ninth on tour, and even in the dry, unflattering acoustics of Avery Fisher Hall, the audience was astonished. English orchestras aren't renowned for derring-do. They are known, however, for allowing great conductors to inspire them, as they do here, and the result is often hair-raising.&lt;br /&gt;&lt;br /&gt;As with Bernstein, Gergiev's way is to accept Mahler's extremism and use it as his personal canvas, phrasing with freedom and a feeling of spontaneity. The bar lines disappear, the rhapsodic takes over. Because of its urgency (the first movement lasts only 27 min.), there's never a sense of dissecting or analyzing the score's details, yet one hears them anyway, on the wing. One aspect of Mahler's extremism is that the alternative to hysteria is an eeriness approaching near silence, and Gergiev is attentive to that as well. But he doesn't use the tension-and-release rhythm common to much Mahler conducting, where quiet episodes give us a reprieve until we race off again. This performance sustains its tension at every volume level; in my experience only Bernstein and Tennstedt could do it as well.&lt;br /&gt;&lt;br /&gt;The Scherzo generally presents the most marked contrast among various recordings. Gergiev is poles apart from Klemperer's lumpen-Viennese humor and earthbound tempo. This Scherzo is quick and driven, with no spirit of the landler about it and no humor (the only thing I find lacking in Gergiev's musical personality). If anything, the mood tends toward the caustic. The overall timing of 15 min. doesn't indicate that the fast parts are faster than usual and the slow Trios slower. there's also an emphasis on Mahler's contrapuntal writing, especially in the woodwinds. The effect is to exchange rusticity for dazzling execution, a thrill in its own right.&lt;br /&gt;&lt;br /&gt;One might expect Gergiev therefore to downplay the savagery of the Tondo-Burleke, and he does, paying attention to vivid contrasts and once again to counterpoint, a dull word that comes alive in Mahler's hands (the only time it fails him, I think, is in the finale of the Third Sym.). This is the only movement where I find Gergiev too straitlaced; he could be having more fun and aiming more pointed satire. Such things are relative, of course, and on its own terms this movement is played for thrills, buoyed by a vibrant sense of rhythm. One will have to turn to Bernstein for more of the burlesque in Rondo-Burleske.&lt;br /&gt;&lt;br /&gt;The concluding Adagio is the soul of this symphony, and knowing that, conductors can overplay the sentimental side of Mahler's opening theme (a slowed-down transformation of a theme in the previous music, now turning ghostly satire into a reach for transcendence). This movement tests the conductor to handle an arc of emotion, slowly spun out over half an hour, while doing justice to every shifting mood. Gergiev's timing of 24 min. is telling, because you see that instead of milking the music by being extra slow, he intends to show us the movement's structure. Drawn-out phrases are not lost on us by lagging so long from beginning to end; even Bernstein is guilty of that. For once, the urgency of forward motion - to a dark, unknown conclusion - prevails over the lower strings digging into the earth like ecstatic mourners who never ant the funeral to end. Gergiev has always been at his best organizing slow music, and he outdoes himself here. It's as if he grasps the entire movement in a single breath and allows us to breathe with him.&lt;br /&gt;&lt;br /&gt;If this isn't a Mahler Ninth to set a new standard, Gergiev's version joins a handful of the greatest ones, at the very least. &lt;/span&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-IFrRQTJ4z40/Tp-BZAraolI/AAAAAAAAE-4/k41EmUhPP6c/s1600/MAHLER%2B9%2BGERGIEV%2Bback.bmp"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 278px; height: 320px;" src="http://4.bp.blogspot.com/-IFrRQTJ4z40/Tp-BZAraolI/AAAAAAAAE-4/k41EmUhPP6c/s320/MAHLER%2B9%2BGERGIEV%2Bback.bmp" alt="" id="BLOGGER_PHOTO_ID_5665389122934186578" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/file/axaCgv2e/Mahler-9-Gergiev.html"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;DOWNLOAD / DESCARGA&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-2424472956482373176?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/2424472956482373176/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=2424472956482373176' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/2424472956482373176'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/2424472956482373176'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/10/mahler-symphony-no-9-valery-gergiev-lso.html' title='Mahler Symphony no. 9, Valery Gergiev, LSO'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-_AsjJ2H_oKQ/Tp99Xd6UHDI/AAAAAAAAE-s/yFh1l3xa5v0/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3227542698899778770</id><published>2011-09-01T18:16:00.006-05:00</published><updated>2011-10-19T21:11:58.986-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Symphony no.5'/><category scheme='http://www.blogger.com/atom/ns#' term='Valery Gergiev'/><title type='text'>Mahler Symphony No.5, conducted by Valery Gergiev.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-uyH3CogpeJg/TmAWrV5rakI/AAAAAAAAE8I/m1U-uvvTv-g/s1600/LS%252B0664.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://3.bp.blogspot.com/-uyH3CogpeJg/TmAWrV5rakI/AAAAAAAAE8I/m1U-uvvTv-g/s400/LS%252B0664.jpg" alt="" id="BLOGGER_PHOTO_ID_5647538866591853122" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Para quienes nos han acompañado siguiendo este espacio, la presente entrega tiene un toque especial pues, aquí hemos catalogado a &lt;span style="font-weight: bold;"&gt;Valery Gergiev &lt;/span&gt;como una figura representativa de la nueva conducción Mahleriana, llamando la atención especialmente en su vena y temperamento Rusos.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Este registro de la &lt;span style="font-weight: bold; font-style: italic;"&gt;Quinta de Mahler,&lt;/span&gt; forma parte de una edición integral que Gergiev  ha emprendido, con grabaciones en vivo, al frente de la &lt;span style="font-weight: bold;"&gt;London Symphony Orchestra.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Grabado en el Barbican el 24 y 26 de septiembre de 2010.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;De este ciclo aun quedan pendientes de aparecer aqui los registros de las sinfonías 1, y 9. Seran nuestras proximas entregas.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/-8LW3_Lg17d0/TmAix0i5emI/AAAAAAAAE8Y/RcEeNL6XEhQ/s1600/mahler5-gergiev-back.bmp"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 314px;" src="http://3.bp.blogspot.com/-8LW3_Lg17d0/TmAix0i5emI/AAAAAAAAE8Y/RcEeNL6XEhQ/s400/mahler5-gergiev-back.bmp" alt="" id="BLOGGER_PHOTO_ID_5647552172036553314" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/folder/otVdkNfX/Mahler5.html"&gt;DOWNLOAD / DESCARGA&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/folder/otVdkNfX/Mahler5.html"&gt;  &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3227542698899778770?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3227542698899778770/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3227542698899778770' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3227542698899778770'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3227542698899778770'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/09/mahler-symphony-no5-conducted-by-valery.html' title='Mahler Symphony No.5, conducted by Valery Gergiev.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-uyH3CogpeJg/TmAWrV5rakI/AAAAAAAAE8I/m1U-uvvTv-g/s72-c/LS%252B0664.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3176486516827166127</id><published>2011-05-26T14:02:00.007-05:00</published><updated>2011-05-26T19:08:13.094-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler-Complete Scores'/><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler-Sämtliche Werke'/><title type='text'>Gustav Mahler-Complete Scores, Sämtliche Werke.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-6kmVxUCvOAI/Td6loAonQFI/AAAAAAAAE1k/8ORaMjtJa2U/s1600/Mahler%2BS%25C3%25A4mtliche%2BWerke..jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 232px; height: 320px;" src="http://4.bp.blogspot.com/-6kmVxUCvOAI/Td6loAonQFI/AAAAAAAAE1k/8ORaMjtJa2U/s320/Mahler%2BS%25C3%25A4mtliche%2BWerke..jpg" alt="" id="BLOGGER_PHOTO_ID_5611104292533911634" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Hoy compartimos las partituras completas de&lt;span style="font-weight: bold;"&gt; Gustav Mahler&lt;/span&gt; de la celebre &lt;span style="font-weight: bold;"&gt;Edición Critica de Universal (Sämtliche Werke .Complete Works )&lt;/span&gt; que contiene en 14 volúmenes, los trabajos de Mahler&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;publicados por esa legendaria editora, con la trabajo en vida. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Se han agregado, por aparte, los trabajos que la edición no incluye, y entre los que se encuentran la sinfonía&lt;span style="font-weight: bold;"&gt; no. 10&lt;/span&gt;, el debatido&lt;span style="font-weight: bold; font-style: italic;"&gt; Sinfonisches Präludium&lt;/span&gt;, y el temprano &lt;span style="font-weight: bold; font-style: italic;"&gt;Blumine.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Here you will find, the full scores of the Mahler's work, &lt;span style="font-weight: bold;"&gt;Universal &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;Critical &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Edtion&lt;/span&gt;, and all the Mahlerian works not published by &lt;span style="font-weight: bold;"&gt;Universal&lt;/span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Critical Edition&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 1 - Symphony No. 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 2 - Symphony No. 2&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 3 - Symphony No. 3&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 4 - Symphony No. 4&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 5 - Symphony No. 5&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 6 - Symphony No. 6&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 7 - Symphony No. 7&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 8 - Symphony No. 8&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 9 - Das Lied von der Erde&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 10 - Symphony No. 9&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 11a - Adagio from Symphony No. 10&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 12 - Das klagende Lied&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 13a - Lieder eines fahrenden Gesellen (Klavier)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 13b-a (hoch) - Neun Lieder und Gesänge aus 'Des Knaben Wunderhorn' (version for high voice)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 13b-a (tief) - Neun Lieder und Gesänge aus 'Des Knaben Wunderhorn' (version for low voice)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 13b-b - Fünfzehn Lieder, Humoresken und Balladen aus 'Des Knaben Wunderhorn'&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 13c - Kindertotenlieder (Klavier)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 13d - Lieder nach Texten von Friedrich Rückert (Klavier)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 13e - Verschiedene Lieder (Assorted (mostly early) songs)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 14a - Lieder eines fahrenden Gesellen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 14b - Des Knaben Wunderhorn&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 14c - Kindertotenlieder&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Vol. 14d - Lieder nach Texten von Friedrich Rückert&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Other Works&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Blumine (originally part of Symphony No. 1)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Piano Quartet (with parts for Violin, Viola, &amp;amp; Cello)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Sinfonisches Präludium&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Symphony No. 10 (Cooke completion)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Weber - Die drei Pintos (orchestrated and completed by Mahler, 2 vols.)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/folder/ETktggEG/Mahler-Complete_Scores_Smtlich.html"&gt;&lt;span style="font-family:arial;"&gt;DOWNLOAD / DESCARGA&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 51, 51);   line-height: 18px; text-align: left;font-family:'Trebuchet MS',Verdana,Arial,sans-serif;font-size:13px;"  &gt;&lt;span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;  font-family:'Times New Roman';font-size:medium;"  &gt;&lt;span class="Apple-style-span" style="line-height: 19px;  font-family:'Lucida Grande',Tahoma,Arial,Verdana,sans-serif;font-size:13px;"  &gt;&lt;a href="http://www.4shared.com/dir/WgaQ2hU8/Oxford_History_of_Western_Musi.html"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(32, 64, 99);  font-family:Helvetica,Arial,Verdana,'Trebuchet MS',sans-serif;font-size:13px;"  &gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/dir/l1L8QjVz/1000_libros_de_Musica.html#"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 104px; height: 87px;" src="http://1.bp.blogspot.com/-EToXus5biuY/TYEI8QaU94I/AAAAAAAAEu4/Jzg-LF2_PlY/s320/cello-03.JPG" alt="" id="BLOGGER_PHOTO_ID_5584754844206692226" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0); font-size:100%;" &gt;&lt;span style="font-family:arial;"&gt;Para tener acceso directo a las novedades desde la barra de navegacion.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.4shared.com/rss/9QkN2YPS"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 30px; height: 30px;" src="http://2.bp.blogspot.com/-tl9oyfl5NRc/TXglWrRlGbI/AAAAAAAAEtw/rEloii1l1SY/s320/Rss%2Bpin.jpeg" alt="" id="BLOGGER_PHOTO_ID_5582252809629538738" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;a style="font-weight: bold;" href="http://www.4shared.com/rss/9QkN2YPS"&gt;Suscribete al Servicio de Marcadores Dinamicos&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3176486516827166127?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3176486516827166127/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3176486516827166127' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3176486516827166127'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3176486516827166127'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/gustav-mahler-complete-scores-samtliche.html' title='Gustav Mahler-Complete Scores, Sämtliche Werke.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-6kmVxUCvOAI/Td6loAonQFI/AAAAAAAAE1k/8ORaMjtJa2U/s72-c/Mahler%2BS%25C3%25A4mtliche%2BWerke..jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-5530792971212542875</id><published>2011-05-17T20:12:00.000-05:00</published><updated>2011-05-17T20:13:38.601-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler Complete Co-Edition-Decca-Deutsche Grammophon'/><title type='text'>Gustav Mahler Complete Co-Edition-Decca/Deutsche Grammophon</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt; &lt;div class="post-body entry-content" id="post-body-8383761017586423734"&gt; &lt;div style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/TEYhn9dBALI/AAAAAAAAEVg/WVuJw6ylkE8/s1600/MAHLER+COMPLETE-COVER.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 294px; height: 300px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/TEYhn9dBALI/AAAAAAAAEVg/WVuJw6ylkE8/s400/MAHLER+COMPLETE-COVER.jpeg" alt="" id="BLOGGER_PHOTO_ID_5496117365647147186" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;font-size:100%;"&gt;&lt;span style="font-family:arial;"&gt;Gustav Mahler Complete  Co-Edition-Decca/Deutsche Grammophon&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;18 CD |DDD| 000289 477 8825 | 6 GB | Relesase 07 Jul 2010 |18 RAR &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;| FLAC&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color: rgb(204, 0, 0); font-weight: bold;"&gt;Free download.Descargas gratuitas.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt; &lt;/div&gt;&lt;span style="font-size:85%;"&gt; &lt;span style="font-family:arial;"&gt;La aportacion de las dos grandes disqueras al aniversario de &lt;span style="font-weight: bold;"&gt;150 del nacimiento de Gustav Mahler&lt;/span&gt; es la edicion conjunta de un &lt;span style="font-weight: bold;"&gt;Cofre de 18 CD`s &lt;/span&gt; que se constituye en &lt;span style="font-weight: bold;"&gt;la&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;primera edición de obras completas de Mahler de la historia.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Se trata de un cofre con &lt;span style="font-weight: bold;"&gt;las  diez sinfonías, Das Lied von der Erde, Das klagende Lied, los ciclos de  canciones, las canciones Knaben Wunderhorn y los primeros trabajos,&lt;/span&gt; en grabaciones de referencia de un gran conjunto de maestros, tenores y orquestas que han interpretado las obras de Mahler.&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;blockquote style="color: rgb(51, 51, 255);"&gt;&lt;span style="font-family:arial;"&gt;The  Decca / Deutsche Grammophon catalogue of Mahler recordings is  unsurpassable. Their major contribution to the 150th anniversary  celebrations this year will be the first-ever Mahler Complete Edition, a  combined effort of Decca and Deutsche Grammophon recordings as an 18-CD  superbudget box, with the ten symphonies, Das Lied von der Erde, Das  klagende Lied, the song cycles, the Knaben Wunderhorn songs and early  works — in benchmark recordings by a great assembly of Mahler  conductors, singers and orchestras.&lt;/span&gt; &lt;/blockquote&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;Composer&lt;/span&gt;: Gustav Mahler, Carl Maria von Weber&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;Performer:&lt;/span&gt; Ileana Cotrubas, Christa Ludwig, Maureen Forrester, Juliane Banse, Lucia Popp, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Heather Harper, René Kollo, Yvonne Minton, Martti Talvela, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;John Shirley-Quirk, Brigitte Fassbaender, Francisco Araiza, Anne Sofie von Otter, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Thomas Quasthoff, Thomas Hampson, Andreas Schmidt, Werner Hollweg, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Susan Dunn, Bernd Weikl, Ralf Gothóni, David Lutz, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Clemens Hagen, Gidon Kremer, Veronika Hagen, Oleg Maisenberg&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;br /&gt;Conductor&lt;/span&gt;: Rafael Kubelik, Zubin Mehta, Bernard Haitink, Pierre Boulez, Leonard Bernstein, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Claudio Abbado, Giuseppe Sinopoli, Sir Georg Solti, Herbert von Karajan, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Riccardo Chailly, Seiji Ozawa, Carlo Maria Giulini, Luciano Berio, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Mikhail Pletnev&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;br /&gt;Orchestra/Ensemble:&lt;/span&gt; Bavarian Radio Symphony Orchestra, Vienna State Opera Chorus, Vienna Philharmonic Orchestra, Royal Concertgebouw Orchestra, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;St. Willibrod Boy's Choir, Netherlands Radio Women's Chorus, Cleveland Orchestra, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Berlin Philharmonic Orchestra, Philharmonia Orchestra, Chicago Symphony Orchestra, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Vienna Singverein, Vienna Boys' Choir, Berlin Radio Symphony Orchestra, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Boston Symphony Orchestra, Düsseldorf Städtischer Musikvereins Chorus, Russian National Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;1.&lt;br /&gt;&lt;br /&gt;Symphony no 1 in D major "Titan"&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="color: rgb(204, 102, 0); font-weight: bold;"&gt;Rafael Kubelik&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Bavarian Radio Symphony Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;2. Symphony no 2 in C minor "Resurrection" &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Ileana Cotrubas (Soprano), Christa Ludwig (Mezzo Soprano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor:&lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt; Zubin Mehta&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Philharmonic Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;3. Symphony no 3 in D minor&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Maureen Forrester (Alto)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor:&lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt; Bernard Haitink&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Royal Concertgebouw Orchestra, St. Willibrod Boy's Choir, Netherlands Radio Women's Chorus&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;4. Symphony no 4 in G major&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Juliane Banse (Soprano)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Pierre Boulez&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Cleveland Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;5. Symphony no 5 in C sharp minor&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Leonard Bernstein&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna Philharmonic Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;6. Symphony no 6 in A minor "Tragic"&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Claudio Abbado&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Berlin Philharmonic Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;7. Symphony no 7 in E minor &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;8. Symphony no 8 in E flat major "Symphony of A Thousand"&lt;/span&gt; by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Performer: Lucia Popp (Soprano), Heather Harper (Soprano), René Kollo (Tenor),&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Yvonne Minton (Mezzo Soprano), Martti Talvela (Bass), John Shirley-Quirk (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Sir Georg Solti&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Chicago Symphony Orchestra, Vienna State Opera Chorus, Vienna Singverein ...&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;9. Symphony no 9 in D major&lt;/span&gt; by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Conductor:&lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt; Herbert von Karajan&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Berlin Philharmonic Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;10. Totenfeier, symphonic poem in C minor&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Pierre Boulez&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Chicago Symphony Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: circa 1888; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;11. Symphony no 10 in F sharp minor/major&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Riccardo Chailly&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Berlin Radio Symphony Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;12. Symphony no 1 in D major "Titan": Blumine&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Seiji Ozawa&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Boston Symphony Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1884-1888; Leipzig, Germany &lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;13. Das Lied von der Erde &lt;/span&gt;&lt;span style="font-family:arial;"&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Brigitte Fassbaender (Mezzo Soprano), Francisco Araiza (Tenor)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Carlo Maria Giulini&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Berlin Philharmonic Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1908-1909; Vienna, Austria&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;14. Des Knaben Wunderhorn by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Thomas Quasthoff (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor:&lt;span style="color: rgb(204, 102, 0);"&gt; Claudio Abbado&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Berlin Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1892-1898; Hamburg, Germany &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;15. Lieder eines fahrenden Gesellen &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Leonard Bernstein&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1883-1896; Germany &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;16. Kindertotenlieder &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Leonard Bernstein&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1901-1904; Vienna, Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;17. Rückert Lieder (5)&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Performer:&lt;br /&gt;Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Leonard Bernstein&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna Philharmonic Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1901-1902; Vienna, Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;18. Das klagende Lied &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Andreas Schmidt (Baritone), Werner Hollweg (Tenor), Brigitte Fassbaender (Mezzo Soprano),&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Susan Dunn (Soprano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Riccardo Chailly&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Berlin Radio Symphony Orchestra, Düsseldorf Städtischer Musikvereins Chorus&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1880/1899; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;19. Lieder und Gesänge, vol 1: no 1,&lt;/span&gt; Frühlingsmorgen by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1880-1883; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;20. Lieder und Gesänge, vol 1: no 2&lt;/span&gt;, Erinnerung by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1880-1883; Austria&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;21. Lieder und Gesänge, vol 1: no 3&lt;/span&gt;, Hans und Grethe by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Luciano Berio&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1880-1883; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;22. Lieder und Gesänge, vol 2: no 1&lt;/span&gt;, Um schlimme Kinder artig zu machen by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;23. Lieder und Gesänge, vol 3: no 1&lt;/span&gt;, Zu Strassburg by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;2&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;4. Lieder und Gesänge, vol 3: no 2&lt;/span&gt;, Ablösung im Sommer by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;25. Lieder und Gesänge, vol 3: no 3,&lt;/span&gt; Scheiden and Meiden by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor:&lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt; Luciano Berio&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1889; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;26. Lieder und Gesänge, vol 3: no 4,&lt;/span&gt; Nicht wiedersehen! by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;27. Lieder und Gesänge, vol 3: no 5,&lt;/span&gt; Selbstgefühl by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;2&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;8. Songs (3)&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone), David Lutz (Piano)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;29. Lieder und Gesänge, vol 1: no 4&lt;/span&gt;, Serenade aus Don Juan by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1880-1883; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;30. Lieder und Gesänge, vol 1: no 5&lt;/span&gt;, Phantasie aus Don Juan by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1880-1883; Austria&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;31. Lieder und Gesänge, vol 2: no 2&lt;/span&gt;, Ich ging mit Lust by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;32. Lieder und Gesänge, vol 2: no 3,&lt;/span&gt; Aus! Aus! by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;33. Lieder und Gesänge, vol 2: no 4, &lt;/span&gt;Starke Einbildungskraft by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Performer: Thomas Hampson (Baritone), David Lutz (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;34. Quartet for Piano and Strings in A minor&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Clemens Hagen (Cello), Gidon Kremer (Violin), Veronika Hagen (Viola),&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Oleg Maisenberg (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: ?1876-78; Vienna, Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;35. Die Drei Pintos, J Anh. 5:&lt;/span&gt; Entr'acte by Carl Maria von Weber&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: Mikhail Pletnev&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Russian National Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1820-1821; Germany &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Notes: &lt;span style="color: rgb(204, 0, 0);"&gt;Completed by Gustav Mahler &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/dir/4VmRrT-t/Mahler_complete_edition_DECCA_.html"&gt;&lt;br /&gt;DOWNLOAD.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-5530792971212542875?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/5530792971212542875/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=5530792971212542875' title='4 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5530792971212542875'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5530792971212542875'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/gustav-mahler-complete-co-edition.html' title='Gustav Mahler Complete Co-Edition-Decca/Deutsche Grammophon'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_QMIBbvsVy9M/TEYhn9dBALI/AAAAAAAAEVg/WVuJw6ylkE8/s72-c/MAHLER+COMPLETE-COVER.jpeg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-8020800902665117910</id><published>2011-05-16T21:26:00.003-05:00</published><updated>2011-05-16T21:34:23.699-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='WIENER PHILHARMONIKER'/><category scheme='http://www.blogger.com/atom/ns#' term='BERLINER PHILHARMONIKER'/><category scheme='http://www.blogger.com/atom/ns#' term='Claudio Abbado'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Symphonies nos. 6-10'/><category scheme='http://www.blogger.com/atom/ns#' term='Chicago Symphony Orchestra'/><title type='text'>Mahler Symphonies nos. 6-10, Claudio Abbado.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-jurpYeqjJXY/TdHdQyJXuOI/AAAAAAAAE1U/90z91a-v1tc/s1600/Vol.2%2Bfront.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 250px;" src="http://2.bp.blogspot.com/-jurpYeqjJXY/TdHdQyJXuOI/AAAAAAAAE1U/90z91a-v1tc/s320/Vol.2%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5607506291461699810" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;A unos días de centenario de la muerte de &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Gustav Mahler&lt;/span&gt;&lt;span style="font-family:arial;"&gt; compartimos ahora la &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Edición de las 10 Sinfonías de&lt;/span&gt;&lt;span style="font-family:arial;"&gt; &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Deutsche Grammophon&lt;/span&gt;&lt;span style="font-family:arial;"&gt; dirigidas por &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Claudio Abbado&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-O7wk52S8HFA/TdHdluUZovI/AAAAAAAAE1c/oLAC4e-eTIw/s1600/Vol.2%2Bback.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 250px;" src="http://3.bp.blogspot.com/-O7wk52S8HFA/TdHdluUZovI/AAAAAAAAE1c/oLAC4e-eTIw/s320/Vol.2%2Bback.jpg" alt="" id="BLOGGER_PHOTO_ID_5607506651211473650" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/folder/SvObnPns/Abbado-Mahler-DG.html"&gt;&lt;span style="font-family:arial;"&gt;DOWNLOAD / DESCARGA&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-8020800902665117910?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/8020800902665117910/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=8020800902665117910' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8020800902665117910'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8020800902665117910'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/mahler-symphonies-nos-6-10-claudio.html' title='Mahler Symphonies nos. 6-10, Claudio Abbado.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-jurpYeqjJXY/TdHdQyJXuOI/AAAAAAAAE1U/90z91a-v1tc/s72-c/Vol.2%2Bfront.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3116859789273815422</id><published>2011-05-15T20:14:00.004-05:00</published><updated>2011-05-15T20:22:21.744-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='WIENER PHILHARMONIKER'/><category scheme='http://www.blogger.com/atom/ns#' term='BERLINER PHILHARMONIKER'/><category scheme='http://www.blogger.com/atom/ns#' term='Claudio Abbado'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler symphonies nos. 1-5'/><title type='text'>Mahler Symphonies nos. 1-5, Claudio Abbado.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-LsJ87Z3EDFA/TdB7dPGolsI/AAAAAAAAE1E/EcoFkgR9d10/s1600/Vol.1%2Bfront.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 250px;" src="http://3.bp.blogspot.com/-LsJ87Z3EDFA/TdB7dPGolsI/AAAAAAAAE1E/EcoFkgR9d10/s320/Vol.1%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5607117278277048002" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;A unos días de centenario de la muerte de &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Gustav Mahler&lt;/span&gt;&lt;span style="font-family:arial;"&gt; compartimos ahora la &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Edición de las 10 Sinfonías de&lt;/span&gt;&lt;span style="font-family:arial;"&gt; &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Deutsche Grammophon&lt;/span&gt;&lt;span style="font-family:arial;"&gt; dirigidas por &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Claudio Abbado. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Invitamos a escucharla con plena concentración, atentos a la dulzura incomparable que es la marca distintiva de este querido director de orquesta italiano.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Abbado&lt;/span&gt;&lt;span style="font-family:arial;"&gt; encarna una parte medular de la música del siglo XX, pues debe recordarse que empezó su carrera haciendo música sinfónica para obreros, en conciertos a la salida de la fábrica, junto a &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Luigi Nono y Maurizio Pollini&lt;/span&gt;&lt;span style="font-family:arial;"&gt;; para dirigir luego la opera del &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Teatro de La Scala&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, y recibir, en 1989, la batuta de director de la &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Berliner Philharmoniker&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, a la muerte de &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Karajan&lt;/span&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Si la revuelta libertaria de los años 60`s produce el rechazo de la frialdad casi inhumana de &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Karajan&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, también produce una sustitución superadora por la vía de la dulzura, que le corresponde a &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Abbado&lt;/span&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;De 1960 a nuestros días, &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Abbado&lt;/span&gt;&lt;span style="font-family:arial;"&gt; ha estado presente como una figura central de la dirección orquestal. En ese arco temporal decidió  acompañarse, en todo el trayecto,  de la música de &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Mahler&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, a quien graba varias veces, logrando algunos registros que son reconocidos como los mejores de todos los tiempos.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Estar con Mahler, recordándolo en su centenario pasa por escucharlo con fervor en la clave de  &lt;/span&gt;&lt;span style="font-weight: bold; font-family:arial;" &gt;Claudio Abbado&lt;/span&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;Mañana sinfonias 6-10.&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/-mHjqEWQrRzs/TdB7mfEdYDI/AAAAAAAAE1M/w-_ySc2PaRc/s1600/Vol.1%2Bback.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 250px;" src="http://1.bp.blogspot.com/-mHjqEWQrRzs/TdB7mfEdYDI/AAAAAAAAE1M/w-_ySc2PaRc/s320/Vol.1%2Bback.jpg" alt="" id="BLOGGER_PHOTO_ID_5607117437181714482" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/folder/SvObnPns/Abbado-Mahler-DG.html"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;DOWNLOAD / DESCARGA&lt;/span&gt;    &lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3116859789273815422?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3116859789273815422/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3116859789273815422' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3116859789273815422'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3116859789273815422'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/mahler-symphonies-nos-1-5-claudio.html' title='Mahler Symphonies nos. 1-5, Claudio Abbado.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-LsJ87Z3EDFA/TdB7dPGolsI/AAAAAAAAE1E/EcoFkgR9d10/s72-c/Vol.1%2Bfront.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-6556021081458594097</id><published>2011-05-14T15:04:00.002-05:00</published><updated>2011-05-14T15:11:55.436-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Frankfurt Radio Symphony Orchestra. Eliahu Inbal'/><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler Symphonies 1-10.  Das Lied von der Erde'/><title type='text'>Gustav Mahler: Symphonies 1-10 / Das Lied von der Erde - Frankfurt Radio Symphony Orchestra / Eliahu Inbal</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-oBsiJLy6s-Y/Tc7h_t22VfI/AAAAAAAAE0s/EZW-UH_PyzI/s1600/Gustav%2BMahler%2BSymphonies%2B1-10%2B-Inbal-Brilliant.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/-oBsiJLy6s-Y/Tc7h_t22VfI/AAAAAAAAE0s/EZW-UH_PyzI/s320/Gustav%2BMahler%2BSymphonies%2B1-10%2B-Inbal-Brilliant.jpg" alt="" id="BLOGGER_PHOTO_ID_5606667070880503282" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-family:arial;"&gt;Para Ana que decidio acompañar su &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-family:arial;"&gt;quimioterapia con esta edicion de Mahler&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;Disc: 1- Symphony no.1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Langsam. Schleppend. Im Anfang sehr gemächlich&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 2. Kräftig bewegt, doch nicht zu schnell&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;3. 3. Feierlich und gemessen, ohne zu schleppen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;4. 4. Stürmisch bewegt&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 2-Symphony no.2-parte 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Allegro maestoso&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 2. Andante moderato&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 3-Symphony no.2-parte 2&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 3. In ruhig fliessender Bewegung&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 4. Urlicht. Sehr feierlich, aber schlicht (Wunderhornlied O Röschen Rot)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;3. 5. Im tempo des Scherzo&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 4-Symphony no.3-parte 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Kräftig, entschieden&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 5-Symphony no.3-parte 2&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 2. Tempo di Menuetto. Sehr mässig&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 3. Comodo. Scherzando. Ohne Hast&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;3. 4. Sehr langsam. Misterioso. Durchaus ppp.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;4. 5. Lustig im Tempo und keck im Ausdruck&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;5. 6. Langsam. Ruhevoll. Empfunden&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 6-Symphony no.4&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Bedächtig. Nicht eilen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 2. In gemächlicher Bewegung. Ohne Hast&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;3. 3. Ruhevoll&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;4. 4. Sehr behaglich&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 7-Symphony no.5&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Trauermarsch. In gemessenem Schritt. Streng, wie ein Kondukt&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 2. Stürmisch bewegt, mit grösster Vehemenz&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;3. 3. Scherzo. Kräftig, nicht zu schnell&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;4. 4. Adagietto. Sehr langsam&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;5. 5. Rondo – Finale. Allegro&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 8-Symphony no.6-parte 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Allegro energico, ma non troppo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 2. Scherzo (Wuchtig)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 9-Symphony no.6-parte 2&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 3. Andante&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 4. Finale (Allegro moderato)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 10-Symphony no.7&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Langsam – Allegro&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 2. Nachtmusik 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;3. 3. Scherzo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;4. 4. Nachtmusik 2&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;5. 5. Rondo: Finale&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 11-Symphony no.8&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Teil: Hymnus: Veni, creator spiritus&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 2. Teil: Schluss-szene aus “Faust”&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 12-Symphony no.9-parte 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Andante comodo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 13-Symphony no.9-parte 2+adagio Symphony no.10&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 3. Rondo – Burleske; Allegro assai, sehr trotzig&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 4. Adagio&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. 1. Adagio&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 14-Das lied von der Erde&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1. Das Trinkleid vom Jammer der Erde&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. Der Einsame im Herbst&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;3. Von der Jugend&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;4. Von der Schönheit&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;5. Der Trunkene im Frühling&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;6. Der Abschied&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=" font-weight: bold;font-family:arial;" &gt;Disc: 15-Symphony no.10&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2. 2. Scherzo. Schnelle Vierteln&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;3. 3. Purgatorio. Allegretto moderato&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;4. 4. Scherzo. Allegro pesante. Nicht zu schnell&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;5. 5. Finale&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/folder/rfKvk0qb/Inbal-Mahler10_symphoniesLied_.html"&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;DOWNLOAD / DESCARGA&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-6556021081458594097?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/6556021081458594097/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=6556021081458594097' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6556021081458594097'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6556021081458594097'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/gustav-mahler-symphonies-1-10-das-lied.html' title='Gustav Mahler: Symphonies 1-10 / Das Lied von der Erde - Frankfurt Radio Symphony Orchestra / Eliahu Inbal'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-oBsiJLy6s-Y/Tc7h_t22VfI/AAAAAAAAE0s/EZW-UH_PyzI/s72-c/Gustav%2BMahler%2BSymphonies%2B1-10%2B-Inbal-Brilliant.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3518377289755821406</id><published>2011-05-13T12:03:00.001-05:00</published><updated>2011-05-13T12:10:10.108-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler 9-Svetlanov-RSSO'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler 7-Svetlanov-RSSO'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler 1O-Svetlanov-RSSO'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler 1-Svetlanov-RSSO'/><title type='text'>Mahler - Symphonies 1, 7, 9, 10 (adagio) - Svetlanov</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt; &lt;div class="post-body entry-content" id="post-body-8028089556428103151"&gt; &lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/StaBbFn-b8I/AAAAAAAADjI/TS5roOZFF_4/s1600-h/mahler+1+svetlanov.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 319px; height: 320px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/StaBbFn-b8I/AAAAAAAADjI/TS5roOZFF_4/s320/mahler+1+svetlanov.jpg" alt="" id="BLOGGER_PHOTO_ID_5392639906189045698" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;El Cuervo Lopez presente en el Centenario de Mahler&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Hoy, re-ponemos a  disposición de los seguidores de Mahler, una selección de grabaciones  que habría compartido con especial cariño y entusiasmo &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;El Cuervo Lopez&lt;/span&gt;&lt;span style="font-family:arial;"&gt;  de seguir vivo entre nosotros, lo creemos así porque estos registros  reúnen a su compositor existencial y a su director de orquesta mas  frecuentado.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Las &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;sinfonías 1, 7, 9 y 10 --adagio-- de Mahler&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, con dirección de &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Evgeny Svetlanov &lt;/span&gt;&lt;span style="font-family:arial;"&gt;al frente de la&lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt; Russian State Symphony Orchestra&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, &lt;/span&gt;&lt;span style="font-family:arial;"&gt;grabaciones realizadas durante los últimos días de la URSS, distribuidas ahora por el sello &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Harmonia Mundi&lt;/span&gt;&lt;span style="font-family:arial;"&gt;. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En la&lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt; Mahlerteca&lt;/span&gt;&lt;span style="font-family:arial;"&gt; se puede encontrar la &lt;/span&gt;&lt;a style="font-family: arial;" href="http://elcuervolopez.blogspot.com/2008/11/mahler-sinfonia-n-3-svetlanov.html"&gt;sinfonia no.3&lt;/a&gt;&lt;span style="font-family:arial;"&gt; de esta serie. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0);font-family:arial;" &gt;4CD-Mp3 a 192 Kbps.-87.5+106.6+102.8+78 mbs- en 4 partes&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://rapidshare.com/files/293179914/Mahler1__Svetlanov-RSSO.rar"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Mahler 1-Svetlanov-RSSO&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/StaBmvq73vI/AAAAAAAADjQ/sWATVE_XPM4/s1600-h/mahler+9+svetlanov.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 314px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/StaBmvq73vI/AAAAAAAADjQ/sWATVE_XPM4/s320/mahler+9+svetlanov.jpg" alt="" id="BLOGGER_PHOTO_ID_5392640106454310642" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;a href="http://rapidshare.com/files/293213394/Mahler_9_Svetlanov-RSSO.rar"&gt;Mahler 9-Svetlanov-RSSO&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_QMIBbvsVy9M/StaCBx3kqPI/AAAAAAAADjY/sP17sfac1-A/s1600-h/mahler+7+%26+10+svetlanov.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 317px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/StaCBx3kqPI/AAAAAAAADjY/sP17sfac1-A/s320/mahler+7+%26+10+svetlanov.jpg" alt="" id="BLOGGER_PHOTO_ID_5392640570900654322" border="0" /&gt;&lt;/a&gt;&lt;a href="http://rapidshare.com/files/293252103/Mahler_7___10__Svetlanov-RSSO-CD1.rar"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Mahler 7 &amp;amp; 10-Svetlanov-RSSO&lt;/span&gt; CD1&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/293252106/Mahler_7___10__Svetlanov-RSSO-CD2.rar"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Mahler 7 &amp;amp; 1O-Svetlanov-RSSO CD2&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3518377289755821406?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3518377289755821406/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3518377289755821406' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3518377289755821406'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3518377289755821406'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/mahler-symphonies-1-7-9-10-adagio.html' title='Mahler - Symphonies 1, 7, 9, 10 (adagio) - Svetlanov'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_QMIBbvsVy9M/StaBbFn-b8I/AAAAAAAADjI/TS5roOZFF_4/s72-c/mahler+1+svetlanov.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-227871868139719081</id><published>2011-05-10T22:04:00.001-05:00</published><updated>2011-05-10T22:06:04.748-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Melodiya'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Symphonies Nos. 1-3-4-5-6-7 y 9'/><category scheme='http://www.blogger.com/atom/ns#' term='Kirill Kondrashin'/><title type='text'>Mahler Symphonies Nos. 1, 3, 4, 5, 6, 7 &amp; 9 - Kirill Kondrashin (8 CDs)</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt; &lt;div class="post-body entry-content" id="post-body-7327644706420798215"&gt; &lt;a href="http://4.bp.blogspot.com/-IvhVXUFGZsY/TXKp-uJR_RI/AAAAAAAAErg/mTJlce-CloI/s1600/kondrashin_mahler_symphonies.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 285px;" src="http://4.bp.blogspot.com/-IvhVXUFGZsY/TXKp-uJR_RI/AAAAAAAAErg/mTJlce-CloI/s320/kondrashin_mahler_symphonies.jpg" alt="" id="BLOGGER_PHOTO_ID_5580709783269408018" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;Free download. Descarga gratuita.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;En el marco del año de homenaje universal a&lt;span style="font-weight: bold;"&gt; Gustav Mahler&lt;/span&gt; (7 de julio de 1860 - Viena, 18 de mayo de 1911), entregamos hoy la Edicion Remasterizada  de las &lt;span style="font-weight: bold;"&gt;sinfonias  nos. 1, 3, 4, 5, 6, 7 &amp;amp;  9&lt;/span&gt;, que dirigiera el inmortal  &lt;span style="font-weight: bold;"&gt;Kirill Kondrashin &lt;/span&gt; y que distribuyo la disquera sovietica &lt;span style="font-weight: bold;"&gt;Melodiya&lt;/span&gt;.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En esta coleccion, Kondrashin dirige y colabora con: &lt;span style="font-weight: bold;"&gt;Moscow  Philharmonic Orchestra; Leningrad Philharmonic Orchestra; USSR State  Symphony Orchestra;  Ilga Tiknuse, mezzo-soprano; Ladies of Latvian  State Philharmonic Choir &amp;amp; Children's Choir; Valentina Levko,  contralto; Ladies of Moscow State Choir &amp;amp; Children's Choir; Chorus  master Vladislav Sokolov; Galina Pisarenko, soprano.&lt;/span&gt;&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:85%;"&gt;&lt;span style="color: rgb(204, 0, 0);font-family:arial;"&gt;8CD`s-FLAC-Scans-3% recovery&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;CD1 Symphony no.1&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Langsam. Schleppend.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;ç02. Kraftig bewegt, doch nicht zu schnell&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Feierlich und gemessen, ohne zu schleppend&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Sturmich bewegt&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;Moscow Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;rec. 1969&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;CD2 Symphony no.3&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Kraftig. Entschieden&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Tempo di Minuetto&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Comodo. Scherzando&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;CD3 Symphony no.3&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Sehr langsam. Misterioso. Durchaus ppp. “O Mensch! Gib acht!” - in Russian&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel…” – In Russian&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03. Langsam. Ruhevoll. Empfunden&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;Valentina Levko, contralto&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;Ladies of Moscow State Choir &amp;amp; Children’s Choir&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;Moscow Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;rec. 1961&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Sehr langsam. Misterioso. Durchaus ppp. “O Mensch! Gib acht!” – in German&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;05. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel…” – in German&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;Ilga Tiknuse, mezzo-soprano&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;Ladies of Latvian State Philharmonic Choir &amp;amp; Children’s Choir&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;Moscow Philharmonic Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;rec. 1975&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;CD4 Symphony no.4&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. Bedachtig. Nicht eilen&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. In gemachlicher Bewegung. Ohne Hast&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Ruhevoll&lt;/span&gt; &lt;span style="font-family:arial;"&gt;04. Sehr behaglich “Wir geniessen…” - in Russian&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;05. Sehr behaglich “Wir geniessen…” - in German&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;Galina Pisarenko, soprano&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;Moscow Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;rec. 1971 [1-4], 1972 [5]&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CD5 Symphony no.5&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Trauermarsch. In gemessenem Schritt&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Sturmich bewegt&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Scherzo. Kraftig, nicht zu schnell&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Adagietto&lt;/span&gt; &lt;span style="font-family:arial;"&gt;05. Rondo – Finale&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;USSR State Symphony Orchestra&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;rec. 197&lt;/span&gt;4&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CD6 Symphony no.6&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. Allegro energico, ma non troppo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. Scherzo: Wuchtig&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Andante moderato&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Finale: Allegro moderato; Allegro energico&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Leningrad Philharmonic Orchestra&lt;/span&gt;&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;rec. 1978&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CD7 Symphony no.7&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Langsam; Allegro risoluto, ma non troppo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. Nachtmusik. Allegro moderato&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Scherzo. Schattenhaft&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Nachtmusik. Andante amoroso&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;05. Rondo-Finale&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Leningrad Philharmonic Orchestra&lt;/span&gt;&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;rec. 1975&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CD8 Symphony no.9&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Andante comodo&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Im Tempo eines gemachlichen Landlers&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Rondo-Burleske&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Adagio&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Moscow Philharmonic Orchestra&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;rec. 1964&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;a style="font-family: arial;" href="http://www.4shared.com/dir/ydQyxk9K/Mahler_134567_9_-melodiya-Kond.html"&gt;&lt;br /&gt;DOWNLOAD&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-227871868139719081?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/227871868139719081/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=227871868139719081' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/227871868139719081'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/227871868139719081'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/mahler-symphonies-nos-1-3-4-5-6-7-9.html' title='Mahler Symphonies Nos. 1, 3, 4, 5, 6, 7 &amp; 9 - Kirill Kondrashin (8 CDs)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-IvhVXUFGZsY/TXKp-uJR_RI/AAAAAAAAErg/mTJlce-CloI/s72-c/kondrashin_mahler_symphonies.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-5848988194846114651</id><published>2011-05-09T15:27:00.000-05:00</published><updated>2011-05-09T15:28:29.626-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler-Lieder-Dietrich Fischer-Dieskau'/><title type='text'>Gustav Mahler: Lieder-Dietrich Fischer-Dieskau - ( 2011)</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt; &lt;div class="post-body entry-content" id="post-body-6196867799558709008"&gt; &lt;a href="http://4.bp.blogspot.com/-LwKPSJvbgOM/TWB5yEbR4pI/AAAAAAAAEqI/IuATnl5hUxY/s1600/img_1.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-LwKPSJvbgOM/TWB5yEbR4pI/AAAAAAAAEqI/IuATnl5hUxY/s320/img_1.jpg" alt="" id="BLOGGER_PHOTO_ID_5575590239773254290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Al empezar el año de las conmemoraciones Mahlerianas, el sello &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;Deutsche Grammophon&lt;/span&gt;&lt;span style="font-family:arial;"&gt; ha lanzado en su colección &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;The Originals&lt;/span&gt;&lt;span style="font-family:arial;"&gt; una &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;edición remasterizada de los Lieder de Mahler,&lt;/span&gt;&lt;span style="font-family:arial;"&gt; que recupera tres grabaciones que viven en la leyenda. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;Se trata de los registros que hiciera &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;Dietrich Fischer-Dieskau:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/-j5xP3svpmO8/TWB-2bbB4PI/AAAAAAAAEqg/IndsyO3B7eg/s1600/tres%2Blp%25C2%25B4s.bmp"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 103px;" src="http://1.bp.blogspot.com/-j5xP3svpmO8/TWB-2bbB4PI/AAAAAAAAEqg/IndsyO3B7eg/s320/tres%2Blp%25C2%25B4s.bmp" alt="" id="BLOGGER_PHOTO_ID_5575595812223836402" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-size:85%;"&gt;En 1959 de los &lt;a href="http://gustavmahler.net.free.fr/fahrenden.html"&gt;Lieder eines fahrenden Gesellen &lt;/a&gt;con Rafael Kubelik dirigiendo a la &lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;           Symphonieorchester des Bayerischen Rundfunks.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;ul style="font-family:arial;"&gt;&lt;li&gt;&lt;span style="font-size:85%;"&gt; En 1963 de los &lt;a href="http://gustavmahler.net.free.fr/kinder.html"&gt;Kindertotenlieder&lt;/a&gt; y de los Ruckert-Lieder, con la Berliner Philharmonikerm dirigida por Karl Bohmm, y&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family:arial;"&gt;&lt;li&gt;&lt;span style="font-size:85%;"&gt; En 1968  los &lt;a href="http://gustavmahler.net.free.fr/ruckert.html"&gt;Ruckert-Lieder&lt;/a&gt; [14-18],  acompañado al piano por Karl Engel.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Como es bien conocido&lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt; Dietrich Fischer-Dieskau&lt;/span&gt;&lt;span style="font-family:arial;"&gt; realizo muy tempranamente registros de las canciones de Mahler, destacado las realizadas con el gigantesco maestro &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;"&gt;Furtwängler&lt;/span&gt;&lt;span style="font-family:arial;"&gt;.  Pero, entre las numerosas grabaciones, las aqui recogidas destacan por  lo avanzado de la tecnología con la que fueron producidas, y porque  lograron una circulación continua que las hizo piezas de culto.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/-C5TMKpqzP5s/TWB6I3X494I/AAAAAAAAEqQ/YKAhYj059x0/s1600/img_16.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://2.bp.blogspot.com/-C5TMKpqzP5s/TWB6I3X494I/AAAAAAAAEqQ/YKAhYj059x0/s320/img_16.jpg" alt="" id="BLOGGER_PHOTO_ID_5575590631406368642" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a style="font-family: arial;" href="http://www.4shared.com/file/r9fC6-jN/MAHLER_Lieder_-_Fischer-Dieska.html"&gt;DESCARGA / DOWNLOAD&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-5848988194846114651?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/5848988194846114651/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=5848988194846114651' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5848988194846114651'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5848988194846114651'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/gustav-mahler-lieder-dietrich-fischer.html' title='Gustav Mahler: Lieder-Dietrich Fischer-Dieskau - ( 2011)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-LwKPSJvbgOM/TWB5yEbR4pI/AAAAAAAAEqI/IuATnl5hUxY/s72-c/img_1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-5829473958349228165</id><published>2011-05-07T00:01:00.000-05:00</published><updated>2011-05-07T00:01:00.353-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler The Symphonies conducted by Riccardo Chailly'/><title type='text'>Mahler: The Symphonies conducted by Riccardo Chailly ( 12 CD`s BOx-Set)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-2n3Rrt9yg9g/TcSs_PM4jrI/AAAAAAAAEzI/N0aZ3F-hKIQ/s1600/front.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 312px; height: 320px;" src="http://3.bp.blogspot.com/-2n3Rrt9yg9g/TcSs_PM4jrI/AAAAAAAAEzI/N0aZ3F-hKIQ/s320/front.jpg" alt="" id="BLOGGER_PHOTO_ID_5603794038768045746" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Nadie mejor que un director Italiano, --debe decirse: un&lt;/span&gt;&lt;span style="font-weight: bold; font-style: italic;font-family:arial;" &gt; gran&lt;/span&gt; por &lt;span style="font-family:arial;"&gt; director de orquesta y Mahlerianovocación--, para descubrir y enfatizar &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;la vena operística, en particular Verdiana,  en la obra de&lt;/span&gt;&lt;span style="font-family:arial;"&gt; &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Gustav Mahler.&lt;/span&gt;&lt;span style="font-family:arial;"&gt; Chailly ha llamado a esta búsqueda &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;"la conexión Italiana"&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, y aquí nos la entrega en una caja de 12 discos, editada por &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;DECCA&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, que debe ser frecuentada por quienes saben escuchar los sutiles vinculos de la opera y el sonido de Mahler.&lt;/span&gt;   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/-uI73UdvXOY0/TcStPMy0oWI/AAAAAAAAEzQ/oE3Xt545nIY/s1600/back.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 312px; height: 320px;" src="http://3.bp.blogspot.com/-uI73UdvXOY0/TcStPMy0oWI/AAAAAAAAEzQ/oE3Xt545nIY/s320/back.jpg" alt="" id="BLOGGER_PHOTO_ID_5603794312999772514" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a style="font-family: arial;" href="http://www.4shared.com/folder/2AM2QdA5/Chailly-Mahler_The_Symphonies.html"&gt;DOWNLOAD / DESCARGA&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-5829473958349228165?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/5829473958349228165/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=5829473958349228165' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5829473958349228165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5829473958349228165'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/mahler-symphonies-conducted-by-riccardo.html' title='Mahler: The Symphonies conducted by Riccardo Chailly ( 12 CD`s BOx-Set)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-2n3Rrt9yg9g/TcSs_PM4jrI/AAAAAAAAEzI/N0aZ3F-hKIQ/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-2540846561883421872</id><published>2011-05-06T00:01:00.000-05:00</published><updated>2011-05-06T00:02:02.410-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='James Levine Conducts Mahler'/><title type='text'>James Levine Conducts Mahler (2010)</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt; &lt;div class="post-body entry-content" id="post-body-7719441869954704740"&gt; &lt;a href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TSC6_assozI/AAAAAAAAEk8/M7jjm2WE-JU/s1600/box%2Bfront.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TSC6_assozI/AAAAAAAAEk8/M7jjm2WE-JU/s320/box%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5557647538836513586" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En el marco de los aniversarios de Gustav Mahler que se conmemoran en 20111, la disquera &lt;span style="font-weight: bold;"&gt;Sony&lt;/span&gt; ha re-editado las grabaciones, originalmente hechas para &lt;span style="font-weight: bold;"&gt;RCA&lt;/span&gt;, que &lt;span style="font-weight: bold;"&gt;dirigió el joven James Levine entre 1974 y 1981&lt;/span&gt;.&lt;br /&gt;Se trata de &lt;span style="font-weight: bold;"&gt;ocho sinfonías (1, 3, 4, 5, 6, 7, 9 &amp;amp; 10)&lt;/span&gt; entre las que destaca la pionera grabación completa de la versión ejecutable de&lt;span style="font-weight: bold;"&gt; Deryck Cooke de la sinfonía No. 10 inconclusa.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Como  salta a la vista, estamos ante una restitución memorable, pues nos  entrega el temprano testimonio de compromiso Mahleriano de&lt;span style="font-weight: bold;"&gt; James Levine &lt;/span&gt;quien es hoy el director de opera mas grabado y conocido del mundo.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Las grabaciones de este, entonces jovencísimo, director norteamericano vinieron a sumarse a las que realizadas por &lt;span style="font-weight: bold;"&gt;Leonard Bernstein&lt;/span&gt;, incidiendo en el ambiente musical que inserto a Estados Unidos entre los países pioneros de reivindicación de &lt;span style="font-weight: bold;"&gt;Gustav Mahler.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Las orquestas dirigidas por Levine son la &lt;span style="font-weight: bold;"&gt;The Philadelphia Orchestra, y la London Symphony Orchestra.&lt;/span&gt;&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Las fechas de grabación son:&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;Sinfonía no.1.- 1974 + Adagio Sinfonía no.10 1978&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.3.-1975&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.4.-1974&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.5.-1978&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.6.-1977&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.7.-1980&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.9.-1979&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.10.- 1981&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;La caja es de 10 CD`s mas scan.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TSC7KtsJnbI/AAAAAAAAElE/I5OpsFf9V2g/s1600/box%2Bback.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 319px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TSC7KtsJnbI/AAAAAAAAElE/I5OpsFf9V2g/s320/box%2Bback.jpg" alt="" id="BLOGGER_PHOTO_ID_5557647732913053106" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/dir/lZxhLxK4/Mahler_with_James_Levine.html"&gt;DOWNLOAD&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-2540846561883421872?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/2540846561883421872/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=2540846561883421872' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/2540846561883421872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/2540846561883421872'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/james-levine-conducts-mahler-2010.html' title='James Levine Conducts Mahler (2010)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_QMIBbvsVy9M/TSC6_assozI/AAAAAAAAEk8/M7jjm2WE-JU/s72-c/box%2Bfront.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-7413540198825744212</id><published>2011-05-05T00:01:00.002-05:00</published><updated>2011-05-05T00:01:00.683-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Thomas Hampson'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Des Knaben Wunderhorn'/><category scheme='http://www.blogger.com/atom/ns#' term='Wiener Virtuosen'/><title type='text'>Mahler: Des Knaben Wunderhorn by Thomas Hampson (2010)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-P382-ro4oN0/TcDZfIYh4gI/AAAAAAAAEy4/_0ey2SuZOi0/s1600/front.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 316px;" src="http://4.bp.blogspot.com/-P382-ro4oN0/TcDZfIYh4gI/AAAAAAAAEy4/_0ey2SuZOi0/s320/front.jpg" alt="" id="BLOGGER_PHOTO_ID_5602717065298436610" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Free download. Descarga gratuita.&lt;/span&gt;&lt;br /&gt;La presencia de &lt;span style="font-weight: bold;"&gt;Thomas Hampson&lt;/span&gt; cantando los &lt;span style="font-weight: bold;"&gt;Knaben Wunderhorn&lt;/span&gt;, &lt;span style="font-weight: bold; font-style: italic;"&gt;por primera ocasion con orquesta&lt;/span&gt;, en un registro realizado especialmente para el centenario de Mahler.&lt;br /&gt;Un disco absolutamente obligado para Mahleritas.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;This recording is being released for the Mahler Year 2011, celebrating the 100th anniversary of the composer's death (May, 18 1911) and is Hampson's first ever studio recording of the orchestra version of Des Knaben Wunderhorn. Thomas Hampson now adds a special version ("im Kammermusikton") of Des Knaben Wunderhorn to his huge discography and videography with works by Gustav Mahler. Hampson is joined by The Wiener Virtuosen, a chamber ensemble of the highly acclaimed principal players of the Vienna Philharmonic. Long regarded as the premier interpreter of the songs of Gustav Mahler, Thomas Hampson will undertake more than 50 concerts featuring Mahler's songs in the season 2010/2011. Hampson is famously tied to his earlier Mahler recordings with Leonard Bernstein for Deutsche Grammophon. &lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-37Jszsg0Vw4/TcDaMiYDEqI/AAAAAAAAEzA/wiD0coscC-8/s1600/back.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 248px;" src="http://4.bp.blogspot.com/-37Jszsg0Vw4/TcDaMiYDEqI/AAAAAAAAEzA/wiD0coscC-8/s320/back.jpg" alt="" id="BLOGGER_PHOTO_ID_5602717845369852578" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.4shared.com/file/eyvF4dx1/Knaben_Wunderhorn_Hampson.html"&gt;DOWNLOAD.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-7413540198825744212?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/7413540198825744212/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=7413540198825744212' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7413540198825744212'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7413540198825744212'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/mahler-des-knaben-wunderhorn-by-thomas.html' title='Mahler: Des Knaben Wunderhorn by Thomas Hampson (2010)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-P382-ro4oN0/TcDZfIYh4gI/AAAAAAAAEy4/_0ey2SuZOi0/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-5444691115828615090</id><published>2011-05-04T00:01:00.003-05:00</published><updated>2011-05-04T00:03:56.128-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Symphony No. 1 - Ruckert Lieder'/><category scheme='http://www.blogger.com/atom/ns#' term='Berlin Deutsches Symphony Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='Christopher Eschenbach'/><category scheme='http://www.blogger.com/atom/ns#' term='Christine Schafer'/><title type='text'>Mahler: Symphony No. 1 / Ruckert Lieder, Christine Schafer-Eschenbach (2010)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-II38ZWmj5es/TcDVmXMipYI/AAAAAAAAEyo/j_BYLG0_DdA/s1600/MAHLER1-RUCKERT-ESENBACH-FRONT.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-II38ZWmj5es/TcDVmXMipYI/AAAAAAAAEyo/j_BYLG0_DdA/s320/MAHLER1-RUCKERT-ESENBACH-FRONT.jpg" alt="" id="BLOGGER_PHOTO_ID_5602712791487260034" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Una de las novedades destacadas en las ediciones Mahlerianas más recientes, es este registro de la &lt;span style="font-weight: bold;"&gt;Primera Sinfonía de Mahler&lt;/span&gt;, ejecutada por la &lt;span style="font-weight: bold;"&gt;Berlin Deutsches Symphony Orchestra&lt;/span&gt;, dirigida por &lt;span style="font-weight: bold;"&gt;Christopher Eschenbach&lt;/span&gt;; y los&lt;span style="font-weight: bold;"&gt; Ruckert-Lieder&lt;/span&gt; en la voz deliciosa de &lt;span style="font-weight: bold;"&gt;Christine Schafer&lt;/span&gt;.&lt;br /&gt;La disquera &lt;span style="font-weight: bold;"&gt;Capriccio&lt;/span&gt; lo lanzo a mediados del año pasado pero acaba de llegar a tiendas.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/-CLyzCLbbpQw/TcDVxhN_nMI/AAAAAAAAEyw/t3eRr6tiQZg/s1600/MAHLER1-RUCKERT-ESENBACH-BACK.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-CLyzCLbbpQw/TcDVxhN_nMI/AAAAAAAAEyw/t3eRr6tiQZg/s320/MAHLER1-RUCKERT-ESENBACH-BACK.jpg" alt="" id="BLOGGER_PHOTO_ID_5602712983156268226" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/file/0GS659Tv/Eschenbach_-_Mahler_-_Symphony.html"&gt;&lt;span style="font-family:arial;"&gt;DOWNLOAD&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-5444691115828615090?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/5444691115828615090/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=5444691115828615090' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5444691115828615090'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5444691115828615090'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/mahler-symphony-no-1-ruckert-lieder.html' title='Mahler: Symphony No. 1 / Ruckert Lieder, Christine Schafer-Eschenbach (2010)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-II38ZWmj5es/TcDVmXMipYI/AAAAAAAAEyo/j_BYLG0_DdA/s72-c/MAHLER1-RUCKERT-ESENBACH-FRONT.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3391342812850253842</id><published>2011-05-02T20:50:00.000-05:00</published><updated>2011-05-02T20:51:26.400-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Czech Philharmonic Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='Vàclav Neuman'/><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler Symphonies'/><title type='text'>Gustav Mahler: All the Symphonies, conducted by Vàclav Neuman (14 CD`s)</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt; &lt;div class="post-body entry-content" id="post-body-8824759944719452505"&gt; &lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TLd2rKSoPeI/AAAAAAAAEfM/WAG-aeLoP9E/s1600/Mahler+by+neumann-cover.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 314px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TLd2rKSoPeI/AAAAAAAAEfM/WAG-aeLoP9E/s320/Mahler+by+neumann-cover.JPG" alt="" id="BLOGGER_PHOTO_ID_5528017551489514978" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="post-body entry-content"&gt;&lt;p&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;Free download.Descarga gratuita&lt;/span&gt;.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;La   caja de 14 discos que ahora compartimos, es una de las ediciones   integrales de la obra de Gustav Mahler mas prestigiadas y, quizá por   haber sido casi inaccesible durante años, ha adquirido un aura mítica.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;Se trata de la edición realizada por &lt;span style="font-weight: bold;"&gt;Supraphon&lt;/span&gt;, la legendaria casa grabadora Checa, que nunca ha podido lograr una buena distribución de sus siempre magníficos registros.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;La edición conducida por &lt;span style="font-weight: bold;"&gt;Vàclav Neuman&lt;/span&gt;, con la &lt;span style="font-weight: bold;"&gt;Czech Philharmonic Orchestra,&lt;/span&gt; solistas y coros,  es una rara joya, que recientemente ha sido re-impresa para los melómanos asiáticos.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;Recomendamos hacer la descarga sin demora, pues nuestros archivos están alojados en &lt;span style="font-weight: bold;"&gt;4Shared,&lt;/span&gt; sitio que hace horas borro todos los links de la &lt;span style="font-weight: bold;"&gt;integral de Mahler conducida por Ozawa&lt;/span&gt; que estábamos compartiendo.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/TLd3SDRj4NI/AAAAAAAAEfU/lK6FdZy2O5M/s1600/tail.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 315px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/TLd3SDRj4NI/AAAAAAAAEfU/lK6FdZy2O5M/s320/tail.jpg" alt="" id="BLOGGER_PHOTO_ID_5528018219620884690" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt; &lt;span style="font-family: arial;"&gt;&lt;a href="http://www.4shared.com/dir/b3UACiug/Mahler_by_Newmann.html"&gt;DOWNLOAD&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3391342812850253842?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3391342812850253842/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3391342812850253842' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3391342812850253842'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3391342812850253842'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/gustav-mahler-all-symphonies-conducted.html' title='Gustav Mahler: All the Symphonies, conducted by Vàclav Neuman (14 CD`s)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/TLd2rKSoPeI/AAAAAAAAEfM/WAG-aeLoP9E/s72-c/Mahler+by+neumann-cover.JPG' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-6001259317533158388</id><published>2011-05-01T14:01:00.000-05:00</published><updated>2011-05-01T14:06:27.638-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Steinberg'/><category scheme='http://www.blogger.com/atom/ns#' term='Ferrier'/><category scheme='http://www.blogger.com/atom/ns#' term='Boulez'/><category scheme='http://www.blogger.com/atom/ns#' term='Bruno Walter'/><category scheme='http://www.blogger.com/atom/ns#' term='Mitropoulos'/><category scheme='http://www.blogger.com/atom/ns#' term='Kubelik'/><category scheme='http://www.blogger.com/atom/ns#' term='Stokovsky'/><category scheme='http://www.blogger.com/atom/ns#' term='Fischer-Dieskau.'/><category scheme='http://www.blogger.com/atom/ns#' term='Mehta'/><category scheme='http://www.blogger.com/atom/ns#' term='New York Philharmonic The Mahler Broadcasts 1948 - 1982'/><category scheme='http://www.blogger.com/atom/ns#' term='Tennstedt'/><category scheme='http://www.blogger.com/atom/ns#' term='Barbirolli'/><category scheme='http://www.blogger.com/atom/ns#' term='Solti'/><title type='text'>New York Philharmonic - The Mahler Broadcasts 1948 - 1982 SPECIAL EDITION.</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3Lq1v4N-I/AAAAAAAADDE/GHRf4jJHnN4/s1600-h/portada+principal.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 355px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3Lq1v4N-I/AAAAAAAADDE/GHRf4jJHnN4/s400/portada+principal.jpg" alt="" id="BLOGGER_PHOTO_ID_5336145070346745826" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="post-body entry-content"&gt;&lt;p&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler  en vivo en grabaciones inencontrables de: Barbirolli, Mehta, Boulez,  Solti, Tennstedt, Mitropoulos, Kubelik, Stokovsky, Bruno Walter,  Ferrier, Steinberg, Fischer-Dieskau.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3NForBFpI/AAAAAAAADDM/Do-upy0iL-s/s1600-h/Portada+caja+box_cover_01.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 283px; height: 400px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3NForBFpI/AAAAAAAADDM/Do-upy0iL-s/s400/Portada+caja+box_cover_01.jpg" alt="" id="BLOGGER_PHOTO_ID_5336146630204790418" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Este Box-Set de la &lt;span style="font-weight: bold;"&gt;New York Philharmonic&lt;/span&gt; es un recorrido por 34 años de ininterrumpida presencia de Gustav Mahler en Norteamérica. Contiene &lt;span style="font-weight: bold;"&gt;12 cd´s, grabados en vivo&lt;/span&gt;, con las &lt;span style="font-weight: bold;"&gt;10 sinfonías, los Lieder Eines Fahrenden Gesellen y los Lied Von Der Erde,&lt;/span&gt;  conducidos por 10 directores, 15 solistas;  acompañados de una sección documental con los testimonios de &lt;span style="font-weight: bold;"&gt;Sir John Barbirolli, Leopold Stokowski, y Bruno Walter&lt;/span&gt;  y las legendarias entrevistas de radio que realizo &lt;span style="font-weight: bold;"&gt;William Malloch&lt;/span&gt; en 1964 con músicos que tocaron bajo la batuta y dirección personal de Mahler en Europa y en EEUU. La entrega adiciona&lt;span style="font-weight: bold;"&gt; dos Booklets de casi 500 paginas&lt;/span&gt; con trabajos temáticos acerca de la impronta de Mahler en esta orquesta.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ripeo de Elemtal5 &lt;/span&gt; &lt;a href="http://www.demonoid.com/files/details/1920110/775222/"&gt;(Download Torrent en Demonid)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/Sg3QWAQpyWI/AAAAAAAADDc/WmnIAnhrzMI/s1600-h/syms+.jpg+%2Bgesellen+%2B2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 315px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/Sg3QWAQpyWI/AAAAAAAADDc/WmnIAnhrzMI/s320/syms+.jpg+%2Bgesellen+%2B2.jpg" alt="" id="BLOGGER_PHOTO_ID_5336150209949452642" border="0" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3QpdpmqvI/AAAAAAAADDk/04_mrp7uw2g/s1600-h/syms1+%2Bgesellen+%2B2+back+.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 253px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3QpdpmqvI/AAAAAAAADDk/04_mrp7uw2g/s320/syms1+%2Bgesellen+%2B2+back+.jpg" alt="" id="BLOGGER_PHOTO_ID_5336150544256248562" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://rapidshare.com/files/233616555/Mahler_Broadcasts_CD_1__Sym1_Barbirolli_1959.rar"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler, Symphony no.1&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://rapidshare.com/files/233616556/Mahler_Broadcasts_CD_1__Gesellen__F-Dieskau_Steinberg_1964.rar"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Lieder Eines Fahrenden Gesellen&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/233704919/Mahler_Broadcasts_CD2__Sym2_Mehta_1982.rar"&gt;Mahler, Symphony no.2&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/Sg3RJNI2ggI/AAAAAAAADDs/5bbrJostsYY/s1600-h/syms+3+y+4+front+.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 314px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/Sg3RJNI2ggI/AAAAAAAADDs/5bbrJostsYY/s320/syms+3+y+4+front+.jpg" alt="" id="BLOGGER_PHOTO_ID_5336151089579721218" border="0" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_QMIBbvsVy9M/Sg3RkSVrklI/AAAAAAAADD0/VSoBVG82Q0s/s1600-h/syms+3+y+4+back+.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 254px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/Sg3RkSVrklI/AAAAAAAADD0/VSoBVG82Q0s/s320/syms+3+y+4+back+.jpg" alt="" id="BLOGGER_PHOTO_ID_5336151554832175698" border="0" /&gt;&lt;/a&gt;&lt;a href="http://rapidshare.com/files/233825559/Mahler_Broadcasts_CD_3__Sym3__Boulez_1976.rar"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler, Symphony no.3&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/233842249/Mahler_Broadcasts_CD_4__Sym4__Solti_1962.rar"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler, Symphony no.4&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3SPoLNSjI/AAAAAAAADD8/QTWpHf6MncI/s1600-h/syms+5+y+6+front.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 312px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3SPoLNSjI/AAAAAAAADD8/QTWpHf6MncI/s320/syms+5+y+6+front.jpg" alt="" id="BLOGGER_PHOTO_ID_5336152299428203058" border="0" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/Sg3ScWXpU7I/AAAAAAAADEE/0C6NBh8F1RY/s1600-h/syms+5+y+6+back.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 253px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/Sg3ScWXpU7I/AAAAAAAADEE/0C6NBh8F1RY/s320/syms+5+y+6+back.jpg" alt="" id="BLOGGER_PHOTO_ID_5336152517986833330" border="0" /&gt;&lt;/a&gt;&lt;a href="http://rapidshare.com/files/233768333/Mahler_Broadcasts_CD5__Sym5__Tennstedt_1980.rar"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler, Symphony no.5&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/233855790/Mahler_Braodcasts_CD_6__Sym6_Mitropoulos_1955.rar"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler, Symphony no.6&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3Sw1tc1iI/AAAAAAAADEM/a6A9P3yQUtw/s1600-h/sym+7+%2B+von+der+erde+front.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3Sw1tc1iI/AAAAAAAADEM/a6A9P3yQUtw/s320/sym+7+%2B+von+der+erde+front.jpg" alt="" id="BLOGGER_PHOTO_ID_5336152869997172258" border="0" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/Sg3TEziXcoI/AAAAAAAADEU/3DFIL34ujZE/s1600-h/sym+7+%2B+von+der+erde+back.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 251px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/Sg3TEziXcoI/AAAAAAAADEU/3DFIL34ujZE/s320/sym+7+%2B+von+der+erde+back.jpg" alt="" id="BLOGGER_PHOTO_ID_5336153213011194498" border="0" /&gt;&lt;/a&gt;&lt;a href="http://rapidshare.com/files/233870371/Mahler_Broadcasts_CD_7__Kubelik_1981.rar"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler, Symphony no.7&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/233886390/Mahler_Broadcasts_CD_8._Lied_von_der_Erde__B.Walter_1948.rar"&gt;Das Lied Von Der Erde&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3TWNTv3bI/AAAAAAAADEc/2TIKh75XXBI/s1600-h/Syms+8+y+9+front.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3TWNTv3bI/AAAAAAAADEc/2TIKh75XXBI/s320/Syms+8+y+9+front.jpg" alt="" id="BLOGGER_PHOTO_ID_5336153511986978226" border="0" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/Sg3Tt7AqlUI/AAAAAAAADEk/iNQjgBSrcK0/s1600-h/Syms+8+y+9+back.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 254px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/Sg3Tt7AqlUI/AAAAAAAADEk/iNQjgBSrcK0/s320/Syms+8+y+9+back.jpg" alt="" id="BLOGGER_PHOTO_ID_5336153919391962434" border="0" /&gt;&lt;/a&gt;&lt;a href="http://rapidshare.com/files/233942591/Mahler_Broadcasts_CD_9__Sym_8__Stokowski_1950.rar"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler, Symphony no.8&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/234062493/Mahler_Broadcasts_CD10__Sym9__Barbirolli_1962.rar"&gt;Mahler, Symphony no.9&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/Sg3UD4q2WMI/AAAAAAAADEs/aroj4BoL7KU/s1600-h/sym+10+%2B+interviews+front.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/Sg3UD4q2WMI/AAAAAAAADEs/aroj4BoL7KU/s320/sym+10+%2B+interviews+front.jpg" alt="" id="BLOGGER_PHOTO_ID_5336154296720709826" border="0" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_QMIBbvsVy9M/Sg3UetESzpI/AAAAAAAADE0/PI1_ATX1nkM/s1600-h/sym+10+%2B+interviews+back.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 250px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/Sg3UetESzpI/AAAAAAAADE0/PI1_ATX1nkM/s320/sym+10+%2B+interviews+back.jpg" alt="" id="BLOGGER_PHOTO_ID_5336154757462675090" border="0" /&gt;&lt;/a&gt;&lt;a href="http://rapidshare.com/files/234090080/Mahler_Broadcasts_CD_11__sym10-Interviews__I_.rar"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler, Symphony no.10&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://rapidshare.com/files/234128351/Mahler_Broadcasts_CD_12__Malloch_s_I_Remember_Mahler__II_.rar"&gt;&lt;span style="font-weight: bold; font-size: 130%;"&gt;William Malloch Radio Interviews&lt;/span&gt;&lt;span&gt;+&lt;/span&gt;&lt;span style="font-weight: bold; font-size: 130%;"&gt;scans&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/Sg4qV4Dt69I/AAAAAAAADFE/FTM26xjZkNM/s1600-h/book_II+front.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 281px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/Sg4qV4Dt69I/AAAAAAAADFE/FTM26xjZkNM/s320/book_II+front.jpg" alt="" id="BLOGGER_PHOTO_ID_5336249163794213842" border="0" /&gt;&lt;/a&gt;&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/Sg4qHVlQrAI/AAAAAAAADE8/BVpI6ZURiCg/s1600-h/book+I+_front.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 282px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/Sg4qHVlQrAI/AAAAAAAADE8/BVpI6ZURiCg/s320/book+I+_front.jpg" alt="" id="BLOGGER_PHOTO_ID_5336248914021493762" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-size: 130%;"&gt;&lt;a href="http://rapidshare.com/files/233616557/Mahler_Broadcasts_Books_I_y_II.rar"&gt;Books I &amp;amp; II&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-6001259317533158388?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/6001259317533158388/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=6001259317533158388' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6001259317533158388'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6001259317533158388'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/05/new-york-philharmonic-mahler-broadcasts.html' title='New York Philharmonic - The Mahler Broadcasts 1948 - 1982 SPECIAL EDITION.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_QMIBbvsVy9M/Sg3Lq1v4N-I/AAAAAAAADDE/GHRf4jJHnN4/s72-c/portada+principal.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-5831905677466476174</id><published>2011-04-28T12:07:00.003-05:00</published><updated>2011-04-28T12:12:25.395-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='WIENER PHILHARMONIKER'/><category scheme='http://www.blogger.com/atom/ns#' term='Lorin Maazel'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Symphonies Nos. 1-10'/><title type='text'>Mahler: Symphonies Nos. 1-10 (Limited Edition)-Lorin Maazel</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-qZBeM0hOIvc/Tbmfnm0JFgI/AAAAAAAAEyg/UkDNbO9MlUM/s1600/Cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-qZBeM0hOIvc/Tbmfnm0JFgI/AAAAAAAAEyg/UkDNbO9MlUM/s320/Cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5600683114394883586" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Hoy compartimos el Box set con las sinfonías de &lt;span style="font-weight: bold;"&gt;Gustav Mahle&lt;/span&gt;r que mas nos gusta de todas las grabaciones existentes.&lt;br /&gt;Se trata de la edición especial dirigida por &lt;span style="font-weight: bold;"&gt;Lorin Maazel y la Wiener Philharmoniker.&lt;/span&gt; No hay, en nuestra experiencia vivida algo superior a estos registros. Ni &lt;span style="font-weight: bold;"&gt;Abbado,&lt;/span&gt; con su perfección tierna y sensible, ni Boulez con su oido insuperable, ni&lt;span style="font-weight: bold;"&gt; Kubelik &lt;/span&gt;con su tono Checo que conmueve hasta los huesos.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Nada supera estas ejecuciones. Solo pueden compararse con las de &lt;span style="font-weight: bold;"&gt;Bruno Walter&lt;/span&gt;, una al lado de la otra y eso que &lt;span style="font-weight: bold;"&gt;Walter es Mahler mismo.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(204, 0, 0);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;14 Cd`s-14 Rars+scans-2.95 GB-FLAC&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;span style="font-size:85%;"&gt;  &lt;span style="font-family:arial;"&gt;CD-01: Symphony no.1&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;CD-02: Symphony no.2 - Part 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-03: Symphony no.2 - Part 2&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;CD-04: Symphony no.3 - Part 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-05: Symphony no.3 - Part 2 &amp;amp; Kindetotenlieder&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-06: Symphony no.4&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;CD-07: Symphony no.5 &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;CD-08: Symphony no.6 - Part1&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;CD-09: Symphony no.6 - part 2 &amp;amp; Symphony no.7 -Part 1&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;CD-10: Symphony no.7 -Part 2&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;CD-11: Symphony no.8 - Part 1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-12: Symphony no.8 - Part 2&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-13: Symphony no.9 - Part 1&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;CD-14: Symphony no.9 - Part 2 &amp;amp; Adagio Symphony no.10&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.4shared.com/folder/m0inqnYs/Maazel-Mahler_symphonies_1-10.html"&gt;&lt;br /&gt;DOWNLOAD&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-5831905677466476174?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/5831905677466476174/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=5831905677466476174' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5831905677466476174'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5831905677466476174'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/04/mahler-symphonies-nos-1-10-limited.html' title='Mahler: Symphonies Nos. 1-10 (Limited Edition)-Lorin Maazel'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-qZBeM0hOIvc/Tbmfnm0JFgI/AAAAAAAAEyg/UkDNbO9MlUM/s72-c/Cover.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-8749730393696686894</id><published>2011-04-18T14:37:00.005-05:00</published><updated>2011-04-18T14:46:32.644-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler symphonies 1- 2 - 4- 5 - 9'/><category scheme='http://www.blogger.com/atom/ns#' term='conducted by Bruno Walter'/><title type='text'>Mahler Symphonies 1, 2 &amp; 4, 5 &amp; 9, Conducted by Bruno Walter.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-BzmhEW9M72M/TayUZzY9ElI/AAAAAAAAExg/ObJE37PdfrE/s1600/Front.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 250px;" src="http://3.bp.blogspot.com/-BzmhEW9M72M/TayUZzY9ElI/AAAAAAAAExg/ObJE37PdfrE/s320/Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5597011607927198290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free Download. Descarga gratuita.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Hoy compartimos la caja para coleccionistas, edición de Sony, que reúne cinco grabaciones de las &lt;span style="font-weight: bold;"&gt;Sinfonías de Gustav Mahler, dirigidas por Bruno Walter,  la New York Philharmonic (Symphonies 2, 4 &amp;amp; 5) y la Columbia Symphony Orchestra (1 &amp;amp; 9).&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Los registros fueron realizados en 1945, 1947, 1958, 1960 y 1961.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;No sobra comentar que&lt;span style="font-weight: bold;"&gt; Bruno Walter &lt;/span&gt;fue discípulo y protegido de &lt;span style="font-weight: bold;"&gt;Gustav Mahler,&lt;/span&gt; y que su escuela de dirección orquestal es la continuación directa de la fundada por &lt;span style="font-weight: bold;"&gt;GM&lt;/span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;No hay una ejecución más cercana a la forma de dirigir de &lt;span style="font-weight: bold;"&gt;Mahler&lt;/span&gt; que la de &lt;span style="font-weight: bold;"&gt;Bruno Walter.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Esta es una joya, una de las mejores grabaciones Mahlerianas accesibles hoy, y una presencia insustituible en el año del centenario de la muerte del Maestro.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;  &lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;5 Cd`s- 5 Rars- Flac-333+325.7+281.5+179+271+scans&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/-aFWCnGjwoI4/TayUk_8JDvI/AAAAAAAAExo/IoslpMj4A_M/s1600/Back.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 246px;" src="http://3.bp.blogspot.com/-aFWCnGjwoI4/TayUk_8JDvI/AAAAAAAAExo/IoslpMj4A_M/s320/Back.jpg" alt="" id="BLOGGER_PHOTO_ID_5597011800274570994" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;  &lt;a style="font-family: arial;" href="http://www.4shared.com/dir/_JxQ2UzS/Walter_-_Mahler_-_Symphonies_N.html"&gt;DOWNLOAD&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-8749730393696686894?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/8749730393696686894/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=8749730393696686894' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8749730393696686894'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8749730393696686894'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/04/mahler-symphonies-1-2-4-5-9-conducted.html' title='Mahler Symphonies 1, 2 &amp; 4, 5 &amp; 9, Conducted by Bruno Walter.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-BzmhEW9M72M/TayUZzY9ElI/AAAAAAAAExg/ObJE37PdfrE/s72-c/Front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-6510386764608726339</id><published>2011-04-06T13:39:00.004-05:00</published><updated>2011-04-06T14:16:01.840-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler- Sinopoli - The Complete Recordings'/><title type='text'>Mahler: Sinopoli - The Complete Recordings [15 CD-Box set]</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-EdnJ-4NDJgQ/TZy7BwMKn2I/AAAAAAAAEww/5dnMt1nzpKs/s1600/IMG_0030.jpg"&gt;&lt;img style="display: block; 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Descarga gratuita.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:10pt;"  &gt;La disquera &lt;b&gt;Deutsche Grammophon&lt;/b&gt; reunió, en 2002, las &lt;b&gt;grabaciones Mahlerianas de Guiseppe Sinopoli &lt;/b&gt;en una caja que es obligado mantener en la libre circulación como parte de las conmemoraciones centenarias de Gustav Mahler.&lt;br /&gt;Los registros del conductor Italiano fueron realizados, en su mayor parte con la &lt;b&gt;London Philharmonia Orchestra&lt;/b&gt;, aunque también se recoge la grabación de &lt;b&gt;Das Lied von Der Erde&lt;/b&gt; en que &lt;b&gt;Sinopoli &lt;/b&gt;dirigió a la&lt;b&gt; Dresden Staatskapelle.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(204, 0, 0);font-size:130%;" &gt; &lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(204, 0, 0);font-size:85%;" &gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;15CD+Scans-16 Rar-Flac-3.75GB&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/-QWhMzOWnyeU/TZy7jff-UnI/AAAAAAAAEw4/0AQFs88EaB4/s1600/IMG_0031.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 318px; height: 320px;" src="http://2.bp.blogspot.com/-QWhMzOWnyeU/TZy7jff-UnI/AAAAAAAAEw4/0AQFs88EaB4/s320/IMG_0031.jpg" alt="" id="BLOGGER_PHOTO_ID_5592551055712735858" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;  &lt;a href="http://www.4shared.com/dir/0LvjzKtf/Sinopoli_Mahler_complete_recor.html"&gt; &lt;span style="font-family:arial;"&gt;DOWNLOAD&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-6510386764608726339?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/6510386764608726339/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=6510386764608726339' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6510386764608726339'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6510386764608726339'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/04/mahler-sinopoli-complete-recordings-15.html' title='Mahler: Sinopoli - The Complete Recordings [15 CD-Box set]'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-EdnJ-4NDJgQ/TZy7BwMKn2I/AAAAAAAAEww/5dnMt1nzpKs/s72-c/IMG_0030.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-5337640580674014516</id><published>2011-04-03T22:00:00.000-05:00</published><updated>2011-04-03T22:00:12.106-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Leonard Bernstein- Gustav Mahler : The Complete Symphonies and Orchestral Songs - Vol. III'/><title type='text'>Bernstein - Mahler : The Complete Symphonies &amp; Orchestral Songs - Vol. III de III - 5CDs</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/--y_cBDQ7g3M/TZNvhfkqOfI/AAAAAAAAEwY/1xE8gksONrk/s1600/Bernstein-Mahler-vol.3-%2BFront.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 298px;" src="http://1.bp.blogspot.com/--y_cBDQ7g3M/TZNvhfkqOfI/AAAAAAAAEwY/1xE8gksONrk/s320/Bernstein-Mahler-vol.3-%2BFront.jpg" alt="" id="BLOGGER_PHOTO_ID_5589934183698545138" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Free Downloads. Descargas gratuitas.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Tercera y ultima entrega del Box-Set preparado por &lt;span style="font-weight: bold;"&gt;Leonard Bernstein&lt;/span&gt; con el apoyo de &lt;span style="font-weight: bold;"&gt;Deutsche Grammophon&lt;/span&gt; que accedio a negociar los derechos de las grabaciones realizadas para la disquera &lt;span style="font-weight: bold;"&gt;Polygram&lt;/span&gt;. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;Aqui compartimos el Volumen 3:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;  &lt;/span&gt;&lt;div  style="text-align: center;font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Symphonies of Love and Death: Symphonies 8, 9 &amp;amp; 10&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(204, 0, 0);font-size:85%;" &gt;&lt;span style="font-weight: bold;"&gt;5CD`s-5 Rar files-Ape+Cue-1.2 GB.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: arial;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/-QP2IkrGNb8M/TZNvp0_jQ6I/AAAAAAAAEwg/G3CzfMde3nA/s1600/Bernstein-Mahler-vol.3-back.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 294px;" src="http://4.bp.blogspot.com/-QP2IkrGNb8M/TZNvp0_jQ6I/AAAAAAAAEwg/G3CzfMde3nA/s320/Bernstein-Mahler-vol.3-back.jpg" alt="" id="BLOGGER_PHOTO_ID_5589934326887433122" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-size:85%;" &gt;Vol. III - CD 01 : Gustav Mahler : Symphony No.10 &amp;amp; 8 : Part I -&lt;br /&gt;Leonard Bernstein - Wiener Philharmoniker.&lt;br /&gt;&lt;br /&gt;Margaret Price : ( soprano) - Magnna Peccatrix&lt;br /&gt;Judith Blegen : (soprano II) - Una poenitentium&lt;br /&gt;Gerti Zeumer : ( soprano III) - Mater gloriosa&lt;br /&gt;Trudeliese Schmidt : (contralto / Alt I) - Mulier Samaritana&lt;br /&gt;Agnes Baltsa : (contralto II) - Maria Aegyptiaca&lt;br /&gt;Kenneth Riegel : (tenor) - Doctor Marianus&lt;br /&gt;Hermann Prey : (baritone) - Pater ecstaticus&lt;br /&gt;Jose Van dam : (bass) - Pater profundus&lt;br /&gt;&lt;br /&gt;Konzertvereininung Wiener Staatsopenchor&lt;br /&gt;(Chef de choeur : Walter Hagen-Groll)&lt;br /&gt;&lt;br /&gt;Wiener Singverein&lt;br /&gt;(Chorus master : Helmut Froschauer)&lt;br /&gt;&lt;br /&gt;Wiener Sangerknaben&lt;br /&gt;(Chorus master : Uwe Theimer)&lt;br /&gt;&lt;br /&gt;Rudolf Scholz : organ&lt;br /&gt;&lt;br /&gt;Wiener Philharmoniker&lt;br /&gt;&lt;br /&gt;01. Symphony No.10 : Andante - Adagio [0:26:13.00]&lt;br /&gt;02. Symphony No.8 Part I: Hymnus "Veni, creator spiritus" - "Veni, creator spiritus" [0:01:31.00]&lt;br /&gt;03. "Imple superna gratia" [0:03:16.25]&lt;br /&gt;04. "Infirma nostri corporis" [0:02:44.20]&lt;br /&gt;05. Tempo I. [0:01:13.60]&lt;br /&gt;06. "Infirma nostri corporis" [0:03:15.15]&lt;br /&gt;07. "Accende lumen sensibus" [0:04:23.45]&lt;br /&gt;08. "Veni, creator spiritus" [0:04:27.28]&lt;br /&gt;09. "Gloria sit Patri Domino" [0:03:22.32]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Vol. III - CD 02 : Mahler : Symphony No.8 Part II -&lt;br /&gt;Leonard Bernstein - Wiener Philharmoniker.&lt;br /&gt;&lt;br /&gt;Margaret Price : ( soprano) - Magnna Peccatrix&lt;br /&gt;Judith Blegen : (soprano II) - Una poenitentium&lt;br /&gt;Gerti Zeumer : ( soprano III) - Mater gloriosa&lt;br /&gt;Trudeliese Schmidt : (contralto / Alt I) - Mulier Samaritana&lt;br /&gt;Agnes Baltsa : (contralto II) - Maria Aegyptiaca&lt;br /&gt;Kenneth Riegel : (tenor) - Doctor Marianus&lt;br /&gt;Hermann Prey : (baritone) - Pater ecstaticus&lt;br /&gt;Jose Van dam : (bass) - Pater profundus&lt;br /&gt;&lt;br /&gt;Konzertvereininung Wiener Staatsopenchor&lt;br /&gt;(Chef de choeur : Walter Hagen-Groll)&lt;br /&gt;&lt;br /&gt;Wiener Singverein&lt;br /&gt;(Chorus master : Helmut Froschauer)&lt;br /&gt;&lt;br /&gt;Wiener Sangerknaben&lt;br /&gt;(Chorus master : Uwe Theimer)&lt;br /&gt;&lt;br /&gt;Rudolf Scholz : organ&lt;br /&gt;&lt;br /&gt;Wiener Philharmoniker&lt;br /&gt;&lt;br /&gt;01. Symphony No.8 : Part II Final Scene from Goethe's "Faust" : Poco adagio [0:06:26.23]&lt;br /&gt;02. Piu mosso [0:03:05.25]&lt;br /&gt;03. "Waldung, sie schwankt heran" [0:04:31.58]&lt;br /&gt;04. "Ewiger Wonnebrand" [0:01:35.50]&lt;br /&gt;05. "Wie Felsenabgrund mir zu Fusen" [0:04:29.62]&lt;br /&gt;06. "Gerettet ist das edle Glied der Geisterwelt vom Bosen" [0:01:06.03]&lt;br /&gt;07. "Jene Rosen aus den Handen" [0:01:49.55]&lt;br /&gt;08. "Uns bleibt ein Erdenrest" [0:02:22.65]&lt;br /&gt;09. Im anfang noch etwas gehalten [0:01:22.10]&lt;br /&gt;10. "Hochste Herrscherin der Welt!" [0:04:24.20]&lt;br /&gt;11. "Dir, der Unberuhrbaren" [0:03:55.50]&lt;br /&gt;12. "Bei der Liebe, die den Fusen" [0:04:50.37]&lt;br /&gt;13. "Neige, neige, du Ohnegleiche" [0:01:13.18]&lt;br /&gt;14. "Er uberwachst uns schon" [0:03:56.70]&lt;br /&gt;15. "Komm! hebe dich zu hohern Spharen!" [0:01:22.60]&lt;br /&gt;16. "Blicket auf zum Retterblick, alle reuig Zarten" [0:06:01.02]&lt;br /&gt;17. "Alles Vergangliche ist nur ein Gleichnis" [0:06:27.70]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Vol. III - CD 03 : Gustav Mahler : The Song of the Earth - Leonard Bernstein - Wiener Philharmoniker.&lt;br /&gt;&lt;br /&gt;James King : tenor&lt;br /&gt;Dietrich Fischer-Dieskau : baritone&lt;br /&gt;&lt;br /&gt;01. The Song of the Earth - I. Das Trinklied vom Jammer der Erde [0:08:31.13]&lt;br /&gt;02. II. Der Einsame im Herbst [0:11:22.00]&lt;br /&gt;03. III. Von der Jugend [0:03:11.00]&lt;br /&gt;04. IV. Von der Schonheit [0:08:10.00]&lt;br /&gt;05. V. Der Trunkene im Fruhling [0:04:39.00]&lt;br /&gt;06. VI. Der Abscheid [0:31:02.37]&lt;br /&gt;&lt;br /&gt;Vol. III - CD 04 : Gustav Mahler : Symphony No.9 - 1 &amp;amp; 2 Mvmt. -&lt;br /&gt;Leonard Bernstein - Concertgebouw Orchestra.&lt;br /&gt;&lt;br /&gt;01. Symphony No.9 : I. Andante comodo [0:30:03.00]&lt;br /&gt;02. II. Im Tempo eines gemachlichen Land. [0:17:31.00]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Vol. III - CD 05 : Gustav Mahler : Symphony No.9 -&lt;br /&gt;Leonard Bernstein - Concertgebouw Orchestra&lt;br /&gt;&lt;br /&gt;01. Symphony No.9 : III. Rondo-Burleke. Allegro assai. Sehr trotzig [0:11:52.00]&lt;br /&gt;02. IV. Adagio. Sehr langsam und noch zuruckhaltend [0:29:45.01]&lt;br /&gt;&lt;a href="http://www.4shared.com/dir/qkWzk0Ob/Bernstein-Mahler-DGrammophon-1.html"&gt;&lt;br /&gt;DOWNLOAD&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-5337640580674014516?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/5337640580674014516/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=5337640580674014516' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5337640580674014516'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5337640580674014516'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/04/bernstein-mahler-complete-symphonies.html' title='Bernstein - Mahler : The Complete Symphonies &amp; Orchestral Songs - Vol. III de III - 5CDs'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/--y_cBDQ7g3M/TZNvhfkqOfI/AAAAAAAAEwY/1xE8gksONrk/s72-c/Bernstein-Mahler-vol.3-%2BFront.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-6961685362390921075</id><published>2011-04-01T18:30:00.000-06:00</published><updated>2011-04-01T18:35:42.522-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='I'/><category scheme='http://www.blogger.com/atom/ns#' term='Leonard Bernstein- Gustav Mahler : The Complete Symphonies and Orchestral Songs - Vol.II'/><title type='text'>Bernstein - Mahler : The Complete Symphonies &amp; Orchestral Songs - Vol. II de III - 5CDs</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-O9RQLGEN_t4/TZNpndrswHI/AAAAAAAAEwI/bX8gDRg_5-Q/s1600/Bernstein-Mahler%2Bvol.2%2BFront.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 298px;" src="http://3.bp.blogspot.com/-O9RQLGEN_t4/TZNpndrswHI/AAAAAAAAEwI/bX8gDRg_5-Q/s320/Bernstein-Mahler%2Bvol.2%2BFront.jpg" alt="" id="BLOGGER_PHOTO_ID_5589927689200648306" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Segunda entrega de la caja de coleccionistas editada por Deustche Grammophon en 1998.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;  &lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Vol. II: Ruckert-Lieder and The Middle Trilogy: Symphonies 5-6- &amp;amp; 7&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;5CD`s-5 Rar-Ape+Cue-1.2 GB&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-IAlAKn4m5oE/TZNqH9Yt-RI/AAAAAAAAEwQ/AOoADcSG_qc/s1600/Bernstein-Mahler-vol.2-%2Bback.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 290px;" src="http://2.bp.blogspot.com/-IAlAKn4m5oE/TZNqH9Yt-RI/AAAAAAAAEwQ/AOoADcSG_qc/s320/Bernstein-Mahler-vol.2-%2Bback.jpg" alt="" id="BLOGGER_PHOTO_ID_5589928247466785042" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Vol.II - CD 01 : Gustav Mahler : Symphony no. 5 : Leonard Bernstein - Wiener Philharmoniker.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Part I : I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt [0:14:35.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. II. Sturmisch bewegt. Mit grosster Vehemenz [0:15:05.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Part II. I. Scherzo. Kraftig, nicht zu schnell [0:19:05.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;04. Part III. I. Adagietto. Sehr langsam [0:11:16.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;05. II. Rondo-Finale. Allegro - Allegro giocoso. Frisch [0:15:02.00]&lt;/span&gt;   &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;Vol. II - CD 02 : Gustav Mahler : Symphony No.6 "Tragic" : Leonard Bernstein - Wiener Philharmoniker - Booklet.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Symphony No.6 "Tragic" : I. Allegro energico, ma non troppo. Hefarkig [0:23:17.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. II. Scherzo. Wuchtig [0:14:16.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. III. Andante moderato [0:16:19.00]&lt;/span&gt;   &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;Vol.II - CD 03 : Gustav Mahler : Symphony No.6 "Tragic" - Kindertotenlieder : Leonard Bernstein - Thomas Hampson - Wiener Philharmoniker.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Symphony No.6 'Tragic' - IV. Finale. Allegro moderato - Allegro energico [0:33:29.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Kindertotenlieder - Nun will die Sonn' so hell aufghen [0:05:59.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Nun seh' ich wahl, warum so dunkle Flammen [0:05:11.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Wenn dein Mutterlein [0:06:05.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;05. Oft denk' ich, sie sind nur ausgegangen [0:03:30.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;06. In diesem Wetter, in diesem Braus [0:07:20.00]&lt;/span&gt;   &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;Vol. II - CD 04 : Gustav Mahler : Symphony No.7 "Song of the Night" : Leonard Bernstein - New York Philharmonic.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;01. Symphony No.7 "Song of the Night" : I. Langsam (Adagio) - Allegro ma non troppo [0:21:38.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. II. Nachtmusik. Allegro moderato [0:17:08.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03. III. Scherzo. Schattenhaft [0:10:32.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. IV. Nachtmusik. Andante amoroso [0:14:47.00]&lt;/span&gt;   &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;Vol. II - CD 05 : Gustav Mahler : Symphony No.7 : Leonard Bernstein - New York Philharmonic&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Ruckert Lieder : Leonard Bernstein - Thomas Hampson - Wiener Philharmoniker.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Symphony No.7 : V. Rondo-Finale. Tempo I (Allegro ordinario) [0:18:40.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Ruckert-Lieder: Liebst du um Schonheit [0:02:48.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Blicke mir nicht in die lieder [0:01:30.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Ich atmet' einen linden Duft [0:03:00.00]&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;05. Um Mitternacht [0:07:22.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;06. Ich bin der Welt abhanden gekommen [0:07:48.00]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/dir/qkWzk0Ob/Bernstein-Mahler-DGrammophon-1.html"&gt;&lt;span style="font-family:arial;"&gt;DOWNLOAD.&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-6961685362390921075?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/6961685362390921075/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=6961685362390921075' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6961685362390921075'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6961685362390921075'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/03/bernstein-mahler-complete-symphonies.html' title='Bernstein - Mahler : The Complete Symphonies &amp; Orchestral Songs - Vol. II de III - 5CDs'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-O9RQLGEN_t4/TZNpndrswHI/AAAAAAAAEwI/bX8gDRg_5-Q/s72-c/Bernstein-Mahler%2Bvol.2%2BFront.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-5257378299680393148</id><published>2011-03-30T10:37:00.005-06:00</published><updated>2011-03-30T11:12:06.000-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Leonard Bernstein- Gustav Mahler : The Complete Symphonies and Orchestral Songs - Vol. I'/><title type='text'>Leonard Bernstein- Gustav Mahler : The Complete Symphonies &amp; Orchestral Songs - Vol. I of III - 6 CDs de 16</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-PMraM5X9ShU/TZNdftyNaaI/AAAAAAAAEv4/XmYMJrnAX5E/s1600/Bernstein-Mahler-vol.I-%2Bfront.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 293px;" src="http://1.bp.blogspot.com/-PMraM5X9ShU/TZNdftyNaaI/AAAAAAAAEv4/XmYMJrnAX5E/s320/Bernstein-Mahler-vol.I-%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5589914361944435106" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Free&lt;span style="font-family:arial;"&gt; &lt;/span&gt;download&lt;span style="font-family:arial;"&gt;. Descarga gratuita.&lt;/span&gt;&lt;br /&gt;Leonard&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bernstein&lt;span style="font-family:arial;"&gt; ocupa un lugar especial en el cariño de los &lt;/span&gt;Mahleritas&lt;span style="font-family:arial;"&gt; por su incansable defensa y &lt;/span&gt;difusion&lt;span style="font-family:arial;"&gt; de la obra de G.M.. &lt;/span&gt;&lt;br /&gt;Dentro&lt;span style="font-family:arial;"&gt; de los &lt;/span&gt;innumerables&lt;span style="font-family:arial;"&gt; registros que nos dejo&lt;span style="font-style: italic;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;Lenny&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, destaca esta caja que reune las &lt;/span&gt;sinfonías&lt;span style="font-family:arial;"&gt; y las canciones en 16 &lt;/span&gt;CD&lt;span style="font-family:arial;"&gt;`s.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;En esta primera entrega, compartimos el volumen I:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-size:130%;"&gt;L&lt;/span&gt;&lt;span style="font-size:130%;"&gt;as &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Sinfonías y canciones de Wayferer y Wunderhorn.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;&lt;span style="font-weight: bold;"&gt;6 CD-1.5GB-Ape+Cue.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-ymi-_46SgcM/TZNdnpELzEI/AAAAAAAAEwA/32pg6SZH-vc/s1600/Bernstein-Mahler-vol.I-%2B%2Bback.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 301px;" src="http://3.bp.blogspot.com/-ymi-_46SgcM/TZNdnpELzEI/AAAAAAAAEwA/32pg6SZH-vc/s320/Bernstein-Mahler-vol.I-%2B%2Bback.jpg" alt="" id="BLOGGER_PHOTO_ID_5589914498116602946" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;CD&lt;span style="font-family:arial;"&gt; 01 : &lt;/span&gt;Gustav&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Mahler&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Symphonie&lt;span style="font-family:arial;"&gt; No.1 : &lt;/span&gt;Leonard&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bernstein&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Concertgebouw&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Orchestra&lt;span style="font-family:arial;"&gt; /&lt;/span&gt;&lt;br /&gt;Songs&lt;span style="font-family:arial;"&gt; &lt;/span&gt;of&lt;span style="font-family:arial;"&gt; a &lt;/span&gt;Wayfarer&lt;span style="font-family:arial;"&gt; : &lt;/span&gt;Leonard&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bernstein&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Thomas&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Hampson&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Wiener&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Philharmoniker&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; no.1 : &lt;/span&gt;Langsam&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Schleppend&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Wie&lt;span style="font-family:arial;"&gt; &lt;/span&gt;ein&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Naturlaut&lt;span style="font-family:arial;"&gt;.. [0:16:30.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. &lt;/span&gt;Kraftig&lt;span style="font-family:arial;"&gt; &lt;/span&gt;bewegt&lt;span style="font-family:arial;"&gt;, &lt;/span&gt;doch&lt;span style="font-family:arial;"&gt; &lt;/span&gt;nicht&lt;span style="font-family:arial;"&gt; &lt;/span&gt;zu&lt;span style="font-family:arial;"&gt; &lt;/span&gt;schnell&lt;span style="font-family:arial;"&gt; - Trio. &lt;/span&gt;Recht&lt;span style="font-family:arial;"&gt; &lt;/span&gt;gemachlich&lt;span style="font-family:arial;"&gt; [0:09:01.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03. &lt;/span&gt;Feierlich&lt;span style="font-family:arial;"&gt; &lt;/span&gt;und&lt;span style="font-family:arial;"&gt; &lt;/span&gt;gemessen&lt;span style="font-family:arial;"&gt;, &lt;/span&gt;ohne&lt;span style="font-family:arial;"&gt; &lt;/span&gt;zu&lt;span style="font-family:arial;"&gt; &lt;/span&gt;schleppen&lt;span style="font-family:arial;"&gt; [0:10:27.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;04. &lt;/span&gt;Sturmisch&lt;span style="font-family:arial;"&gt; &lt;/span&gt;bewegt&lt;span style="font-family:arial;"&gt; [0:20:32.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;05. &lt;/span&gt;Songs&lt;span style="font-family:arial;"&gt; &lt;/span&gt;of&lt;span style="font-family:arial;"&gt; a &lt;/span&gt;Wayfarer&lt;span style="font-family:arial;"&gt; : &lt;/span&gt;Wenn&lt;span style="font-family:arial;"&gt; &lt;/span&gt;mein&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Schatz&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Hochzeit&lt;span style="font-family:arial;"&gt; &lt;/span&gt;macht&lt;span style="font-family:arial;"&gt; [0:04:30.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;06. &lt;/span&gt;Ging&lt;span style="font-family:arial;"&gt; &lt;/span&gt;heut&lt;span style="font-family:arial;"&gt; &lt;/span&gt;morgen&lt;span style="font-family:arial;"&gt; &lt;/span&gt;ubers&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Feld&lt;span style="font-family:arial;"&gt; [0:04:06.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;07. &lt;/span&gt;Ich&lt;span style="font-family:arial;"&gt; &lt;/span&gt;hab&lt;span style="font-family:arial;"&gt; &lt;/span&gt;ein&lt;span style="font-family:arial;"&gt; &lt;/span&gt;gluhend&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Messer&lt;span style="font-family:arial;"&gt; [0:03:20.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;08. &lt;/span&gt;Die&lt;span style="font-family:arial;"&gt; &lt;/span&gt;zwei&lt;span style="font-family:arial;"&gt; &lt;/span&gt;blauen&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Augen&lt;span style="font-family:arial;"&gt; [0:05:34.00]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;CD&lt;span style="font-family:arial;"&gt; 02 : &lt;/span&gt;Gustav&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Mahler&lt;span style="font-family:arial;"&gt; : &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No.3 : &lt;/span&gt;Leonard&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bernstein&lt;span style="font-family:arial;"&gt;- &lt;/span&gt;New&lt;span style="font-family:arial;"&gt; &lt;/span&gt;York&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Philharmonic&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No. 3 : &lt;/span&gt;Part&lt;span style="font-family:arial;"&gt; I.- &lt;/span&gt;Kraftig&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Entschieden&lt;span style="font-family:arial;"&gt; [0:34:52.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. &lt;/span&gt;Part&lt;span style="font-family:arial;"&gt; &lt;/span&gt;II&lt;span style="font-family:arial;"&gt;. - &lt;/span&gt;Tempo&lt;span style="font-family:arial;"&gt; di &lt;/span&gt;Menuetto&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Sehr&lt;span style="font-family:arial;"&gt; &lt;/span&gt;massig&lt;span style="font-family:arial;"&gt; [0:10:46.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03. &lt;/span&gt;Comodo&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Scherzando&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Ohne&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Hast&lt;span style="font-family:arial;"&gt; [0:18:32.00]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;CD&lt;span style="font-family:arial;"&gt; 03 : &lt;/span&gt;Gustav&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Mahler&lt;span style="font-family:arial;"&gt; : &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No.3 &amp;amp; &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No.2 :&lt;/span&gt;&lt;br /&gt;Leonard&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bernstein&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Christa&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Ludwig&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;New&lt;span style="font-family:arial;"&gt; &lt;/span&gt;York&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Philharmonic&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No.3 - &lt;/span&gt;Sehr&lt;span style="font-family:arial;"&gt; &lt;/span&gt;langsam&lt;span style="font-family:arial;"&gt;. Misterioso. &lt;/span&gt;Durchaus&lt;span style="font-family:arial;"&gt; &lt;/span&gt;ppp&lt;span style="font-family:arial;"&gt; [0:09:31.70]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. &lt;/span&gt;Lustig&lt;span style="font-family:arial;"&gt; &lt;/span&gt;im&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Tempo&lt;span style="font-family:arial;"&gt; &lt;/span&gt;und&lt;span style="font-family:arial;"&gt; &lt;/span&gt;keck&lt;span style="font-family:arial;"&gt; &lt;/span&gt;im&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Ausdruck&lt;span style="font-family:arial;"&gt; [0:04:07.05]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03. &lt;/span&gt;Langsam&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Ruhevoll&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Empfunden&lt;span style="font-family:arial;"&gt; [0:28:26.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;04. &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No.2 - &lt;/span&gt;Allegro&lt;span style="font-family:arial;"&gt; &lt;/span&gt;maestoso&lt;span style="font-family:arial;"&gt; (&lt;/span&gt;Totenfeier&lt;span style="font-family:arial;"&gt;) [0:25:09.00]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;CD&lt;span style="font-family:arial;"&gt; 04 : &lt;/span&gt;Gustav&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Mahler&lt;span style="font-family:arial;"&gt; : &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No.2 "&lt;/span&gt;Resurrection&lt;span style="font-family:arial;"&gt;" :&lt;/span&gt;&lt;br /&gt;Leonard&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bernstein&lt;span style="font-family:arial;"&gt; - Barbara &lt;/span&gt;Hendricks&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Christa&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Ludwig&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;New&lt;span style="font-family:arial;"&gt; &lt;/span&gt;York&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Philharmonic&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No.2 "&lt;/span&gt;Resurrection&lt;span style="font-family:arial;"&gt;" - &lt;/span&gt;II&lt;span style="font-family:arial;"&gt;. Andante &lt;/span&gt;moderato&lt;span style="font-family:arial;"&gt; [0:12:19.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. &lt;/span&gt;III&lt;span style="font-family:arial;"&gt;. [&lt;/span&gt;Scherzo&lt;span style="font-family:arial;"&gt;], &lt;/span&gt;In&lt;span style="font-family:arial;"&gt; &lt;/span&gt;ruhig&lt;span style="font-family:arial;"&gt; &lt;/span&gt;fliessender&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bewegung&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;attaca&lt;span style="font-family:arial;"&gt; [0:11:25.65]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03. &lt;/span&gt;IV&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Ulrich&lt;span style="font-family:arial;"&gt;, &lt;/span&gt;Sehr&lt;span style="font-family:arial;"&gt; &lt;/span&gt;feierlich&lt;span style="font-family:arial;"&gt;, &lt;/span&gt;aber&lt;span style="font-family:arial;"&gt; &lt;/span&gt;schlicht&lt;span style="font-family:arial;"&gt; [0:06:18.38]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;04. V. &lt;/span&gt;Im&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Tempo&lt;span style="font-family:arial;"&gt; Des &lt;/span&gt;Scherzo&lt;span style="font-family:arial;"&gt;, &lt;/span&gt;Wild&lt;span style="font-family:arial;"&gt; &lt;/span&gt;herausfahrend&lt;span style="font-family:arial;"&gt; [0:38:41.47]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;CD&lt;span style="font-family:arial;"&gt; 05 : &lt;/span&gt;Gustav&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Mahler&lt;span style="font-family:arial;"&gt; : &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No. 4 :&lt;/span&gt;&lt;br /&gt;Leonard&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bernstein&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Helmut&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Wittek&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Concertgebouw&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Orchestra&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. &lt;/span&gt;Symphony&lt;span style="font-family:arial;"&gt; No. 4 : I. &lt;/span&gt;Bedachtig&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Nicht&lt;span style="font-family:arial;"&gt; &lt;/span&gt;eilen&lt;span style="font-family:arial;"&gt; [0:17:38.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. &lt;/span&gt;II&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;In&lt;span style="font-family:arial;"&gt; &lt;/span&gt;gemachlicher&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bewegung&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Ohne&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Hast&lt;span style="font-family:arial;"&gt;. [0:10:14.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03. &lt;/span&gt;III&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Ruhevoll&lt;span style="font-family:arial;"&gt; [0:20:33.50]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;04. &lt;/span&gt;IV&lt;span style="font-family:arial;"&gt;. &lt;/span&gt;Sehr&lt;span style="font-family:arial;"&gt; &lt;/span&gt;behaglich&lt;span style="font-family:arial;"&gt; `&lt;/span&gt;Wir&lt;span style="font-family:arial;"&gt; &lt;/span&gt;geniessen&lt;span style="font-family:arial;"&gt; &lt;/span&gt;die&lt;span style="font-family:arial;"&gt; &lt;/span&gt;himmlischen&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Freuden&lt;span style="font-family:arial;"&gt;` (soprano solo) [0:08:42.25]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;CD&lt;span style="font-family:arial;"&gt; 06 : G. &lt;/span&gt;Mahler&lt;span style="font-family:arial;"&gt; : Des &lt;/span&gt;Knaben&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Wunderhorn&lt;span style="font-family:arial;"&gt; :&lt;/span&gt;&lt;br /&gt;Leonard&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Bernstein&lt;span style="font-family:arial;"&gt; - Lucia &lt;/span&gt;Popp&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Andreas&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Schmidt&lt;span style="font-family:arial;"&gt; - &lt;/span&gt;Concertgebouw&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Orchestra&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. &lt;/span&gt;Der&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Schildwache&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Nachtlied&lt;span style="font-family:arial;"&gt; [0:06:03.60]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. &lt;/span&gt;Wer&lt;span style="font-family:arial;"&gt; &lt;/span&gt;hat&lt;span style="font-family:arial;"&gt; &lt;/span&gt;dies&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Liedlein&lt;span style="font-family:arial;"&gt; &lt;/span&gt;erdacht&lt;span style="font-family:arial;"&gt;? [0:02:13.15]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03. &lt;/span&gt;Der&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Tamboursg&lt;span style="font-family:arial;"&gt;'&lt;/span&gt;sell&lt;span style="font-family:arial;"&gt; [0:05:18.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;04. Das &lt;/span&gt;irdische&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Leben&lt;span style="font-family:arial;"&gt; [0:02:57.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;05. &lt;/span&gt;Verlorne&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Muh&lt;span style="font-family:arial;"&gt;' [0:03:03.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;06. Des &lt;/span&gt;Antonius&lt;span style="font-family:arial;"&gt; &lt;/span&gt;von&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Padua&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Fischpredigt&lt;span style="font-family:arial;"&gt; [0:03:43.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;07. &lt;/span&gt;Revelge&lt;span style="font-family:arial;"&gt; [0:06:47.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;08. &lt;/span&gt;Rheinlegendchen&lt;span style="font-family:arial;"&gt; [0:03:35.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;09. &lt;/span&gt;Lob&lt;span style="font-family:arial;"&gt; des &lt;/span&gt;hohen&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Verstandes&lt;span style="font-family:arial;"&gt; [0:02:34.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;10. &lt;/span&gt;Wo&lt;span style="font-family:arial;"&gt; &lt;/span&gt;die&lt;span style="font-family:arial;"&gt; &lt;/span&gt;schonen&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Trompeten&lt;span style="font-family:arial;"&gt; &lt;/span&gt;blasen&lt;span style="font-family:arial;"&gt; [0:08:29.00]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;11. &lt;/span&gt;Lied&lt;span style="font-family:arial;"&gt; des &lt;/span&gt;Verfolgten&lt;span style="font-family:arial;"&gt; &lt;/span&gt;im&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Turm&lt;span style="font-family:arial;"&gt; [0:04:37.45]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;12. &lt;/span&gt;Trost&lt;span style="font-family:arial;"&gt; &lt;/span&gt;im&lt;span style="font-family:arial;"&gt; &lt;/span&gt;Ungluck&lt;span style="font-family:arial;"&gt; [0:02:28.30]&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;13. &lt;/span&gt;Urlicht&lt;span style="font-family:arial;"&gt; [0:05:49.00]&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/dir/qkWzk0Ob/Bernstein-Mahler-DGrammophon-1.html"&gt;&lt;br /&gt;DOWNLOAD.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-5257378299680393148?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/5257378299680393148/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=5257378299680393148' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5257378299680393148'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5257378299680393148'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/03/leonard-bernstein-gustav-mahler.html' title='Leonard Bernstein- Gustav Mahler : The Complete Symphonies &amp; Orchestral Songs - Vol. I of III - 6 CDs de 16'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-PMraM5X9ShU/TZNdftyNaaI/AAAAAAAAEv4/XmYMJrnAX5E/s72-c/Bernstein-Mahler-vol.I-%2Bfront.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-2427852910167178947</id><published>2011-03-18T13:14:00.004-06:00</published><updated>2011-03-18T13:23:37.747-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Oslo Philharmonic Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler 7'/><category scheme='http://www.blogger.com/atom/ns#' term='Mariss Jansons'/><title type='text'>Mahler 7, Mariss Jansons- Oslo Philharmonic Orchestra-LIVE</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-wtmtOok3T4Y/TYOw9k78PpI/AAAAAAAAEvY/cMvTMrL1_Go/s1600/front.jpg"&gt;&lt;img style="display: block; 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Descarga gratuita.&lt;br /&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;El director de orquesta que llego del frio&lt;/span&gt;&lt;/span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;En esta entrega compartimos la segunda grabación de la &lt;span style="font-weight: bold;"&gt;séptima sinfonía de Mahler&lt;/span&gt;, bajo la conducción de  &lt;span style="font-weight: bold;"&gt;Mariss Jansons&lt;/span&gt;, en un registro en vivo, con la  &lt;span style="font-weight: bold;"&gt;Oslo Philharmonic Orchestra.&lt;/span&gt; &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;El maestro Jansons encarna algunas de las facetas más trágicas del siglo XX. Hijo de un director de orquesta Latvio, y una cantante judía, nació en un escondite en el  ghetto de Riga. , bajo la ocupación nazi, en la que fueron asesinados su abuelo y su tío. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Con la derrota del Hitlerismo, el padre de Mariss fue escogido como asistente de &lt;span style="font-weight: bold;"&gt;Yevgeny Mravinsky&lt;/span&gt; en la &lt;span style="font-weight: bold;"&gt;Filarmónica de Leningrado&lt;/span&gt;, lo que permitió que su hijo ingresara al prestigiado conservatorio  de esa capital, donde estudio piano y conducción.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En 1969, &lt;span style="font-weight: bold;"&gt;Herbert von Karajan&lt;/span&gt; lo invito a fungir como asistente suyo en la conducción de la &lt;span style="font-weight: bold;"&gt;Orquesta Filarmónica de Berlín,&lt;/span&gt; pero el gobierno soviético se lo impidió.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Diez años después Mariss Jansons abandono la URSS y fue recibido en occidente como una de las principales figuras musicales formadas en el periodo soviético.&lt;br /&gt;Dirigió la &lt;span style="font-weight: bold;"&gt;Oslo Philharmonic Orchestra &lt;/span&gt;desde 1979 hasta el año 2000.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En 1992 fue nombrado Principal Director Invitado de la &lt;span style="font-weight: bold;"&gt;London Philharmonic Orchestra&lt;/span&gt;, donde grabo  la &lt;span style="font-weight: bold;"&gt;sinfonía no.6 de Mahler en vivo&lt;/span&gt;.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En abril de 1996, cuando dirigía la parte final de la &lt;span style="font-weight: bold;"&gt;Boheme&lt;/span&gt; de&lt;span style="font-weight: bold;"&gt; Puccini&lt;/span&gt;, &lt;span style="font-weight: bold;"&gt;Mariss Jansons&lt;/span&gt; sufrió un ataque cardiaco en el estrado, cayó al piso, pero sus manos siguieron dirigiendo a la orquesta.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Actualmente es Director en jefe de la &lt;span style="font-weight: bold;"&gt;Royal Concertgebouw Orchestra&lt;/span&gt;.&lt;br /&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/-rNlwiVkUrC0/TYOwKRORAbI/AAAAAAAAEvQ/EdjjRiNyCZA/s1600/back.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 250px;" src="http://4.bp.blogspot.com/-rNlwiVkUrC0/TYOwKRORAbI/AAAAAAAAEvQ/EdjjRiNyCZA/s320/back.jpg" alt="" id="BLOGGER_PHOTO_ID_5585501653337964978" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;a href="http://www.4shared.com/file/_1A_mXDl/Mahler_no_7-Oslo_Philharmonic_.html"&gt;DOWNLOAD.&lt;/a&gt;&lt;/span&gt;   &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-2427852910167178947?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/2427852910167178947/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=2427852910167178947' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/2427852910167178947'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/2427852910167178947'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/03/mahler-7-mariss-jansons-oslo.html' title='Mahler 7, Mariss Jansons- Oslo Philharmonic Orchestra-LIVE'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-wtmtOok3T4Y/TYOw9k78PpI/AAAAAAAAEvY/cMvTMrL1_Go/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-7327644706420798215</id><published>2011-03-05T15:30:00.002-06:00</published><updated>2011-03-05T15:35:03.051-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='7 y  9 - Kirill Kondrashin'/><category scheme='http://www.blogger.com/atom/ns#' term='6'/><category scheme='http://www.blogger.com/atom/ns#' term='Melodiya'/><category scheme='http://www.blogger.com/atom/ns#' term='4'/><category scheme='http://www.blogger.com/atom/ns#' term='3'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler  Symphonies Nos. 1'/><category scheme='http://www.blogger.com/atom/ns#' term='5'/><title type='text'>Mahler  Symphonies Nos. 1, 3, 4, 5, 6, 7 &amp;  9 - Kirill Kondrashin (8 CDs)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-IvhVXUFGZsY/TXKp-uJR_RI/AAAAAAAAErg/mTJlce-CloI/s1600/kondrashin_mahler_symphonies.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 285px;" src="http://4.bp.blogspot.com/-IvhVXUFGZsY/TXKp-uJR_RI/AAAAAAAAErg/mTJlce-CloI/s320/kondrashin_mahler_symphonies.jpg" alt="" id="BLOGGER_PHOTO_ID_5580709783269408018" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;En el marco del año de homenaje universal a&lt;span style="font-weight: bold;"&gt; Gustav Mahler&lt;/span&gt; (7 de julio de 1860 - Viena, 18 de mayo de 1911), entregamos hoy la Edicion Remasterizada  de las &lt;span style="font-weight: bold;"&gt;sinfonias  nos. 1, 3, 4, 5, 6, 7 &amp;amp;  9&lt;/span&gt;, que dirigiera el inmortal  &lt;span style="font-weight: bold;"&gt;Kirill Kondrashin &lt;/span&gt; y que distribuyo la disquera sovietica &lt;span style="font-weight: bold;"&gt;Melodiya&lt;/span&gt;.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En esta coleccion, Kondrashin dirige y colabora con: &lt;span style="font-weight: bold;"&gt;Moscow Philharmonic Orchestra; Leningrad Philharmonic Orchestra; USSR State Symphony Orchestra;  Ilga Tiknuse, mezzo-soprano; Ladies of Latvian State Philharmonic Choir &amp;amp; Children's Choir; Valentina Levko, contralto; Ladies of Moscow State Choir &amp;amp; Children's Choir; Chorus master Vladislav Sokolov; Galina Pisarenko, soprano.&lt;/span&gt;&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);font-family:arial;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;&lt;span style="color: rgb(204, 0, 0);font-family:arial;" &gt;8CD`s-FLAC-Scans-3% recovery&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;CD1 Symphony no.1&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Langsam. Schleppend.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;ç02. Kraftig bewegt, doch nicht zu schnell&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Feierlich und gemessen, ohne zu schleppend&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Sturmich bewegt&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;Moscow Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;rec. 1969&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;&lt;br /&gt;CD2 Symphony no.3&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Kraftig. Entschieden&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Tempo di Minuetto&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Comodo. Scherzando&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;&lt;br /&gt;CD3 Symphony no.3&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Sehr langsam. Misterioso. Durchaus ppp. “O Mensch! Gib acht!” - in Russian&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel…” – In Russian&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;03. Langsam. Ruhevoll. Empfunden&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;Valentina Levko, contralto&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;Ladies of Moscow State Choir &amp;amp; Children’s Choir&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;Moscow Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;rec. 1961&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Sehr langsam. Misterioso. Durchaus ppp. “O Mensch! Gib acht!” – in German&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;05. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel…” – in German&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Ilga Tiknuse, mezzo-soprano&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Ladies of Latvian State Philharmonic Choir &amp;amp; Children’s Choir&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;Moscow Philharmonic Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;rec. 1975&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;&lt;br /&gt;CD4 Symphony no.4&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. Bedachtig. Nicht eilen&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. In gemachlicher Bewegung. Ohne Hast&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Ruhevoll&lt;/span&gt; &lt;span style="font-family:arial;"&gt;04. Sehr behaglich “Wir geniessen…” - in Russian&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;05. Sehr behaglich “Wir geniessen…” - in German&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;Galina Pisarenko, soprano&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;Moscow Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;rec. 1971 [1-4], 1972 [5]&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CD5 Symphony no.5&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Trauermarsch. In gemessenem Schritt&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Sturmich bewegt&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Scherzo. Kraftig, nicht zu schnell&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Adagietto&lt;/span&gt; &lt;span style="font-family:arial;"&gt;05. Rondo – Finale&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;USSR State Symphony Orchestra&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;rec. 197&lt;/span&gt;4&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CD6 Symphony no.6&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;01. Allegro energico, ma non troppo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. Scherzo: Wuchtig&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Andante moderato&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Finale: Allegro moderato; Allegro energico&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Leningrad Philharmonic Orchestra&lt;/span&gt;&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;rec. 1978&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CD7 Symphony no.7&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Langsam; Allegro risoluto, ma non troppo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;02. Nachtmusik. Allegro moderato&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Scherzo. Schattenhaft&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Nachtmusik. Andante amoroso&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;05. Rondo-Finale&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Leningrad Philharmonic Orchestra&lt;/span&gt;&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;rec. 1975&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CD8 Symphony no.9&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;01. Andante comodo&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;02. Im Tempo eines gemachlichen Landlers&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;03. Rondo-Burleske&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;04. Adagio&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Moscow Philharmonic Orchestra&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;rec. 1964&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;a style="font-family: arial;" href="http://www.4shared.com/dir/ydQyxk9K/Mahler_134567_9_-melodiya-Kond.html"&gt;&lt;br /&gt;DOWNLOAD&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-7327644706420798215?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/7327644706420798215/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=7327644706420798215' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7327644706420798215'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7327644706420798215'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/03/mahler-symphonies-nos-1-3-4-5-6-7-9.html' title='Mahler  Symphonies Nos. 1, 3, 4, 5, 6, 7 &amp;  9 - Kirill Kondrashin (8 CDs)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-IvhVXUFGZsY/TXKp-uJR_RI/AAAAAAAAErg/mTJlce-CloI/s72-c/kondrashin_mahler_symphonies.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-991574276811568373</id><published>2011-02-28T13:33:00.001-06:00</published><updated>2011-02-28T13:38:51.931-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler: Symphony No. 10- adagio'/><category scheme='http://www.blogger.com/atom/ns#' term='Gidon Kremer'/><category scheme='http://www.blogger.com/atom/ns#' term='Shostakovich Symphony No. 14'/><category scheme='http://www.blogger.com/atom/ns#' term='Kremerata Baltica'/><title type='text'>Gidon Kremer - Mahler: Symphony No. 10; Shostakovich: Symphony No. 14 (2007)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TK5n3sc3KjI/AAAAAAAAEeM/sVJzZYuHwN4/s1600/cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TK5n3sc3KjI/AAAAAAAAEeM/sVJzZYuHwN4/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5525467999352859186" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size: 85%; font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Gidon Kremer&lt;/span&gt; dirige a la &lt;span style="font-weight: bold;"&gt;KREMERata Baltica&lt;/span&gt; en una lectura personal de &lt;span style="font-weight: bold;"&gt;Mahler y Shostakovich.&lt;br /&gt;&lt;/span&gt; En estas grabaciones, realizadas para &lt;span style="font-weight: bold;"&gt;ECM&lt;/span&gt; en 2001 y 2004, &lt;span style="font-weight: bold;"&gt;Kremer&lt;/span&gt; seleccionó el &lt;span style="font-weight: bold; font-style: italic;"&gt;adagio&lt;/span&gt; de la &lt;span style="font-weight: bold;"&gt;inconclusa decima sinfonía de Mahler&lt;/span&gt; para presentarla junto a &lt;span style="font-weight: bold;"&gt;la sinfonía no.14 de Shostakovich&lt;/span&gt;, con la intención manifiesta de subrayar las líneas de continuidad entre los dos más grandes sinfonistas del siglo XX.&lt;br /&gt;Es una gran placer escuchar ambas obras de modo contiguo.   &lt;br /&gt;&lt;br /&gt;1. Symphony No. 10 - Adagio (arrangement: Hans Stadlmair and Kremerata Baltica) (25:46)&lt;br /&gt;2. Symphony No. 14, Op. 135 - I. De Profundis: Adagio (4:49)&lt;br /&gt;3. Symphony No. 14, Op. 135 - II. Malagueña: Allegretto (2:42)&lt;br /&gt;4. Symphony No. 14, Op. 135 - III. Loreley: Allegro molto (9:10)&lt;br /&gt;5. Symphony No. 14, Op. 135 - IV. The Suicide: Adagio (7:33)&lt;br /&gt;6. Symphony No. 14, Op. 135 - V. On the Alert: Allegretto (3:07)&lt;br /&gt;7. Symphony No. 14, Op. 135 - VI. Look, Madame: Adagio (2:15)&lt;br /&gt;8. Symphony No. 14, Op. 135 - VII. At the Santé Jail: Adagio (8:49)&lt;br /&gt;9. Symphony No. 14, Op. 135 - VIII. The Zaporozhian Cossacks' Answer to The Sultan of Constantinople: Allegro (2:02)&lt;br /&gt;10. Symphony No. 14, Op. 135 - IX. O Delvig, Delvig!: Andante (4:07)&lt;br /&gt;11. Symphony No. 14, Op. 135 - X. Death of the Poet: Largo (4:50)&lt;br /&gt;12. Symphony No. 14, Op. 135 - XI. Conclusion: Moderato (1:16)  &lt;br /&gt;&lt;a href="http://www.4shared.com/file/9b7KZ9lx/Kremer_-_Mahler10_Shostakovich.html"&gt;&lt;br /&gt;DOWNLOAD&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-991574276811568373?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/991574276811568373/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=991574276811568373' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/991574276811568373'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/991574276811568373'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/02/gidon-kremer-mahler-symphony-no-10.html' title='Gidon Kremer - Mahler: Symphony No. 10; Shostakovich: Symphony No. 14 (2007)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/TK5n3sc3KjI/AAAAAAAAEeM/sVJzZYuHwN4/s72-c/cover.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-5304890252792746222</id><published>2011-02-24T21:47:00.000-06:00</published><updated>2011-02-24T21:47:49.090-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler by Paul Stefan'/><title type='text'>Gustav Mahler, by Paul Stefan</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt; &lt;div class="post-body entry-content"&gt; &lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TEX7ao_a_nI/AAAAAAAAEVA/0vUNy_5CC8M/s1600/Gustav_Mahler_by_Paul_Stefan.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 132px; height: 200px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TEX7ao_a_nI/AAAAAAAAEVA/0vUNy_5CC8M/s400/Gustav_Mahler_by_Paul_Stefan.jpg" alt="" id="BLOGGER_PHOTO_ID_5496075355374157426" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;Gustav Mahler, A Studie of His Personality and Work, by Paul Stefan&lt;/span&gt;&lt;br /&gt;Publisher: G. Schirmer | ASIN: B00085JYOU | 1913 | PDF | 148 Pages | 7,7 MB&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size:85%;"&gt;The present translation was undertaken by the writer some&lt;br /&gt;two years ago, on the appearance of the first German edition.&lt;br /&gt;Oskar Fried had made known to us in Berlin the overwhelming&lt;br /&gt;beauty of Mahler's music, and it was intended that the book&lt;br /&gt;should pave the way for Mahler in England. From his&lt;br /&gt;appearance there, we hoped that his genius as man and musician&lt;br /&gt;would be recognised, and also that his example would put&lt;br /&gt;an end to the intolerable existing chaos in reproductive musicmaking,&lt;br /&gt;wherein every quack may succeed who is unscrupulous&lt;br /&gt;enough and wealthy enough to hold out until he becomes&lt;br /&gt;"popular." The English musician's prayer was: "God preserve&lt;br /&gt;Mozart and Beethoven until the right man comes,"&lt;br /&gt;and this man would have been Mahler.&lt;br /&gt;Then came Mahler's death with such appalling suddenness&lt;br /&gt;for our youthful enthusiasm. Since that tragedy, "young"&lt;br /&gt;musicians suddenly find themselves a generation older, if&lt;br /&gt;only for the reason that the responsibility of continuing Mahler's&lt;br /&gt;ideals now rests upon their shoulders in dead earnest.&lt;br /&gt;The work, in England and elsewhere, will now fall to others.&lt;br /&gt;Progress will be slow at first, but the way is clear and there&lt;br /&gt;are those who are strong enough to walk in Mahler's footsteps.&lt;br /&gt;The future of Mahler's compositions is as certain as that his&lt;br /&gt;ideals will live; and it is perhaps they that concern the musical&lt;br /&gt;public most. In Germany their greatness is scarcely disputed&lt;br /&gt;to-day amongst musicians. Goethe distinguishes two&lt;br /&gt;kinds of music, that which aims at external perfection of&lt;br /&gt;texture, and that which strives to satisfy intelligence, sensibility&lt;br /&gt;and perception; and he adds that "without question, the&lt;br /&gt;union of these two characters does and must take place in the&lt;br /&gt;greatest works of the greatest masters." The opinion is&lt;br /&gt;irresistibly gaining ground that in modern music the two composers&lt;br /&gt;who have attained this limit of perfection are Beethoven&lt;br /&gt;and Mahler.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;a href="http://www.4shared.com/document/if4bPxDZ/Gustav_Mahler_by_Paul_Stefan__.html"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://www.4shared.com/document/if4bPxDZ/Gustav_Mahler_by_Paul_Stefan__.html"&gt;&lt;span style="font-size:85%;"&gt;Free  download / Descarga gratuita&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.4shared.com/document/if4bPxDZ/Gustav_Mahler_by_Paul_Stefan__.html"&gt;&lt;span style="font-size:85%;"&gt;at  1000 classical Music Books.&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/dir/ktkF10_m/LIbros_de_Musica.html"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 126px; height: 126px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TD5t6jE7Z7I/AAAAAAAAETw/oOJKlHhhNks/s320/insert-violin.png" alt="" id="BLOGGER_PHOTO_ID_5493949448054335410" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;img src="file:///D:/DOCUME%7E1/rogelio/CONFIG%7E1/Temp/moz-screenshot-2.png" alt="" /&gt;&lt;img src="file:///D:/DOCUME%7E1/rogelio/CONFIG%7E1/Temp/moz-screenshot-3.png" alt="" /&gt;&lt;img src="file:///D:/DOCUME%7E1/rogelio/CONFIG%7E1/Temp/moz-screenshot-4.png" alt="" /&gt;&lt;img src="file:///D:/DOCUME%7E1/rogelio/CONFIG%7E1/Temp/moz-screenshot-5.png" alt="" /&gt;&lt;span style="font-weight: bold;"&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-5304890252792746222?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/5304890252792746222/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=5304890252792746222' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5304890252792746222'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/5304890252792746222'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/02/gustav-mahler-by-paul-stefan.html' title='Gustav Mahler, by Paul Stefan'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_QMIBbvsVy9M/TEX7ao_a_nI/AAAAAAAAEVA/0vUNy_5CC8M/s72-c/Gustav_Mahler_by_Paul_Stefan.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-6196867799558709008</id><published>2011-02-19T20:20:00.004-06:00</published><updated>2011-02-19T20:40:16.983-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler-Lieder-Dietrich Fischer-Dieskau'/><title type='text'>Gustav Mahler: Lieder-Dietrich Fischer-Dieskau - ( 2011)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-LwKPSJvbgOM/TWB5yEbR4pI/AAAAAAAAEqI/IuATnl5hUxY/s1600/img_1.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-LwKPSJvbgOM/TWB5yEbR4pI/AAAAAAAAEqI/IuATnl5hUxY/s320/img_1.jpg" alt="" id="BLOGGER_PHOTO_ID_5575590239773254290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Al empezar el año de las conmemoraciones Mahlerianas, el sello &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Deutsche Grammophon&lt;/span&gt;&lt;span style="font-family:arial;"&gt; ha lanzado en su colección &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;The Originals&lt;/span&gt;&lt;span style="font-family:arial;"&gt; una &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;edición remasterizada de los Lieder de Mahler,&lt;/span&gt;&lt;span style="font-family:arial;"&gt; que recupera tres grabaciones que viven en la leyenda. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;Se trata de los registros que hiciera &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Dietrich Fischer-Dieskau:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/-j5xP3svpmO8/TWB-2bbB4PI/AAAAAAAAEqg/IndsyO3B7eg/s1600/tres%2Blp%25C2%25B4s.bmp"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 103px;" src="http://1.bp.blogspot.com/-j5xP3svpmO8/TWB-2bbB4PI/AAAAAAAAEqg/IndsyO3B7eg/s320/tres%2Blp%25C2%25B4s.bmp" alt="" id="BLOGGER_PHOTO_ID_5575595812223836402" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-size:85%;"&gt;En 1959 de los &lt;a href="http://gustavmahler.net.free.fr/fahrenden.html"&gt;Lieder eines fahrenden Gesellen &lt;/a&gt;con Rafael Kubelik dirigiendo a la &lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;           Symphonieorchester des Bayerischen Rundfunks.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;ul  style="font-family:arial;"&gt;&lt;li&gt;&lt;span style="font-size:85%;"&gt; En 1963 de los &lt;a href="http://gustavmahler.net.free.fr/kinder.html"&gt;Kindertotenlieder&lt;/a&gt; y de los Ruckert-Lieder, con la Berliner Philharmonikerm dirigida por Karl Bohmm, y&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul  style="font-family:arial;"&gt;&lt;li&gt;&lt;span style="font-size:85%;"&gt; En 1968  los &lt;a href="http://gustavmahler.net.free.fr/ruckert.html"&gt;Ruckert-Lieder&lt;/a&gt; [14-18],  acompañado al piano por Karl Engel.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Como es bien conocido&lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt; Dietrich Fischer-Dieskau&lt;/span&gt;&lt;span style="font-family:arial;"&gt; realizo muy tempranamente registros de las canciones de Mahler, destacado las realizadas con el gigantesco maestro &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Furtwängler&lt;/span&gt;&lt;span style="font-family:arial;"&gt;. Pero, entre las numerosas grabaciones, las aqui recogidas destacan por lo avanzado de la tecnología con la que fueron producidas, y porque lograron una circulación continua que las hizo piezas de culto.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/-C5TMKpqzP5s/TWB6I3X494I/AAAAAAAAEqQ/YKAhYj059x0/s1600/img_16.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://2.bp.blogspot.com/-C5TMKpqzP5s/TWB6I3X494I/AAAAAAAAEqQ/YKAhYj059x0/s320/img_16.jpg" alt="" id="BLOGGER_PHOTO_ID_5575590631406368642" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a style="font-family: arial;" href="http://www.4shared.com/file/r9fC6-jN/MAHLER_Lieder_-_Fischer-Dieska.html"&gt;DESCARGA/DOWNLOAD&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-6196867799558709008?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/6196867799558709008/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=6196867799558709008' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6196867799558709008'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6196867799558709008'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/02/gustav-mahler-lieder-dietrich-fischer.html' title='Gustav Mahler: Lieder-Dietrich Fischer-Dieskau - ( 2011)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-LwKPSJvbgOM/TWB5yEbR4pI/AAAAAAAAEqI/IuATnl5hUxY/s72-c/img_1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-6176300008308882656</id><published>2011-02-05T11:21:00.004-06:00</published><updated>2011-02-05T11:44:48.296-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Symphony No 9'/><category scheme='http://www.blogger.com/atom/ns#' term='Esa-Pekka Salonen'/><title type='text'>Mahler Symphony No 9, Esa-Pekka Salonen  (2010)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TU2KsO3OHaI/AAAAAAAAEnw/_07568nQp9E/s1600/folder.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 316px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TU2KsO3OHaI/AAAAAAAAEnw/_07568nQp9E/s320/folder.JPG" alt="" id="BLOGGER_PHOTO_ID_5570260806635756962" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Esa-Pekka Salonen&lt;/span&gt; nos entrega una &lt;span style="font-weight: bold;"&gt;Novena Sinfonía de Mahler&lt;/span&gt; que es particularmente clara y radiante, una muestra de cómo suena Mahler, al acercarse el centenario de su nacimiento, en la batuta de los nuevos conductores Mahleritas.&lt;br /&gt;La grabación realizada con la &lt;span style="font-weight: bold;"&gt;Philharmonia Orchestra&lt;/span&gt; para el sello &lt;span style="font-weight: bold;"&gt;Signum UK,&lt;/span&gt; es un registro en vivo, pues Salonen afirma que la novena es una sinfonía acerca de la muerte y que su sentido debe ser el del no retorno.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;blockquote&gt;Salonen lets the melodies and harmonies radiate the warmth and wisdom of the composer by doing away with such excesses as heavy orchestration and/or slower tempos. This complex symphony is stated fluently, clearly and elegantly by Salonen. I predict that this recording will win Mahler many new fans.&lt;span style="font-weight: bold;"&gt;Amazon&lt;/span&gt;&lt;/blockquote&gt;&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;blockquote&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Esa-Pekka Salonen &lt;/span&gt;on the disc:&lt;/span&gt; &lt;span style="font-family:arial;"&gt;“Our new recording of the piece is a live recording, of a performance we gave after we had played the piece on tour in places such as the Concertgebouw and Cologne. I very much like the idea of recording this piece live. In fact, the idea of recording that finale in a studio doesn’t feel right. So many of the most celebrated recordings of the piece – Bernstein, Karajan, Bruno Walter in 1938 – have been concert recordings. It’s no accident. This is about death and there must be a sense of no return. It’s your only shot. You just do it and live with the results. This is real life and death, not a video game.”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TU2LrQO70XI/AAAAAAAAEn4/V5wWus0KfCo/s1600/mahler9-salonen%2Bback.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TU2LrQO70XI/AAAAAAAAEn4/V5wWus0KfCo/s320/mahler9-salonen%2Bback.jpg" alt="" id="BLOGGER_PHOTO_ID_5570261889335415154" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/blockquote&gt;  &lt;a href="http://www.4shared.com/file/S85CYqOf/Gustav_Mahler_-_2010_-_Symphon.html"&gt;&lt;span style="font-family:arial;"&gt;DOWNLOAD&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-6176300008308882656?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/6176300008308882656/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=6176300008308882656' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6176300008308882656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6176300008308882656'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/02/mahler-symphony-no-9-esa-pekka-salonen.html' title='Mahler Symphony No 9, Esa-Pekka Salonen  (2010)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/TU2KsO3OHaI/AAAAAAAAEnw/_07568nQp9E/s72-c/folder.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-8327023428346241535</id><published>2011-01-22T12:45:00.000-06:00</published><updated>2011-01-22T12:48:32.151-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Cronología Biográfica Henry-Louis de La Grange.'/><title type='text'>Mahler Cronología Biográfica (Reposición).</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt; &lt;div class="post-body entry-content"&gt; &lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/SKT3pqA6t7I/AAAAAAAAAx4/bhCQ74yDPrQ/s1600-h/mahler+cronologia.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/SKT3pqA6t7I/AAAAAAAAAx4/bhCQ74yDPrQ/s400/mahler+cronologia.png" alt="" id="BLOGGER_PHOTO_ID_5234580961936193458" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;style&gt;@font-face {   font-family: "Cambria Math"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman","serif"; }a:link, span.MsoHyperlink { color: blue; text-decoration: underline; }a:visited, span.MsoHyperlinkFollowed { color: purple; text-decoration: underline; }.MsoChpDefault { font-size: 10pt; }div.Section1 { page: Section1; }&lt;/style&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;Registro  para descarga de la Cronología de la vida y obra de Gustav Mahler,  elaborada por Henry-Louis de La Grange para la Revista ANDANTE,   traducida al castellano y publicada por,&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;"&gt;gustav-mahler.es&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;,&lt;/span&gt;&lt;span style="" lang="ES-MX"&gt;&lt;span&gt; el portal de los Mahleritas Hispanohablantes.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;span style="" lang="ES-MX"&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt;&lt;a href="http://www.4shared.com/file/59101033/4d467f7b/Cronologia_de_Mahler_Henry-Louis_de_La_Grange__Espaol_.html"&gt;Mahler Cronología Biográfica, Henry-Louis de La Grange.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt; &lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/document/8eEFHcsH/Alma_Mahler_Recuerdos_y_Cartas.html"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="" lang="ES-MX"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="color: rgb(32, 64, 99);font-family:Helvetica,Arial,Verdana,'Trebuchet MS',sans-serif;font-size:13px;"  &gt;&lt;div&gt;&lt;span style="font-size:11px;"&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/dir/l1L8QjVz/1000_libros_de_Musica.html#" style="color: rgb(204, 0, 0); font-weight: bold;"&gt;&lt;img src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TD5t6jE7Z7I/AAAAAAAAETw/oOJKlHhhNks/s320/insert-violin.png" alt="" id="BLOGGER_PHOTO_ID_5493949448054335410" style="border-width: 0px; display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 126px; height: 126px;" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-8327023428346241535?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/8327023428346241535/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=8327023428346241535' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8327023428346241535'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8327023428346241535'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/01/mahler-cronologia-biografica-reposicion.html' title='Mahler Cronología Biográfica (Reposición).'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_QMIBbvsVy9M/SKT3pqA6t7I/AAAAAAAAAx4/bhCQ74yDPrQ/s72-c/mahler+cronologia.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-6316462885215666552</id><published>2011-01-19T12:38:00.004-06:00</published><updated>2011-01-19T12:54:49.916-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Alma Mahler: Gustav Mahler Recuerdos y cartas.'/><title type='text'>Alma Mahler: Gustav Mahler Recuerdos y cartas (Reposición).</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt; &lt;div class="post-body entry-content"&gt; &lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/SKMRJ8hO-ZI/AAAAAAAAAxY/doxbvFKYNHA/s1600-h/Alma+Mahler+recuerdos+portada.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/SKMRJ8hO-ZI/AAAAAAAAAxY/doxbvFKYNHA/s400/Alma+Mahler+recuerdos+portada.jpg" alt="" id="BLOGGER_PHOTO_ID_5234046054496663954" border="0" /&gt;&lt;/a&gt; &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt;&lt;span style="font-weight: bold;"&gt;Registro  para la descarga gratuita del libro en que Alma Mahler recoge su  memoria de Mahler y hace publica una selección de su correspondencia.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;span style="" lang="ES-MX"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt;Este  volumen corresponde al publicado por John Murray (Publisher) Ltd.  London, en 1968, Editado por Donald Mitchell y que reprodujo en  castellano Editorial Taurus en 1978, con traducción de Nestor Míguez.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt;Agradecemos a &lt;/span&gt;&lt;a href="http://www.gustav-mahler.es/"&gt;&lt;b&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;gustav-mahler.es&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;, &lt;span style="" lang="ES-MX"&gt;&lt;span style=""&gt; &lt;/span&gt;la copia digital que ahora compartimos, en dos archivos pdf.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;span style="" lang="ES-MX"&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES-MX"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p face="arial" class="MsoNormal"&gt;&lt;a href="http://www.4shared.com/document/ZbFCokHC/AlmaMahlerRecuerdosyCartas_Rec.html"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="" lang="ES-MX"&gt;Alma Mahler: Gustav Mahler Recuerdos y cartas, Recuerdos&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;  &lt;p face="arial" class="MsoNormal"&gt;&lt;a href="http://www.4shared.com/document/8eEFHcsH/Alma_Mahler_Recuerdos_y_Cartas.html"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="" lang="ES-MX"&gt;Alma Mahler: Gustav Mahler Recuerdos y cartas, Cartas.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: rgb(32, 64, 99);font-family:Helvetica,Arial,Verdana,'Trebuchet MS',sans-serif;font-size:13px;"  &gt;&lt;div&gt;&lt;span style="font-size:11px;"&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/dir/l1L8QjVz/1000_libros_de_Musica.html#" style="color: rgb(204, 0, 0); font-weight: bold;"&gt;&lt;img src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TD5t6jE7Z7I/AAAAAAAAETw/oOJKlHhhNks/s320/insert-violin.png" alt="" id="BLOGGER_PHOTO_ID_5493949448054335410" style="border-width: 0px; display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 126px; height: 126px;" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/span&gt; &lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-6316462885215666552?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/6316462885215666552/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=6316462885215666552' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6316462885215666552'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6316462885215666552'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/01/alma-mahler-gustav-mahler-recuerdos-y.html' title='Alma Mahler: Gustav Mahler Recuerdos y cartas (Reposición).'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_QMIBbvsVy9M/SKMRJ8hO-ZI/AAAAAAAAAxY/doxbvFKYNHA/s72-c/Alma+Mahler+recuerdos+portada.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-1369044624321772529</id><published>2011-01-13T16:50:00.008-06:00</published><updated>2011-01-13T17:08:48.060-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler conducted by Jascha Horenstein- BBC Legends'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC legends.'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler sinfonies  6- 7- 8 y 9 -Horenstein'/><title type='text'>Mahler 6,7,8 &amp; 9 conducted by Jascha Horenstein, BBC Legends.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TS-CyqOCk-I/AAAAAAAAElU/j_yQhkxKMRo/s1600/IMG_0132.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 315px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TS-CyqOCk-I/AAAAAAAAElU/j_yQhkxKMRo/s320/IMG_0132.jpg" alt="" id="BLOGGER_PHOTO_ID_5561807871664100322" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Hoy iniciamos la serie: &lt;span style="font-weight: bold;"&gt;Mahler en la Leyenda. Las grabaciones de la BBC&lt;/span&gt;, en ella compartiremos los discos en los que &lt;span style="font-weight: bold;"&gt;Mahler &lt;/span&gt;fue dirigido por &lt;span style="font-weight: bold;"&gt;Jascha Horenstein, John Barbirolli, Kurt Sanderling, Rudolf Kempe, Klaus Tennstedt y Bruno Maderna&lt;/span&gt;, así como los registros consagrados de &lt;span style="font-weight: bold;"&gt;Dame Janet Baker y Dietrich Fischer-Dieskau&lt;/span&gt;; todos en formatos sin pérdida (Losless) &lt;span style="font-weight: bold;"&gt;APE o FLAC&lt;/span&gt;.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En esta entrega compartimos las &lt;span style="font-weight: bold;"&gt;sinfonías 6, 7, 8 y 9 y Das Lied von der Erde de Mahler&lt;/span&gt;, dirigidas por ese insuperable Maestro &lt;span style="font-weight: bold;"&gt;Jascha Horenstein&lt;/span&gt;, uno de los tres --junto a &lt;span style="font-weight: bold;"&gt;Bruno Walter y Willem Mengelberg&lt;/span&gt;-- mas denodados defensores de Mahler en los años difíciles.&lt;/span&gt;   &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/TS-DOJ6b9II/AAAAAAAAElc/gTl21Yaat9M/s1600/IMG_0019.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 313px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/TS-DOJ6b9II/AAAAAAAAElc/gTl21Yaat9M/s320/IMG_0019.jpg" alt="" id="BLOGGER_PHOTO_ID_5561808344028279938" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_QMIBbvsVy9M/TS-Dn_1Cm3I/AAAAAAAAElk/NjHGz8WbnY8/s1600/IMG_0006.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 316px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/TS-Dn_1Cm3I/AAAAAAAAElk/NjHGz8WbnY8/s320/IMG_0006.jpg" alt="" id="BLOGGER_PHOTO_ID_5561808787997891442" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TS-Ef0rd1qI/AAAAAAAAEl0/iJ_pgfxrFH0/s1600/IMG_0150.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 315px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TS-Ef0rd1qI/AAAAAAAAEl0/iJ_pgfxrFH0/s320/IMG_0150.jpg" alt="" id="BLOGGER_PHOTO_ID_5561809747077617314" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/TS-D8yKsuRI/AAAAAAAAEls/pbDcvvyz-Vo/s1600/IMG.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 312px; height: 307px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/TS-D8yKsuRI/AAAAAAAAEls/pbDcvvyz-Vo/s320/IMG.jpg" alt="" id="BLOGGER_PHOTO_ID_5561809145107888402" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/dir/RZu1M19y/Mahler_Horenstein_BBCL.html"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;DOWNLOAD &lt;/span&gt; &lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-1369044624321772529?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/1369044624321772529/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=1369044624321772529' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/1369044624321772529'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/1369044624321772529'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/01/mahler-conducted-by-jascha-horenstein.html' title='Mahler 6,7,8 &amp; 9 conducted by Jascha Horenstein, BBC Legends.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/TS-CyqOCk-I/AAAAAAAAElU/j_yQhkxKMRo/s72-c/IMG_0132.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-7719441869954704740</id><published>2011-01-02T11:46:00.004-06:00</published><updated>2011-01-02T11:57:35.150-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='James Levine Conducts Mahler'/><title type='text'>James Levine Conducts Mahler (2010)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TSC6_assozI/AAAAAAAAEk8/M7jjm2WE-JU/s1600/box%2Bfront.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TSC6_assozI/AAAAAAAAEk8/M7jjm2WE-JU/s320/box%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5557647538836513586" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En el marco de los aniversarios de Gustav Mahler que se conmemoran en 20111, la disquera &lt;span style="font-weight: bold;"&gt;Sony&lt;/span&gt; ha re-editado las grabaciones, originalmente hechas para &lt;span style="font-weight: bold;"&gt;RCA&lt;/span&gt;, que &lt;span style="font-weight: bold;"&gt;dirigió el joven James Levine entre 1974 y 1981&lt;/span&gt;.&lt;br /&gt;Se trata de &lt;span style="font-weight: bold;"&gt;ocho sinfonías (1, 3, 4, 5, 6, 7, 9 &amp;amp; 10)&lt;/span&gt; entre las que destaca la pionera grabación completa de la versión ejecutable de&lt;span style="font-weight: bold;"&gt; Deryck Cooke de la sinfonía No. 10 inconclusa.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Como salta a la vista, estamos ante una restitución memorable, pues nos entrega el temprano testimonio de compromiso Mahleriano de&lt;span style="font-weight: bold;"&gt; James Levine &lt;/span&gt;quien es hoy el director de opera mas grabado y conocido del mundo.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Las grabaciones de este, entonces jovencísimo, director norteamericano vinieron a sumarse a las que realizadas por &lt;span style="font-weight: bold;"&gt;Leonard Bernstein&lt;/span&gt;, incidiendo en el ambiente musical que inserto a Estados Unidos entre los países pioneros de reivindicación de &lt;span style="font-weight: bold;"&gt;Gustav Mahler.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Las orquestas dirigidas por Levine son la &lt;span style="font-weight: bold;"&gt;The Philadelphia Orchestra, y la London Symphony Orchestra.&lt;/span&gt;&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Las fechas de grabación son:&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;Sinfonía no.1.- 1974 + Adagio Sinfonía no.10 1978&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.3.-1975&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.4.-1974&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.5.-1978&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.6.-1977&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.7.-1980&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.9.-1979&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Sinfonía no.10.- 1981&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;La caja es de 10 CD`s mas scan.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TSC7KtsJnbI/AAAAAAAAElE/I5OpsFf9V2g/s1600/box%2Bback.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 319px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TSC7KtsJnbI/AAAAAAAAElE/I5OpsFf9V2g/s320/box%2Bback.jpg" alt="" id="BLOGGER_PHOTO_ID_5557647732913053106" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/dir/lZxhLxK4/Mahler_with_James_Levine.html"&gt;DOWNLOAD&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-7719441869954704740?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/7719441869954704740/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=7719441869954704740' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7719441869954704740'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7719441869954704740'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2011/01/james-levine-conducts-mahler-2010.html' title='James Levine Conducts Mahler (2010)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_QMIBbvsVy9M/TSC6_assozI/AAAAAAAAEk8/M7jjm2WE-JU/s72-c/box%2Bfront.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-1174360980208255318</id><published>2010-12-14T17:43:00.002-06:00</published><updated>2010-12-14T17:49:50.731-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler The People`s  Editon'/><title type='text'>Gustav Mahler The People`s  Editon-13 CD`s</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_QMIBbvsVy9M/TQgCgi7Oq9I/AAAAAAAAEjk/PciWakkWPMY/s1600/cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/TQgCgi7Oq9I/AAAAAAAAEjk/PciWakkWPMY/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5550689298888436690" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;El Ciclo completo de las sinfonias de Gustav Mahler seleccionado por 5,000 encuestados y 400 clientes de &lt;span style="font-weight: bold;"&gt;Deutsche Grammophon&lt;/span&gt; que votaron para elegir lo que aqui se bautiza como &lt;span style="font-weight: bold;"&gt;"La Edicion del Pueblo"&lt;/span&gt;. El siguente paso es votar la existencia de Dios.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;blockquote&gt;Over 5000 votes have been cast in our Mahler web-poll, over 400 customers have submitted their suggestions for a complete Mahler Symphony cycle ... and now we know who will appear in the People's Edition: All great performances, many of them already legendary. These are classic performances from DG's ling and illustrious catalog, but this set has a special resonance, reflecting as it does the opinions and preferences of our customers.&lt;/blockquote&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-01: Symphony No.1 in D&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;    Symphonieorchester des Bayerischen Rundfunks, Kubelik 1968&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-02: Symphony No.2 in C minor - "Resurrection"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;    Wiener Philharmoniker, Mehta 1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD`s-03 &amp;amp; 04: Symphony No.3 in D minor&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;    Berliner Philharmoniker, Abbado 1999&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-05: Symphony No.4 in G&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;    Berliner Philharmoniker, von Karajan 1979&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-06: Symphony No.5 in C sharp minor&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;    Wiener Philharmoniker, Bernstein 1988&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD`s-07 &amp;amp; 08: Symphony No.6 in A minor&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;    Wiener Philharmoniker, Bernstein 1989&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-09: Symphony No.7 in E minor&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;    Berliner Philharmoniker, Abbado 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-10: Symphony No.8 in E flat - "Symphony of a Thousand"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;    Chicago Symphony Orchestra, Solti 1972&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD`s-11 &amp;amp; 12: Symphony No.9 in D&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;    Chicago Symphony Orchestra, Giulini 1977&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD-13: Symphony No.10 in F sharp (unfinished)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;     Radio-Symphonie-Orchester Berlin, Chailly 1988&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/dir/siPd9MKU/Mahler_the_people_edition.html"&gt;&lt;br /&gt;DOWNLOAD&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-1174360980208255318?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/1174360980208255318/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=1174360980208255318' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/1174360980208255318'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/1174360980208255318'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/12/gustav-mahler-peoples-editon-13-cds.html' title='Gustav Mahler The People`s  Editon-13 CD`s'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_QMIBbvsVy9M/TQgCgi7Oq9I/AAAAAAAAEjk/PciWakkWPMY/s72-c/cover.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3690682706849909593</id><published>2010-12-02T17:16:00.004-06:00</published><updated>2010-12-02T17:26:39.780-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sinfonie-Orchester des Bayersichen Rundfunks'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler 8'/><category scheme='http://www.blogger.com/atom/ns#' term='Bavarian Radio Symphony Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='Sir Colin Davis'/><title type='text'>Gustav Mahler: Symphony No. 8, Sir Colin Davis (2004)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_QMIBbvsVy9M/TPgqK-S3HJI/AAAAAAAAEis/_r-D2NLZmwA/s1600/Front.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 317px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/TPgqK-S3HJI/AAAAAAAAEis/_r-D2NLZmwA/s320/Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5546229309115931794" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-size: small;"&gt;&lt;b&gt;Free&lt;/b&gt;&lt;b&gt; download. Descarga gratuita.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;La &lt;b&gt;octava sinfonía de &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;Mahler&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; dirigida por&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;Sir&lt;/b&gt;&lt;b&gt; Colin Davis&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, frente a dos orquestas: la &lt;/span&gt;&lt;/span&gt;&lt;b&gt;Bavarian&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt; Radio &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;Symphony&lt;/b&gt;&lt;b&gt; Orchestra&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt; &lt;/b&gt;, y la &lt;/span&gt;&lt;/span&gt;&lt;b&gt;Sinfonie&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;-&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;Orchester&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt; des &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;Bayersichen&lt;/b&gt;&lt;b&gt; Rundfunks&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, con las voces de &lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;Alessandra&lt;/b&gt;&lt;b&gt; Marc&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt; &lt;/b&gt;(soprano I ), &lt;/span&gt;&lt;/span&gt;&lt;b&gt;Sharon&lt;/b&gt;&lt;b&gt; Sweet&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; (soprano &lt;/span&gt;&lt;/span&gt;II&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; ), &lt;/span&gt;&lt;/span&gt;&lt;b&gt;Elizabeth&lt;/b&gt;&lt;b&gt; Norberg&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;-&lt;/span&gt;&lt;/span&gt;Schulz&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; (soprano &lt;/span&gt;&lt;/span&gt;III&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; ) ,&lt;/span&gt;&lt;/span&gt;&lt;b&gt;Vesselina&lt;/b&gt;&lt;b&gt; Kasarova&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; (alto I), &lt;/span&gt;&lt;/span&gt;&lt;b&gt;Ning&lt;/b&gt;&lt;b&gt; Liang&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; (alto &lt;/span&gt;&lt;/span&gt;II&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;), &lt;/span&gt;&lt;/span&gt;&lt;b&gt;Ben&lt;/b&gt;&lt;b&gt; Heppner&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;(&lt;/b&gt; tenor), &lt;/span&gt;&lt;/span&gt;&lt;b&gt;Sergei&lt;/b&gt;&lt;b&gt; Leiferkus&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; (&lt;/span&gt;&lt;/span&gt;baritone&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;),&lt;/span&gt;&lt;/span&gt;&lt;b&gt;René&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt; Pape &lt;/b&gt;(&lt;/span&gt;&lt;/span&gt;bass&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;La &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;grabación se realizo en dos conciertos públicos el 7 y 8 de julio de 1996, y apareció bajo el sello &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;RCA&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; hasta noviembre de 2004. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;El querido maestro &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;Sir&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;Colin&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;Davis&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;, que no puede &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;considerarse&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt; un director &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;Mahleriano&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;, acomete la mas &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;difícil sinfonía de &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;Mahler&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;, al frente de dos orquestas en las que &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt;funge&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-family: arial;"&gt; como invitado. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Invitamos a juzgar el resultado.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TPgqosHbm9I/AAAAAAAAEi0/baNuse1UnGQ/s1600/Back.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 273px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TPgqosHbm9I/AAAAAAAAEi0/baNuse1UnGQ/s320/Back.jpg" alt="" id="BLOGGER_PHOTO_ID_5546229819632229330" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/dir/3YPtpmmd/Mahler_8-_Sir_Colin_Davis.html"&gt;DOWNLOAD&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3690682706849909593?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3690682706849909593/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3690682706849909593' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3690682706849909593'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3690682706849909593'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/12/gustav-mahler-symphony-no-8-sir-colin.html' title='Gustav Mahler: Symphony No. 8, Sir Colin Davis (2004)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_QMIBbvsVy9M/TPgqK-S3HJI/AAAAAAAAEis/_r-D2NLZmwA/s72-c/Front.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3304495363614158043</id><published>2010-11-04T13:06:00.014-06:00</published><updated>2010-11-22T15:05:04.652-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler- The Complete Works- 150 anniversary EMI'/><title type='text'>Gustav Mahler: The Complete Works, la edición Integral en Box-Set de 16 CD`s</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TOrRJN5NXYI/AAAAAAAAEiE/vRTRpuqyCtQ/s1600/Maler%2BCWorks-cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TOrRJN5NXYI/AAAAAAAAEiE/vRTRpuqyCtQ/s320/Maler%2BCWorks-cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5542472247711456642" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;font-family:arial;font-size:85%;"  &gt;Free download. Descarga gratuita&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;Hoy presentamos &lt;span style="font-weight: bold;"&gt;Mahler The Complete Works&lt;/span&gt;, la &lt;span style="font-weight: bold;"&gt;edición Integral en Box-Set de 16 CD`s&lt;/span&gt;,  que la disquera &lt;span style="font-weight: bold;"&gt;EMI&lt;/span&gt; destina al &lt;span style="font-weight: bold;"&gt;150 aniversario del nacimiento de Gustav Mahler&lt;/span&gt; (Mayo 57 de Julio de 1860).&lt;br /&gt;En esta entrega compartimos los 16 Cd`s &lt;span style="font-weight: bold; color: rgb(204, 0, 0);"&gt;en formato Torrent&lt;/span&gt; para su descarga inmediata.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/TOrRQodycYI/AAAAAAAAEiM/xgekJQaW9F0/s1600/mahler%2Bcomplete%2BWorks-back_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/TOrRQodycYI/AAAAAAAAEiM/xgekJQaW9F0/s320/mahler%2Bcomplete%2BWorks-back_.jpg" alt="" id="BLOGGER_PHOTO_ID_5542472375103287682" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;CD 1 - &lt;span style="font-weight: bold;"&gt;"Das Klagende Lied".&lt;/span&gt; Simon Rattle / C.B.S.O., 1983/84&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Piano Quartet movement&lt;/span&gt;. Domus, 1988&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 2 - &lt;span style="font-weight: bold;"&gt;"Songs Of A Wayfarer"&lt;/span&gt;. D. Fischer-Dieskau / Furtwaengler/Philharmonia, 1952&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no.1&lt;/span&gt;. Giulini / Chicago Symphony, 1971&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 3 - &lt;span style="font-weight: bold;"&gt;Symphony no.2&lt;/span&gt;. Klemperer / Philharmonia (studio version), 1961&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 4 - &lt;span style="font-weight: bold;"&gt;Three Early Songs.&lt;/span&gt; Ian Bostridge / A. Pappano (piano), 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;14 "Lieder &amp;amp; Gesaenge"&lt;/span&gt;. Sung by var. big names from EMI catalog.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no.3, Mvt. 1&lt;/span&gt;. Rattle / C.B.S.O./ Birgirt Remmert (mezzo), 1997&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 5 -&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no.3,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt; &lt;span style="font-weight: bold;"&gt;Movts II - VI.&lt;/span&gt; Rattle / CBSO.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;"Blumine"&lt;/span&gt;. P. Jarvi / Frankfurt R.S.O., 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 6 - &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt; &lt;span style="font-weight: bold;"&gt;no.4&lt;/span&gt;. Horenstein / L.P.O./ M. Price (sop), 1970&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 7 - &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;span style="font-weight: bold;"&gt; 5&lt;/span&gt;. K. Tennstedt / L.P.O. - "live", 1988&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 8 -&lt;span style="font-weight: bold;"&gt; "Kindertotenlieder"&lt;/span&gt;. K. Ferrier / B. Walter / V.P.O., 1949&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;"Five Ruckert Lieder".&lt;/span&gt; J. Baker / New Phil., 1969&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;span style="font-weight: bold;"&gt; 6, Mvt. I.&lt;/span&gt; J. Barbirolli / New Philharmonia, 1967&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 9 -&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;span style="font-weight: bold;"&gt; 6, Mvts. II - IV.&lt;/span&gt; Barbirolli / New Phil., 1967&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 10 - &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;. &lt;span style="font-weight: bold;"&gt;7.&lt;/span&gt; Rattle / C.B.S.O., 1991 (Aldeburgh Festival)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 11 -&lt;span style="font-weight: bold;"&gt; "Des Knaben Wunderhorn"&lt;/span&gt;. Schwarzkopf / Fischer-Dieskau / G.Szell / L.S.O., 1968&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;span style="font-weight: bold;"&gt; 8, Part I.&lt;/span&gt; Tennstedt / L.P.O., 1986&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 12 -&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;span style="font-weight: bold;"&gt;8, Part II.&lt;/span&gt; Tennstedt / L.P.O., 1986&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 13 -&lt;span style="font-weight: bold;"&gt; "Das Lied von der Erde".&lt;/span&gt; C. Ludwig/Wunderlich / Klemperer / Phil., 1966&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 14 - &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;.&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;9&lt;/span&gt;. Barbirolli / Berlin Phil., 1964&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 15 - &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Symphony no&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;. 10.&lt;/span&gt; S. Rattle / Berlin Phil., 1999&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;CD 16 - &lt;span style="font-weight: bold;"&gt;"Bonus CD",&lt;/span&gt; gives us a survey of numerous "Ich bin der Welt abhanden gekommen" performances - possibly THE most gorgeous orchestral song ever composed - captured by EMI over the years. That list includes Janet Baker, Christa Ludwig (twice), D. Fischer-Dieskau, Thomas Allen, Brigitte Fassbaender, and Katarina Karneus&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Require un cliente TORRENT.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/file/DW-DGV6X/Archivo_comprimido_2.html"&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;DOWNLOAD.&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3304495363614158043?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3304495363614158043/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3304495363614158043' title='5 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3304495363614158043'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3304495363614158043'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/11/gustav-mahler-das-klagende-lied-piano.html' title='Gustav Mahler: The Complete Works, la edición Integral en Box-Set de 16 CD`s'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/TOrRJN5NXYI/AAAAAAAAEiE/vRTRpuqyCtQ/s72-c/Maler%2BCWorks-cover.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-8824759944719452505</id><published>2010-10-14T16:36:00.001-05:00</published><updated>2010-10-14T16:36:55.856-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Czech Philharmonic Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='Vàclav Neuman'/><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler Symphonies'/><title type='text'>Gustav Mahler: All the Symphonies, conducted by Vàclav Neuman (14 CD`s)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TLd2rKSoPeI/AAAAAAAAEfM/WAG-aeLoP9E/s1600/Mahler+by+neumann-cover.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 314px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TLd2rKSoPeI/AAAAAAAAEfM/WAG-aeLoP9E/s320/Mahler+by+neumann-cover.JPG" alt="" id="BLOGGER_PHOTO_ID_5528017551489514978" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="post-body entry-content"&gt;&lt;p&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;Free download.Descarga gratuita&lt;/span&gt;.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;La  caja de 14 discos que ahora compartimos, es una de las ediciones  integrales de la obra de Gustav Mahler mas prestigiadas y, quizá por  haber sido casi inaccesible durante años, ha adquirido un aura mítica.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;Se trata de la edición realizada por &lt;span style="font-weight: bold;"&gt;Supraphon&lt;/span&gt;, la legendaria casa grabadora Checa, que nunca ha podido lograr una buena distribución de sus siempre magníficos registros.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;La edición conducida por &lt;span style="font-weight: bold;"&gt;Vàclav Neuman&lt;/span&gt;, con la &lt;span style="font-weight: bold;"&gt;Czech Philharmonic Orchestra,&lt;/span&gt; solistas y coros,  es una rara joya, que recientemente ha sido re-impresa para los melómanos asiáticos.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;Recomendamos hacer la descarga sin demora, pues nuestros archivos están alojados en &lt;span style="font-weight: bold;"&gt;4Shared,&lt;/span&gt; sitio que hace horas borro todos los links de la &lt;span style="font-weight: bold;"&gt;integral de Mahler conducida por Ozawa&lt;/span&gt; que estábamos compartiendo.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/_QMIBbvsVy9M/TLd3SDRj4NI/AAAAAAAAEfU/lK6FdZy2O5M/s1600/tail.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 315px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/TLd3SDRj4NI/AAAAAAAAEfU/lK6FdZy2O5M/s320/tail.jpg" alt="" id="BLOGGER_PHOTO_ID_5528018219620884690" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt; &lt;span style="font-family: arial;"&gt;&lt;a href="http://www.4shared.com/dir/b3UACiug/Mahler_by_Newmann.html"&gt;DOWNLOAD&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-8824759944719452505?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/8824759944719452505/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=8824759944719452505' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8824759944719452505'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8824759944719452505'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/10/gustav-mahler-all-symphonies-conducted.html' title='Gustav Mahler: All the Symphonies, conducted by Vàclav Neuman (14 CD`s)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/TLd2rKSoPeI/AAAAAAAAEfM/WAG-aeLoP9E/s72-c/Mahler+by+neumann-cover.JPG' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3166408424758601373</id><published>2010-10-12T22:23:00.003-05:00</published><updated>2010-10-12T22:34:22.839-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pierre Boulez'/><category scheme='http://www.blogger.com/atom/ns#' term='Chicago Symphony Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='MahlerSymphony no.7'/><title type='text'>Gustav Mahler,Symphony no.7,  LIVE-Chicago SO-Pierre Boulez.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TLUoeyeNgeI/AAAAAAAAEfE/f7WQXmwKmh4/s1600/boulez+en+espectacular.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 214px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TLUoeyeNgeI/AAAAAAAAEfE/f7WQXmwKmh4/s320/boulez+en+espectacular.jpg" alt="" id="BLOGGER_PHOTO_ID_5527368627076825570" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En noviembre de 2006,&lt;span style="font-weight: bold;"&gt; Pierre Boulez&lt;/span&gt; condujo a la &lt;span style="font-weight: bold;"&gt;Chicago Symphony Orchestra&lt;/span&gt; en una memorable rendicion de la &lt;span style="font-weight: bold;"&gt;septima sinfonia&lt;/span&gt;, que hoy compartimos como un raro registro, puesto que no son numerosas las grabaciones en vivo de los conciertos &lt;/span&gt;&lt;span style="font-family:arial;"&gt;Boulezianos.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Entre los Mahleritas hay quien estima que &lt;span style="font-weight: bold;"&gt;esta es la mejor septima --en vivo--de todas&lt;/span&gt;. Nosotros reservamos ese lugar para la grabacion de &lt;a href="http://todomahler.blogspot.com/2008/12/mahler-sinfona-no7-abbado-dos.html"&gt;&lt;span style="font-weight: bold;"&gt;Abbado que compartio StateWork&lt;/span&gt;&lt;/a&gt; en la red, y que segun creemos es el mejor registro en vivo de la septima que puede obtenerse. Este Boulez 2006 seria el el segundo mejor.&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/424623898/Mahler_7-live-Boulez_CSO-2006.zip"&gt;&lt;br /&gt;DOWNLOAD.&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3166408424758601373?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3166408424758601373/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3166408424758601373' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3166408424758601373'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3166408424758601373'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/10/gustav-mahlersymphony-no7-live-chicago.html' title='Gustav Mahler,Symphony no.7,  LIVE-Chicago SO-Pierre Boulez.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_QMIBbvsVy9M/TLUoeyeNgeI/AAAAAAAAEfE/f7WQXmwKmh4/s72-c/boulez+en+espectacular.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-7765344376739373671</id><published>2010-09-06T19:46:00.003-05:00</published><updated>2010-09-06T19:59:25.148-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kent Nagano'/><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler'/><category scheme='http://www.blogger.com/atom/ns#' term='Orchestre Symphonique de Montreal'/><category scheme='http://www.blogger.com/atom/ns#' term='Das Lied von der Erde'/><title type='text'>Gustav Mahler:Das Lied von Der Erde, Kent Nagano (2009)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TIWOD9mroYI/AAAAAAAAEbs/ux4_IgBwwFw/s1600/Mahler.Lied_von_der_Erde.Nagano.Sony.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TIWOD9mroYI/AAAAAAAAEbs/ux4_IgBwwFw/s320/Mahler.Lied_von_der_Erde.Nagano.Sony.jpg" alt="" id="BLOGGER_PHOTO_ID_5513969517512597890" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga Gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Hoy compartimos una versión de&lt;span style="font-weight: bold;"&gt; Los Cantos de la Tierra&lt;/span&gt;, dirigida por &lt;span style="font-weight: bold;"&gt;Kent Nagano&lt;/span&gt; al frente de la  &lt;span style="font-weight: bold;"&gt;OrchestreSymphonique de Montreal.&lt;/span&gt; Las voces son de los solistas alemanes &lt;span style="font-weight: bold;"&gt;Klaus Florian Vogt &lt;/span&gt;( Tenor), y de &lt;span style="font-weight: bold;"&gt;Christian Gerhaher&lt;/span&gt; (Baritone).&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Este disco nos llamo la atención desde su anuncio, pues estaba aun fresca la escucha cuidadosa de &lt;span style="font-weight: bold;"&gt;Wien 1900: The Death of Tonality?&lt;/span&gt;, un volumen memorable en que &lt;span style="font-weight: bold;"&gt;se destaca el continuo Wagner-Mahler&lt;/span&gt;, correspondiendo a &lt;span style="font-weight: bold;"&gt;Nagano &lt;/span&gt;la dirección de un fragmento de la &lt;span style="font-weight: bold;"&gt;Sinfonía no.8&lt;/span&gt; y otro de los &lt;span style="font-weight: bold;"&gt; Lied von Der Erde&lt;/span&gt;. Un grato recuerdo que no se mantuvo.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Luego escuchamos sorpresa y desencanto la &lt;span style="font-weight: bold;"&gt;Sinfonía no.8&lt;/span&gt; con la &lt;span style="font-weight: bold;"&gt;Deutsches Symphony Orchestra Berlin,&lt;/span&gt; editada por &lt;span style="font-weight: bold;"&gt;Harmonia Mundi.&lt;/span&gt; Sin darnos cuenta nos fuimos alejando de Nagano y, perdido el entusiasmo, esta versión de los &lt;span style="font-weight: bold;"&gt;Cantos de la Tierra&lt;/span&gt; dejo de ser prioridad en la búsqueda y la adquisición.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Luego, nuestra curiosidad regreso al conocer el celebre mote que Nagano ha debido soportar:&lt;span style="font-weight: bold;"&gt; "Tratándose de Mahler Nagano es el Anti-Berstein". &lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Y hoy, por fin, llenando el vacío de nuestra cancelación de la serie en vivo de&lt;span style="font-weight: bold;"&gt; Bernard Haitink&lt;/span&gt;, --de la que teníamos para compartir las sinfonías 1.2,3 y 6--, entregamos esta ejecución a juicio de los escuchas.&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/file/TbGgsNiV/Mahler-_Das_Lied_von_der_Erde_.html"&gt;DOWNLOAD&lt;/a&gt;.&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-7765344376739373671?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/7765344376739373671/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=7765344376739373671' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7765344376739373671'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7765344376739373671'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/09/gustav-mahlerdas-lied-von-der-erde-kent.html' title='Gustav Mahler:Das Lied von Der Erde, Kent Nagano (2009)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/TIWOD9mroYI/AAAAAAAAEbs/ux4_IgBwwFw/s72-c/Mahler.Lied_von_der_Erde.Nagano.Sony.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-4588599354917687035</id><published>2010-09-05T13:21:00.006-05:00</published><updated>2010-09-05T15:03:59.307-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Symphony No. 3'/><category scheme='http://www.blogger.com/atom/ns#' term='Bernard Haitink'/><category scheme='http://www.blogger.com/atom/ns#' term='CSO- Resound.'/><category scheme='http://www.blogger.com/atom/ns#' term='Chicago Symphony Orchestra'/><title type='text'>Gustav Mahler: Symphony No. 3, Bernard Haitink-CSO-LIVE.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TIPihRa5b4I/AAAAAAAAEbM/R6aLfiOHCKY/s1600/Front-Back_Spread.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TIPihRa5b4I/AAAAAAAAEbM/R6aLfiOHCKY/s320/Front-Back_Spread.jpg" alt="" id="BLOGGER_PHOTO_ID_5513499430071398274" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;En el marco de la &lt;span style="font-weight: bold;"&gt;serie de conciertos Mahlerianos &lt;/span&gt;dirigidos por el querido maestro  &lt;span style="font-weight: bold;"&gt;Bernard Haitink&lt;/span&gt;, hoy compartimos la &lt;span style="font-weight: bold;"&gt;Sinfonía no.3 &lt;/span&gt;en edición del sello disquero &lt;span style="font-weight: bold;"&gt;CSO-RESOUND&lt;/span&gt;, propio de la &lt;span style="font-weight: bold;"&gt;Chicago Symphony Orchestra&lt;/span&gt;. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Este registro fue grabado, en vivo, en el &lt;span style="font-weight: bold;"&gt;Orchestra Hall at Symphony Center&lt;/span&gt;, en Octubre 19 al 21 de 2006.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Las voces son de &lt;span style="font-weight: bold;"&gt;Michelle De Young&lt;/span&gt; (mezzo), y los coros,  de &lt;span style="font-weight: bold;"&gt;Mujeres de la CSO&lt;/span&gt; con dirección de &lt;span style="font-weight: bold;"&gt;Duain Wolfe&lt;/span&gt; y de niños con dirigido por &lt;span style="font-weight: bold;"&gt;Josephine Lee.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;  &lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0);font-family:arial;" &gt;2CD-Flac+cue+scans-1 RAR de 396 MB&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;span style="font-size:85%;"&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TIPjJTcjDXI/AAAAAAAAEbU/He5uRqK6l48/s1600/Booklet_02.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 310px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TIPjJTcjDXI/AAAAAAAAEbU/He5uRqK6l48/s320/Booklet_02.jpg" alt="" id="BLOGGER_PHOTO_ID_5513500117809958258" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial; color: rgb(204, 0, 0);font-size:100%;" &gt;A solicitud del representante de la Chicago Symphony Orchestra and Chicago Symphony Orchestra Association hemos cancelado los links de descarga.&lt;br /&gt;Download links erased on request of the Chicago Symphony Orchestra and Chicago Symphony Orchestra Association &lt;/span&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-4588599354917687035?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/4588599354917687035/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=4588599354917687035' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/4588599354917687035'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/4588599354917687035'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/09/gustav-mahler-symphony-no-3-bernard.html' title='Gustav Mahler: Symphony No. 3, Bernard Haitink-CSO-LIVE.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_QMIBbvsVy9M/TIPihRa5b4I/AAAAAAAAEbM/R6aLfiOHCKY/s72-c/Front-Back_Spread.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-7079263843153487133</id><published>2010-08-30T11:11:00.005-05:00</published><updated>2010-09-05T15:05:05.173-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler'/><category scheme='http://www.blogger.com/atom/ns#' term='Bernard Haitink'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler symphony no. 1'/><category scheme='http://www.blogger.com/atom/ns#' term='RESOUND'/><category scheme='http://www.blogger.com/atom/ns#' term='Chicago Symphony Orchestra'/><title type='text'>Gustav Mahler: Symphony No. 1, Bernard Haitink-CSO-LIVE.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/THvYbPKIt6I/AAAAAAAAEa4/df4KRikW8yo/s1600/Cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 241px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/THvYbPKIt6I/AAAAAAAAEa4/df4KRikW8yo/s320/Cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5511236531455047586" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Como parte de los conciertos en vivo que la &lt;span style="font-weight: bold;"&gt;Chicago Symphony Orchestra&lt;/span&gt; ha presentado en su sello &lt;span style="font-weight: bold;"&gt;RESOUND&lt;/span&gt;,  compartimos hoy la &lt;span style="font-weight: bold;"&gt;Sinfonía no.1 de Gustav Mahler,&lt;/span&gt; dirigida por el maestro &lt;span style="font-weight: bold;"&gt;Bernard Haitink &lt;/span&gt;en grabación realizada del 1 al 3 de mayo de 2008 en el &lt;span style="font-weight: bold;"&gt;Orchestra Hall at Symphony Center&lt;/span&gt;.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Nos alegra presentar este registro como homenaje al Maestro &lt;span style="font-weight: bold;"&gt;Haitink&lt;/span&gt; y su renovada fortaleza y alegría como director de orquesta.&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/THvZIqMStRI/AAAAAAAAEbA/4K8rte5kqlQ/s1600/Booklet_10.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 241px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/THvZIqMStRI/AAAAAAAAEbA/4K8rte5kqlQ/s320/Booklet_10.jpg" alt="" id="BLOGGER_PHOTO_ID_5511237311805961490" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;a href="http://www.4shared.com/file/VmUv-EwQ/Mahler_Symphony_No_1-Haitink_C.html"&gt;&lt;span style="color: rgb(204, 0, 0);font-size:100%;" &gt;&lt;span style="font-weight: bold;"&gt;A solicitud del representante de la Chicago Symphony Orchestra and Chicago Symphony Orchestra Association hemos cancelado los links de descarga. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Download links erased on request of the Chicago Symphony Orchestra and Chicago Symphony Orchestra Association &lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-7079263843153487133?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/7079263843153487133/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=7079263843153487133' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7079263843153487133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/7079263843153487133'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/08/gustav-mahler-symphony-no-1-bernard.html' title='Gustav Mahler: Symphony No. 1, Bernard Haitink-CSO-LIVE.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/THvYbPKIt6I/AAAAAAAAEa4/df4KRikW8yo/s72-c/Cover.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-8672845184512773700</id><published>2010-08-28T12:22:00.001-05:00</published><updated>2010-08-28T12:22:54.965-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='The Rest is Noise- Listening the Twentieth Century (PDF-E_pub-Kindle)'/><category scheme='http://www.blogger.com/atom/ns#' term='Alex Ross'/><title type='text'>Alex Ross, The Rest is Noise, Listening the Twentieth Century (PDF-E_pub-Kindle).</title><content type='html'>&lt;div class="post-header"&gt;  &lt;/div&gt;  &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_QMIBbvsVy9M/THW62taTWfI/AAAAAAAAEaY/dalNsa7F1s0/s1600/cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 212px; height: 320px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/THW62taTWfI/AAAAAAAAEaY/dalNsa7F1s0/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5509515168223287794" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;Alex Ross,&lt;/span&gt; crítico de música de la revista &lt;span style="font-weight: bold; font-style: italic;"&gt;The New Yorker&lt;/span&gt; , publico en 2007 un libro que renovó el interés por las obras y compositores del sangriento siglo XX.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;Su libro, &lt;span style="font-weight: bold; font-style: italic;"&gt;The Rest is Noise, Listening the Twentieth Century&lt;/span&gt;,   ha tenido el merito inmenso de haber operado como una convocatoria  para que, nuevos y viejos melómanos, iniciaran el recuento documentado  de -por ejemplo:-La Segunda Escuela de Viena, de los autores bajo el  dominio Nazi y Soviético, de la Vanguardia Francesa y los compositores  Norteamericanos.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;En un recorrido muy bien narrado, se puede acompañar a los grandes compositores del siglo --desde &lt;span style="font-weight: bold;"&gt;Mahler&lt;/span&gt; y &lt;span style="font-weight: bold;"&gt;Strauss &lt;/span&gt;hasta &lt;span style="font-weight: bold;"&gt;los Minimalistas&lt;/span&gt;--,  con una reconstrucción de los Estrenos Mundiales, de los grandes  escándalos ( el del Rito de la Primavera es especialmente divertido), y  de las grandes polémicas musicales.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;Nuestra devoción actual por &lt;span style="font-weight: bold;"&gt;Mahler, Schoenberg, Sibelius, Schostakovich, Copland, Boulez, o Berstein;&lt;/span&gt; se ubica --al regresar a su contexto-- como un momento, un pedazo, de un torrente en curso.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;Siempre  es sano reconocer la naturaleza colectiva de creación social de la  cultura, donde los compositores no están solos en su sufrimiento y su  invención. Así, Encontramos a &lt;span style="font-weight: bold;"&gt;Sibelius&lt;/span&gt; aislado por décadas sin poder hacer la Octava Sinfonía, a &lt;span style="font-weight: bold;"&gt;Mahler &lt;/span&gt;defendiendo a&lt;span style="font-weight: bold;"&gt; Schoenberg &lt;/span&gt;en la Viena reaccionaria del nuevo siglo, a&lt;span style="font-weight: bold;"&gt; Schostakovich&lt;/span&gt;  enfrentado personalmente con el dictador asesino, a Copland y Berstein  re-expresando lo popular por medios clásicos, en fin, a John Adams  haciendo una ópera que se llamo &lt;span style="font-weight: bold;"&gt;Nixon en China.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family: arial;"&gt;Para  preparar este registro hemos vuelto al libro después de casi tres años  y, confirmamos gozosamente que no tiene desperdicio. Es una gran obra  que merece los múltiples premios que ha recibido.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Hoy compartimos las versiones digitales en &lt;span style="font-weight: bold; color: rgb(204, 0, 0);"&gt;PDF, en E-Pub y en Kindle&lt;/span&gt;.&lt;/span&gt; &lt;span style="font-family: arial;"&gt;Pedimos a nuestros amigos que suban los enlaces a sus páginas Web y Blogs, que los comenten y los regalen. &lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;Sangriento  e infame, el siglo pasado estuvo habitado de gran música, de  incontables movimientos y de personalidades epicas. Hoy, lo que lleva  este siglo, es casi vacío absoluto.&lt;/span&gt;   &lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;br /&gt;DOWNLOAD / DESCARGA:&lt;/span&gt;  &lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/file/OuAdmIGD/Alex_Ross_The_Rest_is_Noise-PD.html"&gt;Desde 4 Shared&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/415152397/Alex_Ross__The_Rest_is_Noise-PDF-Epub-Kindle.rar"&gt;Desde RapidShare&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://depositfiles.com/files/tbkwzw192"&gt;&lt;span style="font-family: arial;"&gt;Desde Depositfiles&lt;/span&gt;&lt;/a&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?d53nep55oh9d0ko"&gt;Desde MediaFire&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=XXY86WN8"&gt;Desde MegaUpload&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://elrestoesruido.blogspot.com/2009/01/rest-is-noisetorrent-del-audio-libro-en.html"&gt;&lt;span style="font-family: arial;"&gt;El Audibook en Musica del Siglo XX&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-8672845184512773700?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/8672845184512773700/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=8672845184512773700' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8672845184512773700'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8672845184512773700'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/08/alex-ross-rest-is-noise-listening.html' title='Alex Ross, The Rest is Noise, Listening the Twentieth Century (PDF-E_pub-Kindle).'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_QMIBbvsVy9M/THW62taTWfI/AAAAAAAAEaY/dalNsa7F1s0/s72-c/cover.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-2667667069558782206</id><published>2010-08-22T11:40:00.002-05:00</published><updated>2010-09-05T15:06:24.305-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bernard Haitink'/><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler Symphony No. 2'/><category scheme='http://www.blogger.com/atom/ns#' term='Chicago Symphony  Orchestra'/><title type='text'>Gustav Mahler: Symphony No. 2, Bernard Haitink-CSO-LIVE.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/THFTEMpKiOI/AAAAAAAAEZY/PjfjG5izYbQ/s1600/FrontCover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 241px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/THFTEMpKiOI/AAAAAAAAEZY/PjfjG5izYbQ/s320/FrontCover.jpg" alt="" id="BLOGGER_PHOTO_ID_5508275150829291746" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;Free download. Descarga gratuita.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;La &lt;span style="font-weight: bold;"&gt;Chicago Symphony Orchestra&lt;/span&gt; ha editado, con marca propia, la &lt;span style="font-weight: bold;"&gt;Sinfonia no.2 de Gustav Mahler&lt;/span&gt; con direccion de &lt;span style="font-weight: bold;"&gt;Bernard Haitink&lt;/span&gt;. El registro, &lt;span style="font-weight: bold;"&gt;en vivo&lt;/span&gt;, fue grabado en el &lt;span style="font-weight: bold;"&gt;Orchestra Hall at Symphony Center,&lt;/span&gt; en  Noviembre 20, 21, 22 y 25, de 2008, las voces son del &lt;span style="font-weight: bold;"&gt;Chicago Symphony Chorus,&lt;/span&gt; de &lt;span style="font-weight: bold;"&gt;Miah Persson&lt;/span&gt; (Soprano), y &lt;span style="font-weight: bold;"&gt;Christianne Stotijn&lt;/span&gt; (mezzo).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0);font-family:arial;" &gt;2CD-Flac+cue+scans-1 RAR de 265.6 MB&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_QMIBbvsVy9M/THFTNDErzAI/AAAAAAAAEZg/BxIKyUCyg2I/s1600/Booklet_01.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 241px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/THFTNDErzAI/AAAAAAAAEZg/BxIKyUCyg2I/s320/Booklet_01.jpg" alt="" id="BLOGGER_PHOTO_ID_5508275302879185922" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.4shared.com/file/uYk3A9Fr/Mahler_2-Haitink-CHSO-LIVE-Res.html"&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0); font-family: arial;font-size:100%;" &gt;&lt;span style="text-decoration: underline;"&gt;A solicitud del representante de la Chicago Symphony Orchestra and Chicago Symphony Orchestra Association hemos cancelado los links de descarga.&lt;br /&gt;Download links erased on request of the Chicago Symphony Orchestra and Chicago Symphony Orchestra Association &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-2667667069558782206?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/2667667069558782206/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=2667667069558782206' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/2667667069558782206'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/2667667069558782206'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/08/gustav-mahler-symphony-no-2-bernard.html' title='Gustav Mahler: Symphony No. 2, Bernard Haitink-CSO-LIVE.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/THFTEMpKiOI/AAAAAAAAEZY/PjfjG5izYbQ/s72-c/FrontCover.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-1521097020817832218</id><published>2010-08-16T20:14:00.005-05:00</published><updated>2010-08-16T20:20:11.756-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='by Uri Caine'/><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler In Toblach'/><title type='text'>Gustav Mahler In Toblach, by Uri Caine</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_QMIBbvsVy9M/TGnjORVoWRI/AAAAAAAAEYw/PFyjQFLQQQU/s1600/Mahler+in+toblavh.front.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 300px; height: 270px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/TGnjORVoWRI/AAAAAAAAEYw/PFyjQFLQQQU/s320/Mahler+in+toblavh.front.jpg" alt="" id="BLOGGER_PHOTO_ID_5506181853748943122" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;I Went Out This Morning Over The Countryside: Gustav Mahler In Toblach, by Uri Caine&lt;/span&gt; &lt;/span&gt; &lt;span style="font-family:arial;"&gt;Una version en vivo de &lt;span style="font-weight: bold;"&gt;'Urlicht/Primal Light'&lt;/span&gt;, en la que el polemico jazzista &lt;span style="font-weight: bold;"&gt;Uri Caine&lt;/span&gt; regresa a Mahler para enfatizar la vena musical judia.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Una autentica provocacion para los Mahlerianos estirados que no aceptan cambio alguno en el sonido de GM.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center; font-weight: bold; color: rgb(204, 0, 0);"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;2CD-310+321MB-2 FLAC en RAR &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.4shared.com/dir/1qxJ-dl_/Shostakovich_24_preludes-Jarre.html"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.4shared.com/dir/JyABn14s/Uri_Caine.html"&gt;DOWNLOAD&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-1521097020817832218?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/1521097020817832218/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=1521097020817832218' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/1521097020817832218'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/1521097020817832218'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/08/gustav-mahler-in-toblach-by-uri-caine.html' title='Gustav Mahler In Toblach, by Uri Caine'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_QMIBbvsVy9M/TGnjORVoWRI/AAAAAAAAEYw/PFyjQFLQQQU/s72-c/Mahler+in+toblavh.front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-6159946320446743996</id><published>2010-08-14T10:12:00.002-05:00</published><updated>2010-08-14T11:59:03.528-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Thierry Fischer.'/><category scheme='http://www.blogger.com/atom/ns#' term='Mahler Symphony no.10 (adagio)'/><title type='text'>Mahler Symphony no.10 (adagio), Thierry Fischer.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_QMIBbvsVy9M/TGa5iVepqKI/AAAAAAAAEYY/PLTOq3OMTwg/s1600/Thierry+FISCHER-portada.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 181px;" src="http://3.bp.blogspot.com/_QMIBbvsVy9M/TGa5iVepqKI/AAAAAAAAEYY/PLTOq3OMTwg/s320/Thierry+FISCHER-portada.jpg" alt="" id="BLOGGER_PHOTO_ID_5505291594039404706" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Free download.Descarga gratuita&lt;/span&gt;.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;La trasmisión radial de la BBC del 11 de junio de 2010, nos ha entregado una ejecución --en vivo--del a&lt;span style="font-weight: bold;"&gt;dagio de la sinfonía 10&lt;/span&gt; de Gustav Mahler, a cargo de la &lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;BBC National Orchestra of Wales&lt;/span&gt;,  la dirección de su  titular &lt;span style="font-weight: bold;"&gt;Thierry Fischer.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Como nuestros lectores saben bien, este adagio es de las piezas menos frecuentadas en las programaciones de conciertos y grabaciones Mahlerianas, por lo que ahora compartimos este registro con ánimo de equilibrio.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;a href="http://rapidshare.com/files/412924792/Mahler_Sym_10_Adagio_-_BBC_NOW_-_Fischer__11_June_2010_.mp3"&gt;&lt;span style="font-family:arial;"&gt;DOWNLOAD.&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-6159946320446743996?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/6159946320446743996/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=6159946320446743996' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6159946320446743996'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6159946320446743996'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/08/mahler-symphony-no10-adagio-thierry.html' title='Mahler Symphony no.10 (adagio), Thierry Fischer.'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_QMIBbvsVy9M/TGa5iVepqKI/AAAAAAAAEYY/PLTOq3OMTwg/s72-c/Thierry+FISCHER-portada.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-6394622788580432025</id><published>2010-08-08T18:52:00.006-05:00</published><updated>2010-08-08T19:06:05.951-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler SYMPHONY NO. 2'/><category scheme='http://www.blogger.com/atom/ns#' term='Paavo Jarvi'/><title type='text'>Mahler: Symphony No. 2,Paavo Jarvi-(2010)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TF9ErYUhqaI/AAAAAAAAEXg/7AaaR4x6W-0/s1600/front+cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 315px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TF9ErYUhqaI/AAAAAAAAEXg/7AaaR4x6W-0/s320/front+cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5503192781723642274" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style=";font-family:arial;font-size:small;"  &gt;&lt;b&gt;Free download. Descarga gratuita.&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;¿La tercera generación de directores Mahlerianos?&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Santa Fe Listener &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;(Amazon), quien es uno de los más fieles e inteligentes comentaristas en linea &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;de las grabaciones Mahlerianas , ha puesto a circular la idea de una que puede estar naciendo una tercera generación de directores Mahlerianos de la época moderna.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Si dejamos a un lado a los grandes pioneros (desde &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Mengelberg&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; y &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Bruno Walter&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; hasta &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Barbirolli&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; y &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Rosbaud&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;) y nos concentramos en la época en que la tecnología permite grabaciones en toda la regla, quizá sea correcto periodizar la primera generación de directores Mahlerianos como la que arranca con &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Leonard Berstein&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; y se cierra con &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Karajan&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;; para dar paso a  una segunda generación que agrupa a los conductores que van de &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Claudio Abbado&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; a &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Simon Rattle&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, pasando por casi todos los directores que hemos visto en vivo; &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Pierre Boulez &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;y &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Lorin Maazel&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; incluidos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;En esta nueva generación se inscribirían, además de &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Paavo Jarvi, Valery Gergiev, Gianandrea Noseda. Esa Pekka Salonen, y Gustavo Dudamel. &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;La idea-Fuerza es, nos parece una inteligente provocación para &lt;i&gt;pensar&lt;/i&gt; en las novedades conceptuales que podrían signar una nueva manera de abordar a Gustav Mahler a los 150 años de nacido y 100 de muerto.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;De la grabacion Mahleriana anterior de Paavo Jarvi se escribio:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;"Hasta los mas tercos y dogmaticos Mahlerianos escucharan las cosas de manera renovada"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;"Even dyed-in-the-wool Mahlerians will hear things anew"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;                                                                                                           &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Journal Frankfurt&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TF9FS10N1jI/AAAAAAAAEXo/Hfvt81c1CGo/s1600/back+cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 248px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TF9FS10N1jI/AAAAAAAAEXo/Hfvt81c1CGo/s320/back+cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5503193459656087090" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.4shared.com/dir/59bNujSu/Mahler_2_Paavo_Jarvi_Frankfurt.html"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;DOWNLOAD.&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-6394622788580432025?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/6394622788580432025/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=6394622788580432025' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6394622788580432025'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/6394622788580432025'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/08/mahler-symphony-no-2paavo-jarvi-2010.html' title='Mahler: Symphony No. 2,Paavo Jarvi-(2010)'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_QMIBbvsVy9M/TF9ErYUhqaI/AAAAAAAAEXg/7AaaR4x6W-0/s72-c/front+cover.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-8383761017586423734</id><published>2010-07-22T22:18:00.000-05:00</published><updated>2010-07-22T22:19:13.323-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler Complete Co-Edition-Decca-Deutsche Grammophon'/><title type='text'>Gustav Mahler Complete Co-Edition-Decca/Deutsche Grammophon</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_QMIBbvsVy9M/TEYhn9dBALI/AAAAAAAAEVg/WVuJw6ylkE8/s1600/MAHLER+COMPLETE-COVER.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 294px; height: 300px;" src="http://1.bp.blogspot.com/_QMIBbvsVy9M/TEYhn9dBALI/AAAAAAAAEVg/WVuJw6ylkE8/s400/MAHLER+COMPLETE-COVER.jpeg" alt="" id="BLOGGER_PHOTO_ID_5496117365647147186" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="font-family:arial;"&gt;Gustav Mahler Complete  Co-Edition-Decca/Deutsche Grammophon&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;18 CD |DDD| 000289 477 8825 | 6 GB | Relesase 07 Jul 2010 |18 RAR &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;| FLAC&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color: rgb(204, 0, 0); font-weight: bold;"&gt;Free download.Descargas gratuitas.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt; &lt;/div&gt;&lt;span style="font-size:85%;"&gt; &lt;span style="font-family:arial;"&gt;La aportacion de las dos grandes disqueras al aniversario de &lt;span style="font-weight: bold;"&gt;150 del nacimiento de Gustav Mahler&lt;/span&gt; es la edicion conjunta de un &lt;span style="font-weight: bold;"&gt;Cofre de 18 CD`s &lt;/span&gt; que se constituye en &lt;span style="font-weight: bold;"&gt;la&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;primera edición de obras completas de Mahler de la historia.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Se trata de un cofre con &lt;span style="font-weight: bold;"&gt;las diez sinfonías, Das Lied von der Erde, Das klagende Lied, los ciclos de canciones, las canciones Knaben Wunderhorn y los primeros trabajos,&lt;/span&gt; en grabaciones de referencia de un gran conjunto de maestros, tenores y orquestas que han interpretado las obras de Mahler.&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;blockquote style="color: rgb(51, 51, 255);"&gt;&lt;span style="font-family:arial;"&gt;The Decca / Deutsche Grammophon catalogue of Mahler recordings is unsurpassable. Their major contribution to the 150th anniversary celebrations this year will be the first-ever Mahler Complete Edition, a combined effort of Decca and Deutsche Grammophon recordings as an 18-CD superbudget box, with the ten symphonies, Das Lied von der Erde, Das klagende Lied, the song cycles, the Knaben Wunderhorn songs and early works — in benchmark recordings by a great assembly of Mahler conductors, singers and orchestras.&lt;/span&gt; &lt;/blockquote&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;span style="color: rgb(204, 0, 0);"&gt;Composer&lt;/span&gt;: Gustav Mahler, Carl Maria von Weber&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;span style="color: rgb(204, 0, 0);"&gt;Performer:&lt;/span&gt; Ileana Cotrubas, Christa Ludwig, Maureen Forrester, Juliane Banse, Lucia Popp, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Heather Harper, René Kollo, Yvonne Minton, Martti Talvela, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;John Shirley-Quirk, Brigitte Fassbaender, Francisco Araiza, Anne Sofie von Otter, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Thomas Quasthoff, Thomas Hampson, Andreas Schmidt, Werner Hollweg, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Susan Dunn, Bernd Weikl, Ralf Gothóni, David Lutz, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Clemens Hagen, Gidon Kremer, Veronika Hagen, Oleg Maisenberg&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;br /&gt;Conductor&lt;/span&gt;: Rafael Kubelik, Zubin Mehta, Bernard Haitink, Pierre Boulez, Leonard Bernstein, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Claudio Abbado, Giuseppe Sinopoli, Sir Georg Solti, Herbert von Karajan, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Riccardo Chailly, Seiji Ozawa, Carlo Maria Giulini, Luciano Berio, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Mikhail Pletnev&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;br /&gt;Orchestra/Ensemble:&lt;/span&gt; Bavarian Radio Symphony Orchestra, Vienna State Opera Chorus, Vienna Philharmonic Orchestra, Royal Concertgebouw Orchestra, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;St. Willibrod Boy's Choir, Netherlands Radio Women's Chorus, Cleveland Orchestra, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Berlin Philharmonic Orchestra, Philharmonia Orchestra, Chicago Symphony Orchestra, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Vienna Singverein, Vienna Boys' Choir, Berlin Radio Symphony Orchestra, &lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;Boston Symphony Orchestra, Düsseldorf Städtischer Musikvereins Chorus, Russian National Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;1.&lt;br /&gt;&lt;br /&gt;Symphony no 1 in D major "Titan"&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="color: rgb(204, 102, 0); font-weight: bold;"&gt;Rafael Kubelik&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Bavarian Radio Symphony Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;2. Symphony no 2 in C minor "Resurrection" &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Ileana Cotrubas (Soprano), Christa Ludwig (Mezzo Soprano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor:&lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt; Zubin Mehta&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Philharmonic Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;3. Symphony no 3 in D minor&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Maureen Forrester (Alto)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor:&lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt; Bernard Haitink&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Royal Concertgebouw Orchestra, St. Willibrod Boy's Choir, Netherlands Radio Women's Chorus&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;4. Symphony no 4 in G major&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Juliane Banse (Soprano)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Pierre Boulez&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Cleveland Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;5. Symphony no 5 in C sharp minor&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Leonard Bernstein&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna Philharmonic Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;6. Symphony no 6 in A minor "Tragic"&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Claudio Abbado&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Berlin Philharmonic Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;7. Symphony no 7 in E minor &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;8. Symphony no 8 in E flat major "Symphony of A Thousand"&lt;/span&gt; by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Performer: Lucia Popp (Soprano), Heather Harper (Soprano), René Kollo (Tenor),&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Yvonne Minton (Mezzo Soprano), Martti Talvela (Bass), John Shirley-Quirk (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Sir Georg Solti&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Chicago Symphony Orchestra, Vienna State Opera Chorus, Vienna Singverein ...&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;9. Symphony no 9 in D major&lt;/span&gt; by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Conductor:&lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt; Herbert von Karajan&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Berlin Philharmonic Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;10. Totenfeier, symphonic poem in C minor&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Pierre Boulez&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Chicago Symphony Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: circa 1888; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;11. Symphony no 10 in F sharp minor/major&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Riccardo Chailly&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Berlin Radio Symphony Orchestra&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;12. Symphony no 1 in D major "Titan": Blumine&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Seiji Ozawa&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Boston Symphony Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1884-1888; Leipzig, Germany &lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;&lt;br /&gt;13. Das Lied von der Erde &lt;/span&gt;&lt;span style="font-family:arial;"&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Brigitte Fassbaender (Mezzo Soprano), Francisco Araiza (Tenor)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Carlo Maria Giulini&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Berlin Philharmonic Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1908-1909; Vienna, Austria&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;14. Des Knaben Wunderhorn by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Thomas Quasthoff (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor:&lt;span style="color: rgb(204, 102, 0);"&gt; Claudio Abbado&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Berlin Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1892-1898; Hamburg, Germany &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;15. Lieder eines fahrenden Gesellen &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Leonard Bernstein&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1883-1896; Germany &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;16. Kindertotenlieder &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Leonard Bernstein&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna Philharmonic Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1901-1904; Vienna, Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;17. Rückert Lieder (5)&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Performer:&lt;br /&gt;Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Leonard Bernstein&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Vienna Philharmonic Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1901-1902; Vienna, Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;18. Das klagende Lied &lt;/span&gt;by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Andreas Schmidt (Baritone), Werner Hollweg (Tenor), Brigitte Fassbaender (Mezzo Soprano),&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Susan Dunn (Soprano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Riccardo Chailly&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Berlin Radio Symphony Orchestra, Düsseldorf Städtischer Musikvereins Chorus&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1880/1899; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;19. Lieder und Gesänge, vol 1: no 1,&lt;/span&gt; Frühlingsmorgen by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1880-1883; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;20. Lieder und Gesänge, vol 1: no 2&lt;/span&gt;, Erinnerung by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1880-1883; Austria&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;21. Lieder und Gesänge, vol 1: no 3&lt;/span&gt;, Hans und Grethe by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Luciano Berio&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1880-1883; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;22. Lieder und Gesänge, vol 2: no 1&lt;/span&gt;, Um schlimme Kinder artig zu machen by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;23. Lieder und Gesänge, vol 3: no 1&lt;/span&gt;, Zu Strassburg by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;2&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;4. Lieder und Gesänge, vol 3: no 2&lt;/span&gt;, Ablösung im Sommer by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;25. Lieder und Gesänge, vol 3: no 3,&lt;/span&gt; Scheiden and Meiden by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor:&lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt; Luciano Berio&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1889; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;26. Lieder und Gesänge, vol 3: no 4,&lt;/span&gt; Nicht wiedersehen! by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;27. Lieder und Gesänge, vol 3: no 5,&lt;/span&gt; Selbstgefühl by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Performer: Bernd Weikl (Baritone)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: &lt;span style="font-weight: bold; color: rgb(204, 102, 0);"&gt;Giuseppe Sinopoli&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestra/Ensemble: Philharmonia Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;2&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;8. Songs (3)&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Thomas Hampson (Baritone), David Lutz (Piano)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;29. Lieder und Gesänge, vol 1: no 4&lt;/span&gt;, Serenade aus Don Juan by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1880-1883; Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;30. Lieder und Gesänge, vol 1: no 5&lt;/span&gt;, Phantasie aus Don Juan by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Written: 1880-1883; Austria&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;31. Lieder und Gesänge, vol 2: no 2&lt;/span&gt;, Ich ging mit Lust by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;32. Lieder und Gesänge, vol 2: no 3,&lt;/span&gt; Aus! Aus! by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Anne Sofie von Otter (Mezzo Soprano), Ralf Gothóni (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;33. Lieder und Gesänge, vol 2: no 4, &lt;/span&gt;Starke Einbildungskraft by Gustav Mahler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Performer: Thomas Hampson (Baritone), David Lutz (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1887-1890; Budapest, Hungary &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;34. Quartet for Piano and Strings in A minor&lt;/span&gt; by Gustav Mahler&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Performer: Clemens Hagen (Cello), Gidon Kremer (Violin), Veronika Hagen (Viola),&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Oleg Maisenberg (Piano)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: ?1876-78; Vienna, Austria &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;35. Die Drei Pintos, J Anh. 5:&lt;/span&gt; Entr'acte by Carl Maria von Weber&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Conductor: Mikhail Pletnev&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Orchestra/Ensemble: Russian National Orchestra&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Written: 1820-1821; Germany &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Notes: &lt;span style="color: rgb(204, 0, 0);"&gt;Completed by Gustav Mahler &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/dir/4VmRrT-t/Mahler_complete_edition_DECCA_.html"&gt;&lt;br /&gt;DOWNLOAD.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-8383761017586423734?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/8383761017586423734/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=8383761017586423734' title='4 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8383761017586423734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8383761017586423734'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/07/gustav-mahler-complete-co-edition.html' title='Gustav Mahler Complete Co-Edition-Decca/Deutsche Grammophon'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_QMIBbvsVy9M/TEYhn9dBALI/AAAAAAAAEVg/WVuJw6ylkE8/s72-c/MAHLER+COMPLETE-COVER.jpeg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-3957491105753647818</id><published>2010-07-20T13:55:00.002-05:00</published><updated>2010-07-20T15:00:11.734-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler by Paul Stefan'/><title type='text'>Gustav Mahler, by Paul Stefan</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TEX7ao_a_nI/AAAAAAAAEVA/0vUNy_5CC8M/s1600/Gustav_Mahler_by_Paul_Stefan.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 132px; height: 200px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TEX7ao_a_nI/AAAAAAAAEVA/0vUNy_5CC8M/s400/Gustav_Mahler_by_Paul_Stefan.jpg" alt="" id="BLOGGER_PHOTO_ID_5496075355374157426" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;Gustav Mahler, A Studie of His Personality and Work, by Paul Stefan&lt;/span&gt;&lt;br /&gt;Publisher: G. Schirmer | ASIN: B00085JYOU | 1913 | PDF | 148 Pages | 7,7 MB&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size:85%;"&gt;The present translation was undertaken by the writer some&lt;br /&gt;two years ago, on the appearance of the first German edition.&lt;br /&gt;Oskar Fried had made known to us in Berlin the overwhelming&lt;br /&gt;beauty of Mahler's music, and it was intended that the book&lt;br /&gt;should pave the way for Mahler in England. From his&lt;br /&gt;appearance there, we hoped that his genius as man and musician&lt;br /&gt;would be recognised, and also that his example would put&lt;br /&gt;an end to the intolerable existing chaos in reproductive musicmaking,&lt;br /&gt;wherein every quack may succeed who is unscrupulous&lt;br /&gt;enough and wealthy enough to hold out until he becomes&lt;br /&gt;"popular." The English musician's prayer was: "God preserve&lt;br /&gt;Mozart and Beethoven until the right man comes,"&lt;br /&gt;and this man would have been Mahler.&lt;br /&gt;Then came Mahler's death with such appalling suddenness&lt;br /&gt;for our youthful enthusiasm. Since that tragedy, "young"&lt;br /&gt;musicians suddenly find themselves a generation older, if&lt;br /&gt;only for the reason that the responsibility of continuing Mahler's&lt;br /&gt;ideals now rests upon their shoulders in dead earnest.&lt;br /&gt;The work, in England and elsewhere, will now fall to others.&lt;br /&gt;Progress will be slow at first, but the way is clear and there&lt;br /&gt;are those who are strong enough to walk in Mahler's footsteps.&lt;br /&gt;The future of Mahler's compositions is as certain as that his&lt;br /&gt;ideals will live; and it is perhaps they that concern the musical&lt;br /&gt;public most. In Germany their greatness is scarcely disputed&lt;br /&gt;to-day amongst musicians. Goethe distinguishes two&lt;br /&gt;kinds of music, that which aims at external perfection of&lt;br /&gt;texture, and that which strives to satisfy intelligence, sensibility&lt;br /&gt;and perception; and he adds that "without question, the&lt;br /&gt;union of these two characters does and must take place in the&lt;br /&gt;greatest works of the greatest masters." The opinion is&lt;br /&gt;irresistibly gaining ground that in modern music the two composers&lt;br /&gt;who have attained this limit of perfection are Beethoven&lt;br /&gt;and Mahler.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.4shared.com/account/document/4gm7ysHH/Gustav_Mahler_by_Paul_Stefan__.html?sId=UbcFpafLjEnqMmwy"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.4shared.com/account/document/4gm7ysHH/Gustav_Mahler_by_Paul_Stefan__.html?sId=UbcFpafLjEnqMmwy"&gt;Free  download / Descarga gratuita&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.4shared.com/account/document/4gm7ysHH/Gustav_Mahler_by_Paul_Stefan__.html?sId=UbcFpafLjEnqMmwy"&gt;at  1000 classical Music Books.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/dir/ktkF10_m/LIbros_de_Musica.html"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 126px; height: 126px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TD5t6jE7Z7I/AAAAAAAAETw/oOJKlHhhNks/s320/insert-violin.png" alt="" id="BLOGGER_PHOTO_ID_5493949448054335410" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;img src="file:///D:/DOCUME%7E1/rogelio/CONFIG%7E1/Temp/moz-screenshot-2.png" alt="" /&gt;&lt;img src="file:///D:/DOCUME%7E1/rogelio/CONFIG%7E1/Temp/moz-screenshot-3.png" alt="" /&gt;&lt;img src="file:///D:/DOCUME%7E1/rogelio/CONFIG%7E1/Temp/moz-screenshot-4.png" alt="" /&gt;&lt;img src="file:///D:/DOCUME%7E1/rogelio/CONFIG%7E1/Temp/moz-screenshot-5.png" alt="" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-3957491105753647818?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/3957491105753647818/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=3957491105753647818' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3957491105753647818'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/3957491105753647818'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/07/gustav-mahler-by-paul-stefan.html' title='Gustav Mahler, by Paul Stefan'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_QMIBbvsVy9M/TEX7ao_a_nI/AAAAAAAAEVA/0vUNy_5CC8M/s72-c/Gustav_Mahler_by_Paul_Stefan.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-8055924763449619260</id><published>2010-07-17T09:22:00.003-05:00</published><updated>2010-07-17T09:33:13.103-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mahler&apos;s Voices by Julian Johnson'/><title type='text'>Mahler's Voices: Expression and Irony in the Songs and Symphonies</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_QMIBbvsVy9M/TEG-Ihs0dtI/AAAAAAAAEUY/mjMIVHo69bE/s1600/Mahler%27s+Voices.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 159px; height: 262px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TEG-Ihs0dtI/AAAAAAAAEUY/mjMIVHo69bE/s200/Mahler%27s+Voices.jpeg" alt="" id="BLOGGER_PHOTO_ID_5494882074063304402" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Mahler's Voices: Expression and Irony in the Songs and Symphonies by Julian Johnson&lt;/span&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Oxford University Press | English | 2009-04-17 | ISBN: 0195372395 | 376 pages | PDF | 5,2 MB&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt; &lt;/div&gt;&lt;span style="font-size:85%;"&gt;  &lt;span style="font-family:arial;"&gt;Passionate and intense in one moment, ironic or brash in the next, Mahler's music speaks with a diversity of voices that often undermine its own ideals of unity, narrative struggle and transcendent affirmation. The composer plays constantly with musical genres and styles, moving between them without warning in a way that often bewildered his contemporaries. Ranging freely across Mahler's symphonies and songs in a thoughtful and thorough study of his musical speech, Julian Johnson considers how this body of music foregrounds the idea of artifice, construction and musical convention while at the same time presenting itself as act of authentic expression and disclosure. Mahler's Voices explores the shaping of this music through strategies of calling forth its own mysterious voice--as if from nature or the Unconscious--while at other times revealing itself as a made object, often self-consciously assembled from familiar and well-worn materials. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;A unique study not of Mahler's works as such but of Mahler's musical style, Mahler's Voices brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation. Through a radical self-awareness that links the romantic irony of the late 18th-century to the deconstructive attitude of the late 20th-century, Mahler's music forces us to rethink historical categories themselves. Yet what sets it apart, what continues to fascinate and disturb, is the music's ultimate refusal of this position, acknowledging the conventionality of all its voices while at the same time, in the intensity of its tone, speaking "as if" what it said were true. However bound up with the Viennese modernism that Mahler prefigured, the urgency of this act remains powerfully resonant for our own age.&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;&lt;br /&gt;Contents&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Index to Works Discussed xi&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;List of Music Examples xiii&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;1 Mahler and the Musical Voice&lt;/span&gt; 3&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;The Idea of Voice 3&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Songs and Symphonies 17&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Orchestral Voices 26&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;2 Calling Forth a Voice&lt;/span&gt; 41&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Calling Forth 41&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Horn Calls, Birdsong, and Bells 53&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Calling Back 71&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;3 Constructing a Voice&lt;/span&gt; 93&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Artifi ce and Invention 93&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Des Knaben Wunderhorn 99&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;The Middle Symphonies 106&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;4 Plural Voices&lt;/span&gt; 125&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Carnival Humor 125&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Irony and Tone 134&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Borrowed Voices 151&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;5 Genre and Voice&lt;/span&gt; 164&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Song 167&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Opera 171&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Symphony 185&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;6 Ways of Telling&lt;/span&gt; 195&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Literary Voices 195&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Idyll, Dream, and Fairy Tale 207&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Narrative Strategies 216&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;7 Vienna, Modernism, and Modernity&lt;/span&gt; 228&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Critical Voices 228&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Modernist Voices 237&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Political Voices 247&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;8 Performing Authenticity&lt;/span&gt; 263&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Reception and Performance 263&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Authenticity and Self-Critique 269&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;“As If ” 282&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Notes 289&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Bibliography 337&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Index 349&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/document/w8rkJkCK/Mahlers_Voices.html"&gt;&lt;span style="font-family:arial;"&gt;Free download / Descarga gratuita&lt;/span&gt; &lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.4shared.com/document/w8rkJkCK/Mahlers_Voices.html"&gt;&lt;span style="font-family:arial;"&gt;at 1000 classical Music Books.&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/document/w8rkJkCK/Mahlers_Voices.html"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.4shared.com/dir/ktkF10_m/LIbros_de_Musica.html"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 126px; height: 126px;" src="http://2.bp.blogspot.com/_QMIBbvsVy9M/TD5t6jE7Z7I/AAAAAAAAETw/oOJKlHhhNks/s320/insert-violin.png" alt="" id="BLOGGER_PHOTO_ID_5493949448054335410" border="0" /&gt;&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3209275853761703341-8055924763449619260?l=todomahler.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://todomahler.blogspot.com/feeds/8055924763449619260/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3209275853761703341&amp;postID=8055924763449619260' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8055924763449619260'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3209275853761703341/posts/default/8055924763449619260'/><link rel='alternate' type='text/html' href='http://todomahler.blogspot.com/2010/07/mahlers-voices-expression-and-irony-in.html' title='Mahler&apos;s Voices: Expression and Irony in the Songs and Symphonies'/><author><name>Colectivo Ruben Vizcaino Valencia.</name><uri>http://www.blogger.com/profile/17041163826807916601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://4.bp.blogspot.com/_QMIBbvsVy9M/SKtuSrio_QI/AAAAAAAAA0M/6oNe1mkuFV0/S220/ruben+1946.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QMIBbvsVy9M/TEG-Ihs0dtI/AAAAAAAAEUY/mjMIVHo69bE/s72-c/Mahler%27s+Voices.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3209275853761703341.post-2281268363776711040</id><published>2010-07-11T13:19:00.006-05:00</published><updated>2010-07-11T13:32:15.347-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gustav Mahler- The Symphonies by Constantin Floros (HTML-Book)'/><title type='text'>Gustav Mahler: The Symphonies, by Constantin Floros (HTML-Book)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_QMIBbvsVy9M/TDoNNKrbJoI/AAAAAAAAESQ/C-0wK8mXM2w/s1600/mahler+the+symphpnies+-floros.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 304px;" src="http://4.bp.blogspot.com/_QMIBbvsVy9M/TDoNNKrbJoI/AAAAAAAAESQ/C-0wK8mXM2w/s320/mahler+the+symphpnies+-floros.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5492717215387690626" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span"   style="  ;font-family:arial;font-size:small;"&gt;&lt;b&gt;Gustav Mahler: The Symphonies, by Constantin Floros&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span"   style="  ;font-family:arial;font-size:small;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span"   style="  ;font-family:arial;font-size:small;"&gt;Publisher: Amadeus Press | 2003-03-01 | ISBN: 1574670255 | 364 pages | &lt;b&gt;&lt;span class="Apple-style-span"  style="color:#CC0000;"&gt;HTML-BOOK&lt;/span&gt;&lt;/b&gt; | 3.01MB&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;CONTENTS &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Acknowledgments   &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;9 &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Introduction to the English Edition &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;11&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Introduction &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;15 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Content in Mahler's Symphonies &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;15 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Division of Mahler's Compositions into Time Periods &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;17 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;Part One: The Early Symphonies &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Fundamentals of "Tetralogy" &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;            21 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The First Symphony&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;            25 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;25 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The First Performance and the Various Versions &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;26 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Program &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;29 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Frühling und kein Ende ("Spring and No End") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;32 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;"Blumine" &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;36 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Mit vollen Segeln ("Under Full Sail") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;    37 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Todtenmarsch in Callots Manier &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;("Death March in Callot's Manner"): Mahler's "Heart-rending, Tragic Irony" &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;38 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Dall' Inferno al Paradiso &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;43 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The Second Symphony&lt;/b&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;51 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;51 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Eschatological Question As Program &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;54 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Allegro maestoso: Todtenfeier ("Funeral Rites") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;56&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Andante moderato &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;61 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Scherzo: Die Welt wie im Hohlspiegel ("The World As in a Concave Mirror") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;63 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Urlicht ("Primeval Light")  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;65 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Finale: The Apocalyptic Vision  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;67 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The Third Symphony&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;83 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;83 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Mahler's Cosmology and Its Sources &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;88 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Mahler Versus Nietzsche &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;91 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Symphony As an Image of the World  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;92 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Pan erwacht: Der Sommer marschiert ein (Bacchuszug) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;("Pan Awakens: Summer Marches In [Bacchus's Parade]") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;93 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Was mir die Blumen auf der Wiese erzählen ("What the Flowers in the Meadow Tell Me")              97 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Was mir die Thiere im Walde erzählen ("What the Animals in the Forest Tell Me") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;                99 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Was mir der Mensch erzählt ("What Mankind Tells Me")                                  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;              102 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Was mir die Engel erzählen ("What the Angels Tell Me")  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;104 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Was mir die Liebe erzählt ("What Love Tells Me") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;105 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The Fourth Symphony&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;109 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;109 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Life After Death As a Subject  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;112 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Design and Subject  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;116 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;First Movement: Die Welt als ewige Jetztzeit ("The World As Eternal Now")             117 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Scherzo: TodtentanzFreund Hein spielt zum Tanz auf &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;("Dance of DeathFriend Death is Striking Up the Dance") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;122 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Ruhevoll (Poco adagio)Das Lächeln der heiligen Ursula (Restful"The Smile of Saint Ursula") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;125 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Finale: Das himmlische Leben ("The Heavenly Life")  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;129 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;Part Two: The Middle Symphonies&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The "Completely New Style" &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;135 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The Fifth Symphony  &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;139 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;139 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Inner Program &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;141 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Trauermarsch: Wie ein Kondukt ("Death March: Like a Funeral Procession") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;142&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Stürmisch bewegt. Mit größter Vehemenz ("Turbulently Rough. With Greatest Vehemence")  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;145 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Scherzo &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;149 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Adagietto &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;154 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Rondo-Finale &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;155 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The Sixth Symphony&lt;/b&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;161 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;161 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Thematic Connections and Symbols &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;164 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Allegro energico &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;165 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Scherzo &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;172 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Andante moderato &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; 176 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Finale &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;180 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The Seventh Symphony&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;189 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;189 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Mahler's Hermeneutic Instructions &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;190 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;First Movement &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;192 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Nachtmusik I &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;198 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Schattenhaft ("Shadowlike") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;200 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Nachtmusik II: Andante amoroso &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;203 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Rondo-Finale &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;206 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The Eighth Symphony&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;213 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Comments by Mahler &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;213 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;214 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Spiritual Unity of the Two Parts &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;216 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Part I Hymn: Veni Creator Spiritus &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;218 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Part II The Final Scene from Goethe's Faust II  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;226 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;Part Three: The Late Symphonies &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Regarding the Late Style &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;241 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;Das Lied von der Erde ("The Song of the Earth")&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;243 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Autobiographical Background  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;243 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Arrangement of the Poems &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;245 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;A Symphony of Songs, Small and Large &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;247 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Musical Material and Exoticism &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;247 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Das Trinklied vom Jammer der Erde ("The Drinking Song about the Misery of the Earth") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;248 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Der Einsame im Herbst ("The Lonely One in Autumn") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;252 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Von der Jugend ("Regarding Youth")                                254&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Von der Schönheit ("Regarding Beauty") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;              256 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Der Trunkene im Frühling ("The Drunkard in Spring") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;260 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Der Abschied ("The Farewell") &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;262 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The Ninth Symphony&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;271 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;271 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Farewell, Death, and TransfigurationThe Central Topics of the Work's Reception &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;272 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Sequence of Movements and Disposition of Keys &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;276 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;First Movement &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; 277 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Second Movement &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;284 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Rondo-Burlesque &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;286 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Adagio                   &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;291 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;The Tenth Symphony &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt; &lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;297 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Fate of the WorkDeryck Cooke's "Concert Version"  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;297 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Origin &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;299 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Cyclical Concept &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;300 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Adagio &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;301 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span
